Contraband

Director: Michael Powell Michael Powell

Overview

"The Danish freighter Helvig approaches English waters in early 1940 and, in keeping with the needs of British security, it is boarded by customs and naval officials in search of contraband cargo. Her skipper, Captain Anderson (Conrad Veidt), is compelled to ascede to British demands, but dreads the delay, pointing out that the medical supplies in his cargo are vital. Anderssen is a dedicated seaman, all business, even where Mrs. Sorenson (Valerie Hobson), a headstrong passenger, is concerned. Then, on their first night in port, Mrs. Sorenson and a Mr. Pidgeon (Esmond Knight) disappear from the ship with Anderson's landing papers, the captain is in hot pursuit. Forced to join the woman in what seems a mad chase across London by night, he plunges into an Alice-in-Wonderland world of the blacked out city, following a set of clues through the maze of darkened streets and uncover a Nazi spy ring operating out of a basement in Soho. Each also discovers that there's a lot to admire and even possibly to love in the other -- the challenge is for Hobson, who is something other than the divorcee and mother she pretends to be, to stay alive long enough for Captain Anderson to effect a rescue and prevent the German spies from turning the British counter-intelligence effort against the Allies."

Product Details

Release Date:	04/24/2001
UPC:	0738329021122
Original Release:	1940
Source:	Kino Lorber
Region Code:	1
Presentation:	[B&W]
Language:	English
Time:	1:28:00
Sales rank:	37,841

Cast & Crew

Performance Credits

Conrad Veidt	Capt. Andersen
Hay Petrie	Axel Skold / Erik Skold
Valerie Hobson	Mrs.Sorensen
Esmond Knight	Mr.Pidgeon
Raymond Lovell	Van Dyne
Harold Warrender	Lt/Cdr Ellis
Charles Victor	Hendrick
Manning Whiley	Manager
Peter Bull	Grimm
Stuart Latham	Grimm
Leo Genn	Grimm
Dennis Arundell	Leinmann
John Roberts	Hanson
Eric Berry	Mr. Abo
Julien Vedey	Waiter
Olga Edwardes	Mrs. Abo
Paddy Browne	Singer
John Longden	Passport Officer
Eric Maturin	Passport Officer
Eric Hales	Second Karoly
Joss Ambler	Actor
Mark Daly	Taxi driver
Deborah Kerr	Bit Part (uncredited)
Richard Addinsell	Composer
Bernard Miles	Man lighting pipe
Torin Thatcher	Sailor

Technical Credits

Michael Powell

Emeric Pressburger

Brock Williams

Michael Powell	Director,Screenwriter
Emeric Pressburger	Screenwriter
Brock Williams	Screenwriter
John Corfield	Producer
C.C. Stevens	Sound/Sound Designer

Editorial Reviews

In 1938, Michael Powell completed a movie for Alexander Korda's London Films entitled The Spy In Black, a World War I espionage thriller with a screenplay by Emeric Pressburger, starring Conrad Veidt and Valerie Hobson. For reasons best known to himself, Korda held the film back from release for almost a year, and then issued it as the war broke out between England and Germany -- although it was set during World War I, the plot about a German plan to sink the British fleet anchored at Scapa Flow had a veneer of topicality, and the chemistry between Veidt and Hobson combined to turn it into an unexpected major hit, on both sides of the Atlantic. In England, it was a huge success during the period of the so-called "Phony War," and the blackouts that were enforced -- among the more oft-used shots of London under blackout from late 1939 and early 1940 includes the image of a huge movie marquee showing "The Spy In Black." It was during that same period that Powell and Pressburger decided that a follow-up film was in order. And the result was Contraband. Set during the period of the Phony War, amid blacked out London, it told a tale of suspense and espionage, filled with irony, and topical humor, and romance as well. As England was at war, it was impossible to have Veidt portray a sympathetic German, and so he played a Danish sea captain whose ship is boarded and seized by British authorities in search of contraband. Even this was something of a challenge by Powell and Pressburger to the established sensibilities of the period -- one wasn't supposed to focus patriotic movies upon the plight of neutrals caught up in the war, much less make them justifiably proud and defiant, and sympathetic. Hobson was largely repeating the role that she had played in The Spy In Black, in characteristics and performance if not name, of a capable and independent woman. Their characters still strike sparks, Veidt in perhaps the most romantic role of his entire career and Hobson at her most alluring. Powell and Pressburger managed to have some good-natured fun with the entire notion of the blackout imposed on London by night, and the uneasy situation of aliens living in a city at war, as well as recent politics -- the repeated image of a warehouse filled with busts of Neville Chamberlain, England's discredited appeasement-oriented prime minister, was one of the funniest, most subversive, and most patriotic images to be found in any wartime British thriller. Additionally, Powell paced the action here very fast amid the humor of Pressburger's script, so that the film stacks up very well against Hitchcock's rival contemporary release, the Hollywood-filmed Foreign Correspondent.