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| Denzel Washington | Easy Rawlins |
| Tom Sizemore | DeWitt Albright |
| Jennifer Beals | Daphne Monet |
| Don Cheadle | Mouse |
| Maury Chaykin | Matthew Terell |
| Lisa Nicole Carson | Coretta James |
| Terry Kinney | Todd Carter |
| Vinny Argiro | Baxter |
| Jernard Burks | Dupree Brouchard |
| L. Scott Caldwell | Hattie Parsons |
| G. Smokey Campbell | Nightclub Owner |
| Nicky Corello | Sheriff |
| Frank Davis | Butcher |
| Kenny Endoso | Manny |
| Nigel Gibbs | Bootlegger |
| Albert Hall | Odell |
| Barry "Shabaka" Henley | Woodcutter |
| Renee Humphrey | Barbara |
| Brendan Kelly | Terell's Chauffeur |
| Deborah Lacey | Sophie |
| Joseph Latimore | Frank Green |
| Scott Lincoln | Richard McGee |
| Jeris Poindexter | Alphonso Jenkins |
| Steve Randazzo | Benny Giacomo |
| Peggy Rea | Carter's Secretary |
| John Roselius | Mason |
| J.D. Smith | Pool Hall Owner |
| Beau Starr | Miller |
| Mel Winkler | Joppy |
| David Wolos-Fonteno | Junior Fornay |
| Carl Franklin | Director, Screenwriter |
| Jesse Beaton | Producer |
| Elmer Bernstein | Score Composer |
| Mark Cotone | Asst. Director |
| Sharen Davis | Costumes/Costume Designer |
| Jonathan Demme | Executive Producer |
| Cheryl Smith Dimont | Set Decoration/Design |
| Katterli A. Frauenfelder | Asst. Director |
| Gary Frutkoff | Production Designer |
| Tak Fujimoto | Cinematographer |
| Donna Gigliotti | Associate Producer |
| Gary Goetzman | Producer |
| Thomas A. Imperato | Associate Producer |
| Carole Kravetz | Editor |
| Walter Mosley | Associate Producer |
| Kathryn Peters | Set Decoration/Design |
| Lauren Polizzi | Set Decoration/Design |
| Edward Saxon | Executive Producer |
| Ken Segal | Sound/Sound Designer |
| Victoria Thomas | Casting |
| Tom Ward | Special Effects |
| Dan Webster | Art Director |
ElwoodP
Posted October 1, 2010
My favorite Denzel movie. Good crime mystery with interesting characters.
Set in post-war LA, it is a good period piece.
Anonymous
Posted October 1, 2010
Finally, a crime drama with an ethnic-lead cast. The post WWII timing adds classical ambiance with modern-day, bona-fide African-American stars (Washington/Cheadle). This film has a Casablanca feel, with a splash of soul. The script leads and teases with a fist full of twists and turns. This is one for the library.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted June 21, 2010
No text was provided for this review.
Anonymous
Posted October 30, 2008
No text was provided for this review.
Overview