Duellists

Duellists

4.7 4
Director: Ridley Scott, Keith Carradine, Harvey Keitel, Cristina Raines

Cast: Ridley Scott, Keith Carradine, Harvey Keitel, Cristina Raines

     
 

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Ridley Scott's directorial debut, The Duellists, comes to DVD with a widescreen transfer that preserves the original theatrical aspect ratio of the film. English soundtracks are rendered in both Dolby Digital 5.1 and Dolby Digital Surround, while a French soundtrack has been recorded in Dolby Digital Mono. English subtitles are accessible. Supplemental

Overview

Ridley Scott's directorial debut, The Duellists, comes to DVD with a widescreen transfer that preserves the original theatrical aspect ratio of the film. English soundtracks are rendered in both Dolby Digital 5.1 and Dolby Digital Surround, while a French soundtrack has been recorded in Dolby Digital Mono. English subtitles are accessible. Supplemental materials include a commentary track recorded by the director, occasional commentary from composer Howard Blake, an isolated soundtrack that contains nothing but the score of the film, trailers, storyboards, a still photo gallery, and Scott's first short film, Boy and Bicycle. This is a strong release from Paramount.

Editorial Reviews

All Movie Guide - Lucia Bozzola
The Duellists (1977) may look an awful lot like Stanley Kubrick's Barry Lyndon (1975), but first-time feature director Ridley Scott can hardly be faulted for picking such a sumptuous model. Based on a Joseph Conrad story (yet also structured around a series of duels like Barry Lyndon), adman -- and camera operator -- Scott turned The Duellists into a lusciously photographed spectacle of Napoleon-era France, complete with chiaroscuro interiors and painterly landscapes akin to Kubrick's vision of 18th century England. Along with the almost palpable visual atmosphere, particularly in the ice-cold sequence of Napoleon's Russian campaign, the kinetic dueling scenes between Keith Carradine and Harvey Keitel revealed Scott's well-honed control over the medium long before Gladiator (2000). Though Carradine and Keitel might not seem the obvious choices to play French army officers, their pointlessly adversarial relationship becomes as metaphorically effective as the actors' surroundings in communicating the psychic fallout of war and politics. Critically hailed as one of the most beautiful films of the year, The Duellists won Scott the Best First Film prize at the Cannes Film Festival and earned a BAFTA nomination for cinematographer Frank Tidy.

Product Details

Release Date:
12/03/2002
UPC:
0097360897548
Original Release:
1977
Rating:
PG
Source:
Paramount
Region Code:
1
Presentation:
[Wide Screen]
Sound:
[Dolby Digital Mono, Dolby Digital Surround, Dolby Digital 5.1 Surround]
Time:
1:40:00

Special Features

Commentary by director Ridley Scott; Commentary and isolated score by Howard Blake; Dueling Directors: Ridley Scott and Kevin Reynolds featurette; Boy and Bicycle: Ridley Scott's first short film; Photo galleries; Storyboards; Theatrical trailer

Cast & Crew

Scene Index

Side #1 --
1. Satisfaction For Gabriel Feraud
2. Important Soldier's Business
3. An Enemy of Reason
4. Nex Time, D'Hubert
5. Laura's Lonely Path
6. A Compliment to the Cavalry
7. Regrouped for Armageddon
8. Proper Marriage Arrangements
9. Prime Cause of the Quarrel
10. At the Mercy of Fouche
11. Too Deep an Injury
12. Pistols at Dawn
13. Armand's Notion of Honor
14. End Credits

Customer Reviews

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Duellists 4.8 out of 5 based on 0 ratings. 4 reviews.
Guest More than 1 year ago
Ridley Scott's first film starring Keith Carradine and Harvey Keitel exploring the concepts of honor, belligerence, and duels in the context of 19th century France during the Napoleanic Wars. Carradine and Keitel play the roles of two French officers in Napoleon's army engaged in a perpetual series of duels lasting over 20 years. The plot tension of endless duels reflects the ongoing thematic clash between belligerence and honor and how each feeds the other. Each character mirrors the opposite side of the spectrum of belligerence and honor throughout the story until the end. Keitel, in one of his best roles, plays a belligerent officer whose ego seeks to establish honor by sheer agression; no pretext is too small or absurd for him to fight a duel to the death. Caradine is his antagonist who will defend his honor to the last; even where the pretext of insult is so groundless to be even too comical to fight over. A parrallel theme is shown between Keitel's belligerent character and Napoleon's imperialistic egotism. At the end, Keitel's character is the one who remains a loyal supporter of Napoleon to the last while Caradine has moved on to associate himself with the returned aristocracy and cozy entourage of King Louis XVIII. The last scene shows Keitel wearing a Napoleanic hat paralleling how Napoleon would have looked over the seas from either St Helen or Elba still dreaming of reasserting his honor for the rest of the world to see. As usual, Ridley Scott immerses the audience in a plush, almost dreamlike, imagery of the European landscape with all the pageantry of the Napoleonic era. A good movie that has all of the right elements and appeals to all genders.
Guest More than 1 year ago
Visually stunning, hauntingly well written by Joesph Conrad, well acted...this movie combines everything needed for a successful cinematic experience...if you like good movies, see/buy this one...
Guest More than 1 year ago
This is a story about the hate between to proud soldiers in Napoleons army. Maybe is this the best of Ridley Scotts movies. With the wonderful music of Howard Blake it is the best spend 90 minutes in front of a TV you can have.
Guest More than 1 year ago
Ridley Scott's fine film captures the sweep of the Napoleonic Wars by focusing on the almost psychopathic relationship of two officers in the French Army. A fascinating analysis of personal honor, violence, and military culture. The historical details are amazing, with even the smallest changes in uniform from year to year being meticulously observed. The cinematography is superb, the reliance on natural lighting in particular really evokes the period beautifully. The action sequences - the duels themsleves - are amongst the most gripping and realistic ever filmed. It is no surprise that this film is a favorite amongst historians and students of the Napoleonic Wars, but it is also a thoughful, beautifully crafted film of general interest. Superb.