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| Karen Black | Fran |
| Bruce Dern | Lumley |
| Barbara Harris | Blanche |
| William Devane | Adamson |
| Ed Lauter | Maloney |
| Cathleen Nesbitt | Julia Rainbird |
| Katherine Helmond | Mrs. Maloney |
| Warren Kemmerling | Grandison |
| Edith Atwater | Mrs. Clay |
| William Prince | Bishop |
| Nicholas Colasanto | Constantine |
| Marge Redmond | Vera Hannagan |
| John Lehne | Andy Bush |
| Charles Tyner | Wheeler |
| Alexander Lockwood | Parson |
| Martin West | Sanger |
| Alfred Hitchcock | Silhouette behind glass door |
| Louise Lorimer | |
| Kate Murtagh | |
| Clint Young |
| Alfred Hitchcock | Director, Producer |
| James Alexander | Sound/Sound Designer |
| Frank Brendel | Special Effects |
| Henry Bumstead | Production Designer |
| Edith Head | Costumes/Costume Designer |
| Robert L. Hoyt | Sound/Sound Designer |
| Howard Kazanjian | Asst. Director |
| Ernest Lehman | Screenwriter |
| James W. Payne | Set Decoration/Design |
| Leonard J. South | Cinematographer |
| Jesse Wayne | Stunts |
| Ernest B. Wehmeyer | Production Manager |
| Albert J. Whitlock | Special Effects |
| J. Terry Williams | Editor |
| John Williams [composer] | Score Composer |
Anonymous
Posted October 1, 2010
A return to the tongue-and-cheek, pre-war Hitchcock. It is closer to "The Lady Vanashes" than to "Psycho". Of course, there's plenty of suspense and a dandy of a plot. Kidnapping, robbery, arson and murder are involved, along with a touch of larceny. Bruce Dern and Barbara Harris make an appealing pair of almost-good guys William Devane, Karen Black and a creepy Ed Lauter are the villains. Fittingly the tensest scenes (the kidnapping of a bishop a sequence where the hero's car goes out of control) are also the funniest. "Family Plot" is a reminder that the cinema's master of suspense was also a joker of genius. There is very little on-screen violence, but a number of events provide some spine-tingling moments. Hitch and scenarist Ernest Lehman re-teamed for the first time since "North By Northwest" and John Williams contributed a sparkling score. Not one of Hitch's best but better than most of the '70s thrillers and no apologies need be made of it. [filmfactsman]
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Posted July 9, 2011
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