I Am Love

( 1 )

Overview

This lavish, sprawling drama from filmmaker Luca Guadagnino has drawn numerous comparisons to the films of Luchino Visconti for the grace with which it plumbs the inner workings of the Italian upper crust. Edoardo Recchi Sr. Gabriele Ferzetti is the aging patriarch of a Milanese clan that has amassed a significant fortune over the years through shrewd investments in the textile business. Edoardo Sr. has a beautiful wife, Allegra Marisa Berenson, and the two have a reliable and dependable son, Tancredi Pippo ...
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Overview

This lavish, sprawling drama from filmmaker Luca Guadagnino has drawn numerous comparisons to the films of Luchino Visconti for the grace with which it plumbs the inner workings of the Italian upper crust. Edoardo Recchi Sr. Gabriele Ferzetti is the aging patriarch of a Milanese clan that has amassed a significant fortune over the years through shrewd investments in the textile business. Edoardo Sr. has a beautiful wife, Allegra Marisa Berenson, and the two have a reliable and dependable son, Tancredi Pippo Delbono. Years ago, Tancredi met, fell in love with, and then married a woman named Emma Tilda Swinton amid a trip to Russia, and brought her back home to Milan; their children include sons Edoardo Jr. Flavio Parenti and Gianluca Mattia Zaccaro, and artist daughter Elisabetta Alba Rohrwacher. The family gathers for a reunion at Edoardo Sr. and Allegra's villa in Milan, but the happy gathering takes a somber turn when Edoardo suddenly dies not long after having lunch with his family. But the death is far from the only pivotal event that occurs that day: Edoardo Jr. also introduces his mother to a chef, Antonio Edoardo Gabbriellini, with whom he plans to open a restaurant, and Emma finds herself drawn to the culinary artist. Meanwhile, Emma learns that Elisabetta is a lesbian, and though initially startled by this news, she takes the liberation of her daughter as inspiration for her own liberation from confining nuptials. On impulse, Emma travels to San Remo, catches sight of Antonio, and finds herself helplessly drawn to him. Meanwhile, as Emma and Elisabetta undertake their life-changing journeys, all of the men in the Recchi clan outside of Edoardo Jr. feel bound to profit-driven motives -- the commercialism of a class that has long ago shucked responsibility for its workers. This critically acclaimed film constituted Swinton's second collaboration with Guadagnino; they first worked together on the 1999 feature The Protagonists.
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Special Features

Commentary with Luca Guadognino (Director) and Tilda Swinton (Actor); Moments on the Set of I Am Love; Interviews with Cast and Crew
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Editorial Reviews

All Movie Guide - Nathan Southern
Every once in a while a film materializes that forces one to redefine what cinema is capable of accomplishing -- thematically, emotionally, visually. I Am Love Lo Sono l'Amore, a maddeningly ambitious effort by 39-year-old Italian director Luca Guadagnino, epitomizes this idea. Guadagnino doesn't simply tell a fascinating story; he has developed and enlists his own cinematic language. There are no arbitrary moves here; the writer-director has chosen every single shot to serve its own quiet purpose -- purposes alternately literal, functional, metaphoric, and purely aesthetic. The result is an unqualified masterpiece of the kind not seen in Italian cinema since the days of Visconti, De Sica, and early Bertolucci. And like the work of Visconti, I Am Love marks the rare film that succeeds wonderfully on both a social level in the extent to which it dramatizes class transitions in Italy and a personal one. The story explores the inner dynamics of the Recchis, a wealthy Milanese clan employed in the textile industry. Not long after the patriarch, Edoardo Sr. Gabriele Ferzetti, unexpectedly hands the reins of the operation to his grandson Edoardo "Edo" Jr. Flavio Parenti and then passes away, additional earth-shaking changes rattle the family. Edo's mother, Emma Tilda Swinton -- a Russian émigré married to Edoardo Sr.'s son Tancredi Pippo Delbono -- meets and secretly falls helplessly into the throes of erotic passion with Edo's friend, chef Antonio Edoardo Gabbriellini. Meanwhile, Emma learns that her daughter, Elisabetta Alba Rohrwacher, has discovered her own innate sexual identity and is enveloped by feelings for another young woman. On top of all this, Edo and Antonio begin to develop plans for their own outdoor restaurant, which distances Edo from the textile business and suggests that the young man has a very different future in store than the Recchi men of earlier generations. Guadagnino reveals his mastery of the medium early and often by establishing kinesthetic movement as the dominant trope here. This is a film about the unstoppable transition from one era to the next, and about the often painful rebirth that this necessitates -- a Yeatsian philosophy re-imagined by Guadagnino on a highly immediate, personal level. As a result, the director favors a wealth of tracking shots that beautifully underscore not just the ineffable changes befalling the familial dynasty, but the emotional journeys made by Emma and Elisabetta. Initially, it feels as though every shot tells its own autonomous story, conveying a wealth of information to the audience on a subliminal level -- to such a degree that one must go back and re-watch sequences numerous times or better yet, freeze the film frame by frame to gain the fullest insights into the material. The impression that we have is one of fragmented, deliberately piecemeal storytelling that resembles a centuries-old Italian mosaic -- and that magisterially coalesces on an emotional level in the final sequence into a single point of light, coincident with the final stage of Emma's personal arc. Throughout the movie, the writer-director remains fully aware of the power of symbolism, and as a result, utilizes ingenious and delicate metaphors to convey the characters' inner states -- as when he repeatedly cuts back and forth between shots of Emma, emotionally estranged from her husband on the ground floor of a centuries-old cathedral and longing to escape from the family, and a bird trapped in the same structure, violently flapping its wings and struggling to escape into open air. This instance of visual metaphor only represents one example; the film sports dozens of similar instances, each one seemingly more beautiful than the next. The performances are remarkable across the board -- but perhaps none more so than Swinton's. The British actress delivers her dialogue in fluent Italian and does so with Russian nuances and verbal inflections. On an emotional level, Swinton not only immerses herself into the character of Emma so deeply that the actress herself disappears, she continually makes the depth and breadth of Emma's restricted inner life and concomitant need for liberation palpable for the viewer. The result is emotionally overwhelming; when the final scene arrives, we feel at once exhilarated for Emma and physically shaken by the catharsis played out onscreen.
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Product Details

  • Release Date: 10/12/2010
  • UPC: 876964003452
  • Original Release: 2009
  • Rating:

  • Source: Magnolia
  • Presentation: Wide Screen / Subtitled
  • Sound: Dolby AC-3 Surround Sound
  • Time: 2:00:00
  • Format: Blu-ray
  • Sales rank: 36,533

Cast & Crew

Performance Credits
Tilda Swinton Emma Recchi
Flavio Parenti Edoardo Recchi Jr.
Edoardo Gabbriellini Antonio Biscaglia
Alba Rohrwacher Elisabetta Recchi
Pippo Delbono Tancredi Recchi
Maria Paiato Ida Marangon
Diane Fleri Eva Ugolini
Mattia Zaccaro Gianluca Recchi
Waris Ahluwalia Mr. Kubelkian
Gabriele Ferzetti Edoardo Recchi, Sr.
Marisa Berenson Allegra Recchi
Chiara Tomarelli Anita
Technical Credits
Luca Guadagnino Director, Original Story, Producer, Screenwriter
Barbara Alberti Screenwriter
Carlo Antonelli Associate Producer
Antonella Cannarozzi Costumes/Costume Designer
Ivan Cotroneo Screenwriter
Francesco Melzi d'Eril Producer
Francesco Melzi D'Eril Producer
Jorgelina Depetris Casting
Walter Fasano Editor, Screenwriter
Silvia Venturini Fendi Associate Producer
Boosey and Hawkes Musical Direction/Supervision
John Adams Score Composer
Marco Morabito Producer
Jen Moss Musical Direction/Supervision
Francesca Di Mottola Production Designer, Set Decoration/Design
Fernanda Perez Makeup
Yorick Le Saux Cinematographer
Tilda Swinton Producer
Alessandro Usai Producer
Francesco Vedovati Casting
Massimiliano Violante Producer
Candice Zaccagnino Associate Producer
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Customer Reviews

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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted August 23, 2011

    Beautiful film

    High class, lovely family, visually beautiful. Few words. Interesting relationships.

    Was this review helpful? Yes  No   Report this review
Sort by: Showing 1 Customer Reviews