It Follows

Director: David Robert Mitchell David Robert Mitchell

Overview

A sexually transmitted haunting plagues a Detroit teenager in this stylized horror film from director David Robert Mitchell (The Myth of the American Sleepover). In the wake of sleeping with a handsome stranger, Jay (Maika Monroe) quickly learns that she has inherited a most unusual curse: Wherever she goes, lumbering, half-naked phantoms follow, and their singular goal is to see her dead. Desperate, Jay turns to her younger sister and loyal circle of friends to for help. In time, however, Jay learns that her only hope for escaping death is to sleep with someone else, and pass the curse on. But the pursuing phantoms are invisible to Jay's friends and it soon becomes apparent that her time is running out. Now, with death closing in, the terrified young woman will be forced to make a difficult decision if she hopes to survive her terrifying ordeal.

Product Details

Release Date:	07/14/2015
UPC:	0013132630380
Original Release:	2014
Rating:	R
Source:	LIONSGATE - 600000-AEC LGE
Region Code:	1
Sound:	[Dolby Digital 5.1 Surround]
Language:	English
Time:	1:40:00
Sales rank:	29,683

Special Features

Critics' Commentary Hosted by Scott Weinberg; A Conversation with Film Composer Disasterpeace; Theatrical trailer; Poster Art Gallery

Cast & Crew

Performance Credits

Maika Monroe	Jay
Keir Gilchrist	Paul
Daniel Zovatto	Greg
Lili Sepe	Kelly
Jake Weary	Hugh/Jeff
Olivia Luccardi	Yara
Bailey Spry	Actor
Debbie Williams	Actor
Ruby Harris	Actor
Leisa Pulido	Actor
Loren Bass	Actor
Linda Boston	Actor
Claire Sloma	Actor
Ingrid Mortimer	Old Woman in Pajamas
Kourtney Bell	Chatting Girl
Scott Norman	Homeless Man Behind Tree
Erin Stone	High School Girl in Courtyard
Joanna Bronson	Nurse
Michael Alexander	Extra
Jeff Beach	Extra
Disasterpeace	Composer
Rich Vreeland	Composer

Technical Credits

David Robert Mitchell

David Robert Mitchell	Director,Screenwriter,Producer,Producer
Rebecca Green	Producer,Executive Producer,Producer
Erik Rommesmo	Producer
Laura D. Smith	Producer
Corey Large	Executive Producer,Producer
Jeff Schlossman	Executive Producer,Producer
Joshua Astrachan	Executive Producer,Producer
Bill Wallwork	Executive Producer,Producer
Mia Chang	Executive Producer,Producer
Alan Pao	Executive Producer,Producer
P. Jennifer Dana	Executive Producer,Producer
Robert Kurtzman	Makeup Special Effects
Laura D. Smith Ireland	Producer
Raffaele Apuzzo	Special Effects
Clayton Perry	Sound Effects
Kathie Talbot	Sound Effects
David Kaplan	Producer
Mark Bennett	Casting

Editorial Reviews

Whenever a teenager has sex in a horror movie, bad things are certain to follow. And that conclusion has never been truer than in director David Robert Mitchell's slow-burn chiller It Follows, in which a deadly curse is passed on to victims via sexual intercourse. Mitchell's film, which he also wrote, is a throwback to 1970s and '80s horror classics that dripped with dread instead of being saturated with CGI tricks to produce scares. It looks, sounds, and feels like something that John Carpenter (Halloween) might have made at the apex of his career. The story begins effectively with a panicked girl running from her suburban home. She dashes into the street as if some unseen predator is chasing her, then hops in a car and frantically drives to a beach, where she sits alone in the dark and shivers from fright. Cut to the next morning: The girl is dead, and one of her legs is broken in half. Who or what is responsible, and who might be next? The second part isn't hard to guess. We are quickly introduced to pretty blonde Jay (the excellent, fresh-faced Maika Monroe) as she sinks into her family's above-ground backyard pool. The eerie electronic score, no doubt an homage to Carpenter's hallowed Halloween soundtrack, lets us know that evil is nearby and will soon pay an unwelcome visit. Jay's new boyfriend Hugh (Jake Weary) takes her on a date, which culminates with them having sex in his car. But this isn't just any sexual encounter, as pleasure is the last thing on Hugh's mind. He explains to Jay that he has now passed on a curse to her, and that she will soon be followed by a mysterious, murderous figure that is able to change its appearance at will. It looks human, but is invisible to everyone else. It may resemble someone she knows, or it could take the guise of a complete stranger. The only things for certain are that it is now coming for her and the only way to get rid of it is to pass it along to someone else via sex. And if it kills her, then it will stalk him again. "It's very slow, but it's not dumb," Hugh warns. The drama unfolds in a Detroit suburban neighborhood that seems to be stuck in the past. Most of the vehicles are from the '70s (although some are more modern), and the characters watch black-and-white TV on ancient sets and play the childhood card game Old Maid. No one has a cell phone, but one gal does read books on a cool, clamshell-shaped e-reader. The lamps, drapes, and furnishings would look right at home in any '70s TV show or movie. And Mitchell's deliberate pace and direction fit the perfectly appointed atmosphere. He and cinematographer Michael Gioulakis employ long takes and slow zooms, almost all of which are accompanied by Disasterpeace's moody music, to build tension that pays off in real scares later on. Some might dismiss the film's premise as gimmicky, but in Mitchell's sure hands it works to perfection. Jay's dilemma amounts to more than being pursued by a silent, menacing demon that can't be stopped (even by bullets). She is faced with a complex moral decision. Should she free herself by passing this plague to someone else, which could amount to a very real death sentence? And if she does, should that person be a stranger or a friend? An ex-boyfriend (Daniel Zovatto) and a sweet geek (Keir Gilchrist) with a crush on Jay are all too willing to sleep with her and face whatever consequences may follow. The same question is posed to the audience: Would you be willing to damn someone else to ensure your own safety? Fans of gory scarefests may be disappointed by It Follows, as the violence is kept to a minimum. Mitchell is much more interested in creating an atmosphere of absolute dread that builds and builds, until your nerves are rattled and shattered. And that uneasy sense of foreboding will linger long after you've exited the theater.