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Ken Burns' America: Thomas Hart Benton
     

Ken Burns' America: Thomas Hart Benton

4.0 1
Director: Ken Burns, Jason Robards Jr.

Cast: Ken Burns, Jason Robards Jr.

 

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Ken Burns' America: Thomas Hart Benton comes to DVD with a standard full-frame transfer that preserves the original broadcast aspect ratio of 1.33:1. The English soundtrack is closed-captioned. There are no supplemental materials of any consequence, but those with an interest in learning about one of the most well-known American painters and fans of Ken Burns'

Overview

Ken Burns' America: Thomas Hart Benton comes to DVD with a standard full-frame transfer that preserves the original broadcast aspect ratio of 1.33:1. The English soundtrack is closed-captioned. There are no supplemental materials of any consequence, but those with an interest in learning about one of the most well-known American painters and fans of Ken Burns' unique style will enjoy this solid release from PBS.

Product Details

Release Date:
09/28/2004
UPC:
0841887051316
Original Release:
1989
Rating:
NR
Source:
Pbs (Direct)
Region Code:
1
Presentation:
[Wide Screen]
Time:
1:26:00
Sales rank:
47,469

Special Features

Closed Caption; A conversation with Ken Burns; Ken Burns: Making History

Cast & Crew

Scene Index

Disc #1 -- KEN BURNS AMERICA COLLECTION: THOMAS HART BENTON
1. Prologue [5:58]
2. Neosho [6:33]
3. New York [22:45]
4. Kansas City [14:55]
5. Years Of Peril [11:25]
6. Outliving Your Enemies [16:44]
7. The Benton Bash [5:58]
8. Credits [2:32]

Customer Reviews

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Ken Burns' America: Thomas Hart Benton 4 out of 5 based on 0 ratings. 1 reviews.
Guest More than 1 year ago
This Ken Burns documentary does a very good job of presenting the basic facts of Benton's life and explaining the significance of his work. Several of Benton's colleagues provide insights into the man and his character, but for me the key insights are contributed by his daughter. The documentary also does a good job of explaining Benton's place in the American art world, and includes comments by those critical of his style. Benton's work is hard to present in the DVD format, because his murals are so large and ambitious. While the camera shows portions of his most famous murals, I wish the camera could have panned slowly across the complete span of Benton's "America Today" mural at the New School for Social Research in New York, because that mural could be considered his most ambitious project from a thematic point of view.