Kingdom of Heaven Director's Cut (4-Disc Set)

Kingdom of Heaven Director's Cut (4-Disc Set)

4.1 60
Director: Ridley Scott

Cast: Orlando Bloom, Eva Green, Jeremy Irons


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Ridley Scott directed this epic-scale historical drama inspired by the events of the Crusades of the 12th century. Balian (Orlando Bloom) is a humble French blacksmith who is searching for a reason to go on after the death of his wife and children. Balian is approached by Godfrey of Ibelin (Liam Neeson), a fabled knight who has briefly returned home after serving in…  See more details below


Ridley Scott directed this epic-scale historical drama inspired by the events of the Crusades of the 12th century. Balian (Orlando Bloom) is a humble French blacksmith who is searching for a reason to go on after the death of his wife and children. Balian is approached by Godfrey of Ibelin (Liam Neeson), a fabled knight who has briefly returned home after serving in the East. Godfrey informs Balian that he is his true father, and urges the blacksmith to join him as he and his forces journey to Jerusalem to help defend the holy city. Balian accepts, and he and Godfrey arrive during the lull between the Second and Third Crusades, in which the city is enjoying a fragile peace. Both Christian and Muslim forces are temporarily in retreat, thanks to the wisdom of the Christian monarch King Baldwin IV (Edward Norton), his second-in-command Tiberias (Jeremy Irons), and Muslim potentate Saladin (Ghassan Massoud). Violent agitators on both sides are foolishly eager to end the peace in a bid for greater power, and Saladin bows to pressures from Muslim factions; Godfrey is one of a handful of brave knights who has thrown his allegiance behind Baldwin IV and his community of diversity, and Balian joins him as they use their skills as warriors in a bid to build a lasting peace. Kingdom of Heaven also stars Eva Green as the princess Sibylla, David Thewlis as Hospitaler the priest, and Brendan Gleeson as Reynald.

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Editorial Reviews

Barnes & Noble - Ed Hulse
Director Ridley Scott (Gladiator) has really outdone himself with this spellbinding film, an elaborately mounted epic that takes occasional liberties with the historical record but recreates the period so evocatively that viewers will be held in thrall to its sweeping narrative. The movie opens in the 12th century, between the Second and Third Crusades, with Jerusalem in Christian hands and the Leper King, Baldwin (Edward Norton), maintaining an uneasy peace with the Muslim warrior prince Saladin (Ghassan Massoud). With a truce in place, Sir Godfrey of Ibelin (Liam Neeson) returns to France in hopes of persuading his illegitimate son, Balian (Orlando Bloom), to join him in the Holy Land and defend Baldwin’s “kingdom of heaven.” Unbeknownst to either of them, unscrupulous, plundering Templar knights are undermining the peace -- inflaming the Muslim hordes and risking Jerusalem’s safety. Scott exhibits remarkable skill in telling the larger story and depicting historical events while maintaining an emphasis on more intimate, character-driven aspects of the story, such as Baldwin’s tender relationship with his sister, Sibylla (Eva Green), and adviser, Tiberias (Jeremy Irons), as well as Sibylla’s on-and-off romance with Balian. Scott lays blame for the siege of Jerusalem plainly and unambiguously at the feet of the villainous knights, and he goes to considerable lengths to make Saladin the chivalrous warrior of legend, but the film isn’t a cut-and-dried exercise in political correctness. The Europeans aren’t all bad, nor the Arab Muslims all good. In fact, the director is to be commended for approaching this very complex phase of history in a reasonably evenhanded way. Were this not the case, however, it wouldn’t change the fact that Kingdom of Heaven is extraordinarily entertaining. Everything about it is first-rate, with Scott’s realistic, expansively staged battle sequences meriting special commendation.
All Movie Guide
It's a shame this film had to come after Troy and Alexander because, despite a few flaws, it is far superior to those stabs at modernizing the costume epic. Kingdom of Heaven succeeds where those films fail because it manages to hit the right blend of grandeur and subtlety. As one would expect from a Ridley Scott film, the grandeur comes through in a wealth of period detail, many stunning vistas filmed on location, and a meticulously staged battle scene in the finale. However, what makes Kingdom of Heaven rewarding is its "subtlety" component: William Monahan's script takes great pains to create a multifaceted tale that depicts both sides of the war in an evenhanded fashion and also reminds the viewer of how religion once dominated the lives of most people. It also benefits from subtle performances that counteract the trend of broad overplaying that mars many similar epics: Orlando Bloom believably underplays his role (a big contrast to his matinee-idol prancing in Troy), Eva Green makes a suitably alluring and likeably resilient romantic interest, and Liam Neeson, Jeremy Irons, and David Thewlis flesh out their smaller roles with a knowing, believably world-weary cynicism. On the downside, the pressure of getting across the storyline in just two and a half hours means the story suffers a few sudden leaps and awkward transitions in its first half (specifically in how Bloom ends up in Jerusalem). However, these kinks get ironed out by the midpoint and the high quality of the film's other aspects helps make up for these flaws. In short, Kingdom of Heaven has its problems but is easily the best of the recent "sword-and-sandal epic" cycle.

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Product Details

Release Date:
Original Release:
20th Century Fox
Region Code:
[Wide Screen]

Special Features

Closed Caption; Discs One & Two: The Director's Cut - ; Ridley Scott's definitive 194-minute version of the film; Exclusive Roadshow presentation, with overture, intermission and entr'acte; Director's Cut introduction by Ridley Scott; Audio commentaries featuring: Director/producer Ridley Scott, Actor Orlando Bloom, Writer William Monahan, Executive Producer Lisa Ellzey, Visual effects supervisor Wesley Sewell, first assistant director Adam Somner and film editor Dody Dorn; The enginer's guide: A new on-screen text track with production notes and trivia about the film; ; Discs Three & Four: The Path to Redemption - ; An All-access 6-part feature-length documentary detailing the film's historical origins, script development, pre-production, shooting in Spain and Morocco, editing, music and theatrical release; Over 30 minutes of additional deleted and extended scenes, with commentary ; All-new featurettes covering the film's historical accuracy, crafting weapons and costumes, planning the massive siege sequence and creating the director's cut; Ridley Scott's never-before-seen cast rehearsals with Orlando Bloom, Eva Green, Liam Neeson, David Thewlis and Marton Csokas; Visual effects breakdowns, with commentary; Interactive sound design suite, with sample tracks and mini-featurettes; An early draft of the screenplay and development notes; Production design, conceptual art, costume, unit photography and storyboard galleries; Footage from the London, New York and Tokyo premieres; Domestic and international poster explorations; Trailers and TV spots

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Cast & Crew

Performance Credits
Orlando Bloom Balian
Eva Green Sibylla
Jeremy Irons Tiberias
David Thewlis Hospitaler
Brendan Gleeson Reynald
Marton Csokas Guy de Lusignan
Michael Sheen Priest
Liam Neeson Godfrey
Edward Norton King Baldwin IV
Ghassan Massoud Saladin
Alexander Siddig Nasir
Khaled Nabawy Mullah
Kevin McKidd English Sergeant
Velibor Topic Almaric
Jon Finch Patriarch
Ulrich Thomsen Templar Master
Nikolaj Coster-Waldau Village Sheriff
Iain Glen Richard Coeur de Lion
Jouko Ahola Odo
Martin Hancock Gravedigger
Nathalie Cox Balian's Wife
Eriq Ebouaney Firuz
Philip Glenister Squire
Bronson Webb Apprentice
Steven Robertson Angelic Priest
Michael Shaeffer Young Sergeant
Nasser Memarzia Muslim Grandee
Lofti Yahya Jedidi Old Ibelin Housekeeper
Samira Draa Sibylla's Maid
Matthew Rutherford Rider
Michael Fitzgerald Humphrey
Karim Saleh Saracen Messenger
Shane Attwooll Reynald's Templar Knight
Giannina Facio Saladin's Sister
Emilio Doorgasingh Saracen Engineer
Peter Cant Peasant Boy
Angus Wright Richard's Knight
Back Choir Singer
Catherine Bott Singer
Choir of the Kings Consort Singer
Iestyn Davies Singer
Brian Gulland Singer
Robert King Conductor
Lisbeth Scott Singer
Nicole Tibbles Singer

Technical Credits
Ridley Scott Director,Producer
Adil Abdelwahab Asst. Director
Mark Albela Co-producer
Alessandro Alberti Art Director
Eugenio Alonso Stunts
Menyhert Balog-Dutombe Stunts
Maria Teresa Barbasso Art Director
Jose Luis Del Barco Art Director
Domingo Beltran Stunts
Salah Benchagra Casting
Zhor Bennani Makeup
Rastislav Benza Stunts
Ferenc Berecz Stunts
Toni Bobeta Stunts
Carlos Suarez Bodelon Art Director
Oleg Botin Stunts
Charlie Bradbury Producer
Ignacio Carreno Stunts
Pablo Casillas Stunts
Jose Manuel Cerdan Stunts
Mari Carmen Clavel Makeup
Alejandro Cobo Stunts
Neil Corbould Special Effects
Jonathan Costelloe Stunts
Robert Cowper Art Director
Ricardo Cruz Stunts
Gergely Csolle Stunts
Hayat Oulad Dahou Makeup
Montserrat Damas Makeup
Rogerio Carlos De Oliveira Stunts
Bruce Devan Production Manager
Dody Dorn Editor
Lisa Ellzey Executive Producer
Michael Elson Executive Producer
Paul Engelen Makeup
Tomas Ereminas Stunts
Pedro Fraile Stunts
Vladimir Furdik Stunts
Pedro Garcia Garcia Stunts
Gabriel Garcia Stunts
Juan Garcia Art Director
David Garrick Stunts
Gianni Giovagnoni Art Director
Harry Gregson-Williams Score Composer
Peter Hric Stunts
Martin Hume Camera Operator
Clive Jackson Camera Operator
Vladislavas Jacukevicius Stunts
Saulius Janavicius Stunts
Roman Jankovic Stunts
Jina Jay Casting
Filip Kadlec Stunts
Teresa Kelly Associate Producer
Krisztian Kery Stunts
Souad El Khatabi Makeup
John King Art Director
Ales Kosnar Stunts
Ratislav Kotula Stunts
Martin Kraus Stunts
Ivo Kristof Stunts
Gustav Kyselica Stunts
Melissa Lackersteen Makeup
Marese Langan Makeup
Ken Lawrence Production Manager
Pedro Lazaga Asst. Director
Inocencio Losada Stunts
Branko Lustig Executive Producer
Anderson Martin Stunts
Branislav Martinak Stunts
Daniele Massaccesi Camera Operator
John Mathieson Cinematographer
Arthur Max Production Designer
Ivan Mica Stunts
Lubomir Misak Stunts
Henning Molfenter Co-producer
Zoltan Molnar Stunts
William Monahan Screenwriter
Atilla Mora Stunts
Giedrius Nagys Stunts
Terry Needham Asst. Director,Executive Producer
Ghislane Nejjar Makeup
Mohamed Nesrate Asst. Director
Patricia Nieto Production Manager
Denise O'dell Co-producer
Peter Olgyay Stunts
Joaquin Olias Stunts
Jose Antonio Ona Stunts
Hernando Ortiz Stunts
Domonkos Pardanyi Stunts
Gabor Piroch Stunts
Peter Plazak Stunts
Chris Plevin Camera Operator
Thierry Potok Co-producer
Lehocky Radoslav Stunts
Darin John Rivetti Asst. Director
Neil Roche Animator
Patricia Rodriguez Makeup
Jason Rodriguez Stunts
Bouchra Sakhi Makeup
Stanislav Samuchov Stunts
Miguel Santiago Stunts
Gabriel Manja Sarki Stunts
Stanislav Satko Stunts
Jose Maria Serrano Stunts
Neville Shulman Consultant/advisor
Matteo Silvi Makeup
Allan Smith Stunts
Robert Smith Camera Operator
Adam Somner Asst. Director
David A. Stephenson Sound/Sound Designer
Emily Stillman Production Manager
Marc Streitenfeld Musical Direction/Supervision
Gaspar Szabo Stunts
Istvan Szigeti Stunts
Marek Toth Stunts
Marco Trentini Art Director
Martin Uhrovcik Stunts
Laszlo Ujvari Stunts
Pavel Vokoun Stunts
Mark Aaron Wagner Stunts
Ty Warren Associate Producer
Julia Wigginton Production Manager
Janty Yates Costumes/Costume Designer
Debra Zane Casting

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Scene Index

Disc #1 -- Kingdom of Heaven: The Director's Cut Part One
1. Overture [1:43]
2. Crossroads [:21]
3. Crusaders [:18]
4. Without an Heir [:39]
5. Sin [3:09]
6. Old Memories [2:52]
7. The Baron's Son [1:59]
8. In Hell [2:15]
9. To Erase My Sins [3:00]
10. The Guard of the Hawk [2:45]
11. Whoever Dies Here Today [:52]
12. The Path to Heaven [2:22]
13. A Better World [1:25]
14. Remember That Name [2:15]
15. The Knight's Oath [1:08]
16. Perilous Journey [5:17]
17. The Saracen's Challenge [1:52]
18. Jerusalem [:39]
19. The New Baron [1:36]
20. Sibylla [1:41]
21. The Marshal of Jerusalem [2:41]
22. His Father's Son [1:59]
23. At the King's Table [:43]
24. The Leper King [3:56]
25. Ibelin [3:12]
26. Guests of the House [2:29]
27. There Is Only Light [2:41]
28. God Wills It [2:18]
29. Tokens [:38]
30. Blasphemy [1:21]
31. Defenders of Kerak [2:39]
32. The Friendly Enemy [4:06]
33. Jerusalem Has Come [:24]
34. The Kiss of Peace [4:24]
Disc #2 -- Kingdom of Heaven: The Director's Cut Part Two
1. Entr'Acte [2:19]
2. I Quake for Islam [2:25]
3. Power [3:11]
4. An Understanding [2:25]
5. Conscience or Nothing [:13]
6. The Final Dream [4:53]
7. Long Live the King [2:58]
8. The Reckoning [1:31]
9. A Mother's Pain [1:36]
10. Templars' Attack [1:37]
11. Queen of Jerusalem [3:12]
12. Beloved Sister [:42]
13. He Is Waiting [2:05]
14. The Road to Hattin [:50]
15. A King's Example [2:45]
16. Four Days [2:10]
17. To Defend Jerusalem [1:50]
18. Rise a Knight [1:41]
19. Siege [2:49]
20. Retaliation [1:52]
21. The Third Day [3:15]
22. God Will Understand [:31]
23. The Door Into Jerusalem [2:21]
24. Final Stand [4:36]
25. Nothing and Everything [6:03]
26. The Perfect Knight [2:22]
27. Leaving Jerusalem [1:58]
28. A Queen Never Walks [2:08]
29. I Am the Blacksmith [3:38]
30. Epilogue/End Titles [5:45]

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Kingdom of Heaven 4.1 out of 5 based on 0 ratings. 60 reviews.
Guest More than 1 year ago
This directors cut is the film that should have been released to the theaters in the first place. Watch this version and find a great film in place of the mediocre one you saw the first time. Characters make sense, performances are more complete. Ridley Scott needs to talk to Peter Jackson and find out how to get the film you made released instead of a 2 hour hacked up, studio version. Enjoy the movie you were meant to see!!
Guest More than 1 year ago
No matter what is done with the film it will never be a perfect movie. It is still historically incorrect. However, the director's cut does improve the story, the missing plot lines fill in all of the holes and the battle scenes are much better than before, plus they really pulled out the stops when it comes to the extra features, so based on those reasons i will give it a five.
Guest More than 1 year ago
I found myself asking this question throughout the entire movie. Sure the battle scenes were excellent (sometimes over the top) and the acting was great, but I thought something was missing. I finally realized that they never did state a concrete fact on why this war was going on. They made Jerusalem look like a stronghold for these peasants who lived there and the Muslims were after the peasants, not the city itself. While they did make references to the Church, they made this one bishop look like a cowardly oaf (like they always do) and Thewlis was a priest/soldier? I thought that priest took a vow to never kill. The only way this movie pulled through was because they had the "good-looking" Orlando Bloom on there, for the girls anyway. At the final confrontation in Jerusalem, Bloom encourages the crowd "Let them come, we have to defend this city." He never gives the real reason why the city is so important, it just is for some reason. In a nutshell, as the movie went on, I thought they started to lose sight of why the Crusades were being fought. Great action movie. Poorly based on historical fact.
Guest More than 1 year ago
Sir Ridley Scott is amazing probably making his third best film, Gladiator as #1 and Black Hawk Down as #2, in this amazing epic there is a great storyline and intense battle scenes, SIR RIDLEY SCOTT is my hero!
Anonymous More than 1 year ago
Up-conversion of standard DVDs looks pretty good, so if you're like me, it's not worth $30 a pop (on average) to replace my collection with Blu-Ray discs. Kingdom of Heaven is one of those films that is well worth the extra pixels. On it's own, as a movie, Kingdom of Heaven is a very good film. I'm not all that fond of Orlando Bloom as an actor (he's following in Keanu Reeves's footsteps on his way to becoming the most well-known piece of wood in the industry). But strong performances from a stellar supporting cast, an interesting script, and stunningly good visuals elevate the level of this film to the pantheon of "those I will watch multiple times". As for the Blu-Ray version, I can only say - beautiful. The investment in a big HD screen and Blu-Ray player and entertainment system seem well worthwhile. I now get a movie-watching experience that bests most movie theaters, and Kingdom of Heaven is a joy to watch. I highly recommend this.
ndokizoba More than 1 year ago
I give it a five star rating every time I see it, the music is spectacular, the shortened version leaves out all the best parts that also give it understanding and poignancy, anyone who has lived or visited the desert will truly feel the wonder as Balian looks over his land from the balcony, the brief love scene with arab music behind it is torrid and memorable, even with the historical distortion, all the characters are alive, good and evil and some even mystical. I saw the first version, bought the shortened one whicfh was worthless and now am buyingthe directors cut to appreciate all that the shorftened version was missing. A great film.
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Guest More than 1 year ago
Both Ridley & Orlando struck gold yet again with KOH, the 1st film based truly on the Crusades (All those others were Robin Hood/Ivanhoe films). Bloom continues to prove he's our generation's Errol Flynn with another mesmerizing swahbuckling role, this time as a haunted but heroic knight alongside a brilliant cast of legends ( Neeson & Irons) and newcomers ( Green & Csokas ). Maybe the best performance was Ed Norton uncredited as the dying but noble King Baldwin. The film's non-racial portrayal of Muslims was a real breath of fresh air, considering that in the past Arabs have always been seen as terrorist-types in film. This one displayed both Christians & Muslims as noble cultures held together by compassionate leaders but forced into conflict by ruthless scheamers. There were no heroes in that war, just tragic victims in both camps. Everything in KOH is near-perfect minus some tiny plot holes. This ranks with Gladiator, Braveheart & even fictional masterpiece: LOTR. A must own.
Guest More than 1 year ago
Orlando Bloom(Balian)was a smash hit in the box office even the first day. The other stars were excelent, but Orlando Bloom was incredible. I would really suggest this movie to all Orlando Bloom fans.
Guest More than 1 year ago
I saw Kingdom of Heaven in theaters twice, and let me say it was better the second time around! Orlando Bloom is AWESOME and the music really went with the movie. The dialoge was really good too. I loved how they portayed all the characters in the movie. If your an epic loving person, or you just love Orlando Bloom this is the movie for you! It has everything from cool figting scenes to soft love moments. Just be warned there is a lot of blood and Orlando Bloom had his shirt off! Yup I did a lot of hyperventilating in the theater... ^_^ Get it went the movie comes out! I know I'm getting mine the first day! ^_~
Guest More than 1 year ago
This movie isn't the best movie out there starring Orlando, but it is a good way to pass an evening. The siege on Jerusalem in the end was the best part.
Guest More than 1 year ago
I'll keep this short and sweet: I normally hate epics with fighting and all that, but I saw Orlando as one of the leads and I gave it a chance. LOVED IT!!! Orlando is as hott as ever - the other characters rock - the music fits - the special effects are good...AWESOME MOVIE. Confusing at some points, but it all comes together in the end!
Guest More than 1 year ago
This is a great movie, and you should definitely watch the extended version. For those who say that it shows Muslims in a better light than they were, here is an excerpt from Wikipedia. "espite his fierce opposition to the Christian powers, Saladin achieved a great reputation in Europe as a chivalrous knight, so much so that there existed by the 14th century an epic poem about his exploits, and Dante included him among the virtuous pagan souls in Limbo. The noble Saladin appears in a sympathetic light in Sir Walter Scott's The Talisman (1825). Despite the Crusaders' slaughter of Muslim men, women, and children when they originally conquered Jerusalem in 1099, Saladin granted amnesty and free passage to all common Catholics and even to the defeated Christian army (the Greek Orthodox Christians were treated better, because they opposed the crusades). An interesting view of Salah al-Din and the world in which he lived is provided by Tariq Ali's novel The Book of Saladin (London: Verso, 1998). Despite the differences in beliefs, Saladin was respected by Christian lords, Richard especially. Richard once praised Saladin as a great prince, saying that he was without doubt the greatest and most powerful leader in the Islamic world. Saladin in his turn stated that he would rather lose Jerusalem to Richard than to anyone else. After the treaty, Saladin and Richard sent each other many gifts as tokens of respect. However, these two military leaders never met face to face."
Guest More than 1 year ago
Orlando Bloom is excellent in every role he plays and he is no disappointment here. Bloom not his usual clean cut look, goes for a rough look here portraying a young man who has to find his place as he battles for his survival. I thought this was an excellent movie about war, courage, sacrifice and hope. I would recommend it to all those who love movies of war and those who love Orlando bloom
Guest More than 1 year ago
This movie is one of the best I have seen because it has a great storyline and a lot of action. To set the record straight for those who criticise its view point, this movie is not about christians or muslims being evil but about our intolerance and our blinding loyalty to religion which is evident even in modern times. Also, Balian protects the people not the city of Jerusalem, because it is his duty as a knight. As the Hospitaller states, "Holiness is in right action.."
lrg More than 1 year ago
One must remember that you are watching here is a fictional depiction of historical events. It's an action movie whose primary motive is to entertain. Though there are historical figures and events, it is meant to be an action movie and not a documentary. There is no comedy and very little romance.

The effects are well-done, performances solid, and plot/script tight. There is much inspiration to take from the main character who comes "full circle," whose motives and decisions are not always well-considered, but whose courage is unflappable and heart/conscience untainted.

To those offended by the depiction of Christians/Catholics, I share your discomfort. But any indignation should be appeased with this. First, it's a fictional depiction of historical events, it does not claim to be a documentary full of facts. Second, if you read books about the Crusades, you will see human motives were very much a part of why these wars were fought. Some seek adventure, escape, and riches. Others just like power and killing. The focus of the movie was greatest on the Christian characters, so we did not get to see much of the Muslims. But recall at least one who wanted nothing more to take the city at any cost.

In our (Western) history, the Crusades have traditionally been described as a divinely inspired failed military adventure. Seldom detailed are the wholesale slaughter, i.e. when the crusaders captured Jerusalem or sacked Constantinople, both deeply religious and cosmopolitan cities. I have read many books on the Crusades (I'm recommending one of the most recently published) and I found the movie's depiction fairly accurate.

The plot/script is not a blame-game, or Hollywood's attempt to vilify Christians/Catholics. Rather it tries to show the crusades as a harsh reality of base human motives, even in the Kingdom of Heaven, and one character's quest to rise above and beyond it all.
Philbert More than 1 year ago
I saw the original version of the film back when it came out in 2005 and I enjoyed it despite its rather disjointed structure (in places) and overly preachy scenes on religion. It's not the greatest film ever made but its actually far more historically accurate than the majority of so called 'historical' films. Sure, there are liberties taken (we know virtually nothing about Balian-which is of course why they wrote a story around him) but that is to be expected. The question to ask with films like this is if it gets the flavor of the time period right, and overall I think it does. The director's cut also goes a long way in fleshing out a number of characters-the entire sub-plot of Sibylla's son is back in and gives her grief far more poignancy. It's too bad that Jeremy Irons' character, Count Raymond of Tiberias is so slighted in the script-it was he who really led the defense of Jerusalem while his wife (who is not mentioned in the film) defended their castle but again, it's a movie. The character of Saladin (Ghassan Massoud in a brilliant performance) is quite accurate by all accounts, as is Baldwin IV (Edward Norton). In the extras disks, the filmmakers openly admit that they distorted the character of Guy (against their will, I will point out) because the studio wanted a mustache twirling villain. The real Guy was a weakling and a fool but not a comic book character. On the other hand Brendan Gleason does a very nice job with Reynald, who was really that bad in 'real life.' The acting in fact is first rate across the board and of course the visuals and soundtrack are absolutely stunning, as is to be expected with a Ridley Scott film. Personally, I think this film is superior to his oscar winning Roman epic, "Gladiator" which also suffers from a disjointed script but takes far more liberties historically than does "Kingdom of Heaven." One final word about some of the truly ridiculous reviews that have accompanied this offering. The ignorance and anti-Islamic bigotry that infests some of them is really a shame, and I say that as an Athiest. In fact, the real Guy did walk into a trap at the Horns of Hattin (as portrayed in the film) and was denounced by Christian historians for centuries afterward. In fact, the reason we know so much about Crusader atrocities from this period is because they were written down by other Christians. Let's leave our political and religious biases out of movies reviews, shall we?
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