La Grande Bouffe

( 2 )


Subversive Italian satirist Marco Ferreri directed and co-wrote with Rafael Azcona this grotesquely amusing French black comedy about four men who grow sick of life, and so meet at a remote villa with the goal of literally eating themselves to death. The quartet comes from various walks of life -- a pilot Marcello Mastroianni, a chef Ugo Tognazzi, a television host Michel Piccoli, and a judge Philippe Noiret -- but all are successful men with excessive appetites for life's pleasures food is used as mere metaphor ...
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Subversive Italian satirist Marco Ferreri directed and co-wrote with Rafael Azcona this grotesquely amusing French black comedy about four men who grow sick of life, and so meet at a remote villa with the goal of literally eating themselves to death. The quartet comes from various walks of life -- a pilot Marcello Mastroianni, a chef Ugo Tognazzi, a television host Michel Piccoli, and a judge Philippe Noiret -- but all are successful men with excessive appetites for life's pleasures food is used as mere metaphor here, as graphic as that metaphor becomes.
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Special Features

Excerpt from the documentary "Marco Ferreri: The Director Who Came From the Future"
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Editorial Reviews

All Movie Guide - Nathan Southern
Upon release, Marco Ferreri's 15th credited feature earned a scandalous reputation from some American critics, who saw it as empty and pretentious. But this scathing attack on European "conspicuous consumption" reflects surprising refinement, self-control, and insight. Ferreri's intelligence undergirds the material -- he peppers the film with dozens of witty European sociocultural allusions and metaphors -- such as the old mansion representative of the crumbling consumer class and Marcello Mastroianni's sports car, which he accelerates recklessly in one scene without moving the vehicle an existential symbol of how fruitless and empty these lives have become. That some Western critics would overlook this depth doesn't detract from the value of the film, but it makes perfect sense given the vast cultural differences between Europe and the States. Even the hilarious overriding joke -- that the French are known for their stingy portions, whereas these men feel content to gorge themselves on entire cows and pigs -- would go over the heads of many Americans. As for coprophagic comedy, Ferreri laces his picture with many lunges into wild and bawdy humor, but because he constantly resists visual tastelessness, none of the film's bursts of scatology come across as puerile or facile -- and the film retains a veneer of utter hilarity and affability. Two highlights: the toilet that explodes, showering a horrified Mastroianni with excrement, and Philippe Noiret's chosen means of death -- whereby this rotund man, with a breast fetish and an incestuous craving for his obese nursemaid, gorges himself on two enormous, tit-shaped mounds of pudding, replete with giant nipples. The film's primary weakness is a towering one, though: Ferreri never carries the audience inside of the reasons for the men's desperation prior to dramatizing their final, shocking acts of self-destruction -- an inclusion that would give the whole film a much needed layer of depth. Nonetheless, he does poignantly reveal the men's towering self-delusions and double-mindedness when it comes to systematically killing themselves yet feeling revulsion when death slaps them in the face. Witness Michel Piccoli's weeping and wailing over Mastroianni's corpse -- an act so histrionic that it almost becomes an outrageous in-joke. This deludedness drives much of the film, but we eventually see through it, which makes the second half of the picture terribly sobering. And understanding this, Ferreri strips the surface-level humor after Mastroianni's character dies, turning the last act, by necessity, into a long, melancholic descent. Mirroring the lone, haunting piano theme that Piccoli plays throughout the picture, La Grande Bouffe's final notes are not in any way humorous, but ineffably, unbearably sad -- so sad that, when the story's inner desperation finally rears its naked head, the film's concluding moments break our hearts.
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Product Details

  • Release Date: 4/7/2009
  • UPC: 741952317999
  • Original Release: 1973
  • Rating:

  • Source: Koch Lorber Films
  • Time: 2:04:00
  • Format: DVD

Cast & Crew

Performance Credits
Michel Piccoli Michel
Marcello Mastroianni Marcello
Ugo Tognazzi Ugo
Philippe Noiret Philippe
Andréa Ferréol Andrea
Monique Chaumette Madeleine
Florence Giorgetti Anne
Technical Credits
Marco Ferreri Director, Screenwriter
Rafael Azcona Screenwriter
Francis Blanche Screenwriter
Michel de Broin Art Director, Production Designer
Giuseppe Maffioli Consultant/advisor
Gitt Magrini Costumes/Costume Designer
Vincent Malle Associate Producer, Producer
Claudine Merlin Editor
Gina Pignier Editor
Pasquale Rachini Cinematographer
Jean-Pierre Rassam Producer
Philippe Sarde Score Composer
Mario Vulpiani Cinematographer
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Scene Index

Disc #1 -- La Grande Bouffe
1. Recipes and Knives [16:30]
2. The Kitchen [6:00]
3. Slide Show [10:33]
4. Three Courses in One [4:46]
5. Party [9:01]
6. Manifold [9:39]
7. Constantly Eating [8:12]
8. Andréa [7:40]
9. A Woman Assassin [3:50]
10. Breakfast [5:15]
11. Snowing [9:07]
12. Ingredients [17:31]
13. Stop Eating [5:55]
14. Ravenous [6:46]
15. End Credits [7:41]
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Disc #1 -- La Grande Bouffe
      English: On
      English: Off
   Excerpt From Marco Ferreri Documentary
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Customer Reviews

Average Rating 4
( 2 )
Rating Distribution

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Sort by: Showing all of 2 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Delightful Feast but not for the squeamish.

    Altho not for the squeamish (esp. those who get repulsed by extreme bathroom humor) La Grande Bouffe has a lot of laughs, delightful moments, and just plain inanity to waste a good 1 1/2. Presumably, set in Italy (considering it was directed by Italian maestro Marco Ferreri, the man who exposed Ornella Muti in his erotic dramas) four well-to-do yet lecherous gentlemen make a bet that they can spend several nights locked in a villa, wining and dining on gourmet foods, and fulfilling their hedonistic desires until the bitter end. The film stars four notable European actors: Marcello Mastroianni, Michel Piccoli, Ugo Tognazzi, & Philippe Noiret who all balance out this silly little production with such exceptional performances. Altho food is meant to be a thing of enjoyment and self-soothing, La Grande Bouffe presents it as very unappetizing and utterly nauseating. In one grotesque yet erotic scene a prostitute is flogged with food & then she vomits, telling the group that they are a bunch of pigs. In addition, flatulence prevails within the final scenes (a 'final' scene, not to be to overt) and there is a great emphasis on scatology throughout La Grande Bouffe. Marco Ferreri has always been scandalous with his pix, pushing the boundaries with graphic eroticism and infamous for his self-mutilation scenes. However, with La Grande Bouffe, Ferreri has steered closer to the former but played with this idea by adding irony and other light elements. In Short, if you plan to perfecting your culinary skills by watching this, don't even think abt it. The gourmet elements are merely inspirational artsy stuff, and this is no Big Night. However, those wanting a swell romp on a stay-at-home rainy day, well, sit back with a friend and smile.

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  • Anonymous

    Posted October 1, 2010

    The Precursor to Grossout Comedies.

    Those who are the squeamish stay away. Those who love gross-out comedies rent this film. Clever idea, 4 well-to-do gentlemen lock themselves in a villa with a plump schoolteacher hoping to end their lives in debauchery and gluttony. All ends on a sick note, hinting flatulent teen films and catered to beardrinking buddies. Regardless of the great cast who might be wasting their time, all in all they seem to be having a lot fun at it. Check it out, then see Ferreri's surreal Bye Bye Monkey, a lot of fun too.

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