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La Mort En Direct

Overview

Director Bertrand Tavernier provides an unexpected feminist slant to the otherwise standard sci-fi trappings of Death Watch. Harvey Keitel plays a man of the future who has had a camera implanted in his brain. The mechanism, which is endowed with special X-ray properties, is activated by the user's eyes. Keitel is assigned by ruthless TV producer Harry Dean Stanton to secretly probe the subconscious of a dying woman, played by Romy Schneider. Stanton is only interested in the grim spectacle of what goes on inside...
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Overview

Director Bertrand Tavernier provides an unexpected feminist slant to the otherwise standard sci-fi trappings of Death Watch. Harvey Keitel plays a man of the future who has had a camera implanted in his brain. The mechanism, which is endowed with special X-ray properties, is activated by the user's eyes. Keitel is assigned by ruthless TV producer Harry Dean Stanton to secretly probe the subconscious of a dying woman, played by Romy Schneider. Stanton is only interested in the grim spectacle of what goes on inside the brain of someone who knows she's doomed. Keitel, on the other hand, becomes increasingly compassionate--and disgusted by the tawdriness of his assignment--as he stares into Schneider's tortured psyche.
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Editorial Reviews

All Movie Guide - Nathan Southern
Helmed by director Bertrand Tavernier, from a screenplay that he and David Rayfiel adapted from David Compton's 1975 science fiction novel The Continuous Katherine Mortenhoe, Death Watch reintroduces themes that Rayfiel explored in his screenplay for Lipstick 1976. Both pictures probe the issues of media voyeurism and contemporary society's chauvinistic objectification of women. But whereas Lipstick devolves and regresses into morally reprehensible, exploitative junk, and demonstrates no respect for its characters, Death Watch is contemplative, sensitive, and humane. For its first 30 minutes, the picture gives off the same sort of cold creeps as that earlier Rayfiel outing, and appears to be headed down an equally sickening path. But the film then takes a sharp, unexpected left turn. Tavernier and Rayfiel make a fascinating choice regarding their main character, reality television subject Katherine Romy Schneider, by having her commit a morally questionable and calculating act of deception. This was a masterstroke, for it shifts the tonal balance of the film slightly; we see Katherine as less of a victim and less helpless than she would otherwise be.Rayfiel and Tavernier also understand the importance of bringing Katherine's victimizer, TV network cameraman Roddy Harvey Keitel face to face with the ickiness of his own actions, and having him commit an act of penitence in the film's last third that redeems him in the eyes of Katherine and the audience. Less credible is the suddenness of Roddy's transformation -- Keitel seems so mechanical during the first hour that the change feels a bit too abrupt. Nonetheless, the idea behind his arc self-liberation from the "machinery" in his head and the process of regaining his own humanity makes perfect sense. Moreover, the film ends on a particularly affirming note for Roddy, who delivers a stunning last line. In a pivotal role, Harry Dean Stanton permeates his interpretation of TV network head Vincent Ferriman "death is the new pornography" with a morose sleaziness, and Max von Sydow as Mortenhoe's ex-husband gives an exemplary performance in the final act. Most impressive, however, is the ill-fated Schneider, who committed suicide three years after the production of this film, following an onslaught of devastating personal tragedies. Still under-recognized, she was always one of the screen's great unsung treasures. Here, she glows throughout, and gives a multilayered and dazzling interpretation of Mortenhoe that unveils the full depth of her ability as an actress. She is missed.
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Product Details

  • Release Date: 8/28/2012
  • UPC: 826663132786
  • Original Release: 1980
  • Source: Shout Factory
  • Region Code: 1
  • Presentation: Color
  • Sound: Dolby Digital Stereo
  • Language: English
  • Time: 2:10:00
  • Format: DVD
  • Sales rank: 42,480

Cast & Crew

Performance Credits
Romy Schneider Katherine Mortenhoe
Harvey Keitel Roddy
Harry Dean Stanton Vincent Ferriman
Therese Liotard Tracey
Max von Sydow Gerald Mortenhoe
Caroline Langrishe Girl in the Bar
William Russell Dr.Mason
Vadim Glowna Harry Graves
Eva-Maria Meineke Dr.Klausen
Robbie Coltrane
Julian Hough
Peter Kelly
Billy Riddoch
Derek Royle
Jimmy Yuill
Paul Young
Jake D'Arcy
Bernhard Wicki Katherine's Dad
Carey Wilson
Technical Credits
Bertrand Tavernier Director, Co-producer, Screenwriter
Jean Achache Asst. Director
Gabriel Boustiani Producer
Jean-Serge Breton Executive Producer
Michel Desrois Sound/Sound Designer
Antoine Duhamel Score Composer
Michael Ellis Editor
Pierre-Wiliam Glenn Cinematographer
Judy Moorcraft Costumes/Costume Designer
Anthony Pratt Art Director
Armand Psenny Editor
David Rayfiel Screenwriter
Janine Rubeiz Producer
Louis Wipf Production Manager
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