LauraDirector: Otto Preminger
This adaptation of Vera Caspary's suspense novel was begun by director Rouben Mamoulien and cinematographer Lucien Ballard, but thanks to a complex series of backstage intrigues and hostilities, the film was ultimately credited to director Otto Preminger and cameraman Joseph LaShelle (who won an Oscar for his efforts). At the outset of the film, it is established that the title character, Laura Hunt (Gene Tierney), has been murdered. Tough New York detective Mark McPherson (Dana Andrews) investigates the killing, methodically questioning the chief suspects: Waspish columnist Waldo Lydecker (Clifton Webb), wastrel socialite Shelby Carpenter (Vincent Price), and Carpenter's wealthy "patroness" Ann Treadwell (Judith Anderson). The deeper he gets into the case, the more fascinated he becomes by the enigmatic Laura, literally falling in love with the girl's painted portrait. As he sits in Laura's apartment, ruminating over the case and his own obsessions, the door opens, the lights switch on, and in walks Laura Hunt, very much alive! To tell any more would rob the reader of the sheer enjoyment of watching this stylish film noir unfold on screen. Everything clicks in Laura, from the superbly bitchy peformance of Clifton Webb (a veteran Broadway star who became an overnight movie favorite with this film) to the haunting musical score by David Raskin. Long available only in the 85-minute TV version Laura has since been restored to its original 88-minute running time.
- Release Date:
- Original Release:
- 20th Century Fox
Cast & Crew
|Gene Tierney||Laura Hunt|
|Dana Andrews||Mark McPherson|
|Clifton Webb||Waldo Lydecker|
|Vincent Price||Shelby Carpenter|
|Judith Anderson||Ann Treadwell|
|Dorothy Adams||Bessie Clary|
|Ralph Dunn||Fred Callahan|
|Buster Miles||Office Boy|
|Lee Tung Foo||Servant|
|Bonnie Cashin||Costumes/Costume Designer|
|Paul S. Fox||Production Designer,Set Decoration/Design|
|Leland Fuller||Art Director|
|Joseph La Shelle||Cinematographer|
|Harry M. Leonard||Sound/Sound Designer|
|Thomas K. Little||Production Designer,Set Decoration/Design|
|Emil Newman||Musical Direction/Supervision|
|David Raksin||Score Composer|
|Fred Sersen||Special Effects|
|E. Clayton Ward||Sound/Sound Designer|
|Lyle Wheeler||Art Director|
Most Helpful Customer Reviews
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One of the best film noir movies of the 1940s.. all time great movie with a haunting score that stays with you even after the movie is over. I would recomend this movie to any classic film buff.
Great movie and wonderful presentation. Well worth the price. But to the person who was upset that it was not released in Widescreen. It was not filmed in Widescreen since the widescreen format did not start until the 1950's with "The Robe". So you are not missing anything. If you doubt me, check out the history of widescreen format yourself.
For those who might be put off because the film is listed as "pan & scan", don't worry about it. The IMDB lists the technical aspect ration as 1.37:1, which is a hair over your 4:3 standard format tv screen. In other words, this was not filmed widescreen. But neither was Casablanca, and may other classics from the 1940's. Buy and enjoy! As for the film, my rating says it all.
They do not make movies like this,today. My Dad who is 90yrs and my Mom who is 86yrs--went to see this film on their very first date. It will always be special to me. It has a surprise ending. I just loved it!!
This is one of my all time favorite movies and I CAN'T BELIEVE it was issued on DVD in Pan & Scan. Gorgeously shot, terrific acting, very moody. Sigh. I'm extremely disappointed and hope the brain trust behind the P&S decision wakes up and puts it out in widescreen, as it should be seen. I refuse to purchase P&S, even for this movie that I've been anxiously awaiting. Film Noir was not meant to be 'abbreviated'. Boo hoo.
American Film at it's very best! I recently purchased this again because my copy is worn out, and I can not imagine not having this to watch -not much time goes by and I find myself wanting to see this gem! The characters are perfection - each one crafted by the actor or actress with such precision you get caught up in the story and will tune everything else out. Vincent Price plays his part so well it's hard to believe he was not typecast as the" not quite scrupulous" boyfriend in subsequent movies. The movie goes along with no slow or stale or obvious parts. The settings and furnishings are done with such definition that they are integral to the story line. I know everyone has their favorite and their opinion of the perfect movie - but it's pretty hard to top this one.I find it amazing that for all the years that have passed this is more enjoyable to watch than 98% of all the new stuff being filmed. I hope you savor every moment of this delicious film!
It starts with a murder and investigation and ends with an incredible love triangle of Gene Tierney/Dana Andrews/Clifton Webb. LAURA is film noir at its classic best. From the very beginning, if you let yourself go, you get pulled into the story and murder investigation. This film can keep you on the edge of your seat as you try to figure out the who and the why of all the characters. It is darkly sophisticated, a real classic of this film type that is only heightened by the truly haunting musical score. And even if you have not seen it before, you will likely recognize the theme music. The acting is acting from a time when actors were real. No high tech effects to get in the way, just an extremely well done script and well done performances by everyone involved. There is also can't miss direction by Otto Preminger. A classic mystery that can be enjoyed by an entire family.
Laura is set in the 1940s; consistent with the year it was made. The movie begins with Detective Lieutenant Mark McPherson (Dana Andrews) questioning suspects about the murder of one of their closest friends Laura Hunt, played by the beautiful Gene Tierney. Predictably, Laura¿s mentor, Waldo Lydecker, relates the past five years of Laura¿s life to the detective, and flashbacks accompany the narration. The haughty Waldo attributes Laura¿s rise from obscurity to prominence to himself with a small reference to her own talents. Despite having at least twenty more years than Laura, Waldo¿s wishful thoughts erroneously color their plutonic relationship with the paintbrush of romance bringing woe to any man who catches the eyes of his beloved. Some of the best moments of the film occur at the times Waldo belittles those would be lovers with comments reminiscent of a high school nerd¿s attitude toward jocks. Vincent Price¿s performance as the oft-accused, always innocent playboy Shelby Carpenter borders on annoying. This is acceptable however, because Carpenter is supposed to an exasperating character and Mr. Price does a fabulous job at portraying him. Though considered dead for half the show, Gene Tierney puts forth a shining performance as well. Those pouting lips reinforce her performance as the beautiful, sophisticated woman whose talents rocket her to the fast lanes of success. How enviable it is to be Dana Andrews in the one scene in which Lt. McPherson kisses Laura. Mr. Andrews puts the perfect touch on the tough and hardened detective who finds himself enamored with the lovely but dead Laura. Halfway through, the seemingly straightforward plot twists into a totally unexpected direction. That event makes the movie brilliant and twice as enjoyable. First-class editing and a superb story make Laura one of the best movies to come out of the film noir genre in the 1940s.
This stylish film stars the gorgeous Gene Tierney as a beautiful and gracious Manhattan socialite named Laura. Dana Andrews is the detective assigned to probe the circumstances surrounding her murder. A terrific film noir that also stars Clifton Webb, Vincent Price (as a suave playboy) and Judith Anderson.