Maria Stuarda (Teatro La Fenice)
  • Maria Stuarda (Teatro La Fenice)
  • Maria Stuarda (Teatro La Fenice)

Maria Stuarda (Teatro La Fenice)

4.0 1
Director: Tiziano Mancini

Cast: Fiorenza Cedolins, Sonia Ganassi, José Bros

     
 

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This performance of the Gaetano Donizetti bel canto opera Maria Stuarda, sung in original Italian, was recorded live at the Teatro la Fenice, and features vocalists like Fiorenza Cedolins, Sonia Ganassi, Mirco Palazzi, and Jose Bros in the leading roles.  See more details below

Overview

This performance of the Gaetano Donizetti bel canto opera Maria Stuarda, sung in original Italian, was recorded live at the Teatro la Fenice, and features vocalists like Fiorenza Cedolins, Sonia Ganassi, Mirco Palazzi, and Jose Bros in the leading roles.

Product Details

Release Date:
02/22/2011
UPC:
0814337010430
Original Release:
2011
Source:
C Major
Region Code:
ABC
Presentation:
[Wide Screen]
Sound:
[stereo]
Time:
2:20:00
Sales rank:
72,311

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Maria Stuarda (Teatro La Fenice) 4 out of 5 based on 0 ratings. 1 reviews.
KlingonOpera More than 1 year ago
This production of Maria Stuarda is interesting in that the set is non-traditional - it consists of mazelike structures colored by lighting, portions of which are movable, representing the intrigue and circuitous paths that the various characters move through while attempting to get what they want. Central, of course, are Elizabeth (played by Sonia Ganassi), and Maria Stuarda (Queen of Scots, played with depth by Fiorenza Cedolins), each of whom possesses a strong personality and absolute sense of "this is how things should be". And as any Donizetti opera lover knows, Maria does not win this particular competition. However, the dialog and drama between the two, as well as the interplay between Roberto and Giorgio, make for a fine dramatic feast. Ms. Cedolins shows a range of emotion ranging from incense to vulnerability to pride in sense of self. As Lord Guglielmo Cecil, Marco Caria does a fine job as the manipulator of the interaction between Elizabeth and Leicester, who loves Maria and does his level best to convince Elizabeth to meet with Maria in the hope that she can be convinced to free her. While it can be argued that Maria Stuarda is the weakest of Donizetti's trilogy of bel canto operas on Tudor queens, the palpable jealousy and hatred between Ganassi's Elizabeth and Cedolins' Maria makes for a wonderful operatic feast. This production proved itself to be a worthy addition to this opera lovers Donizetti collection.