Masculin/Feminin

( 2 )

Overview

Masculine Feminine was Jean-Luc Godard's first but not his last foray into the burgeoning "Children of the Sixties" generation -- or, as Godard described it, "the children of Marx and Coca-Cola." Impressionable teenager Paul Jean-Pierre Léaud tries to make sense of the world by working as an interviewer for a research firm. Meanwhile, Paul cohabits with aspiring singer Madeleine Chantal Goya, with two additional young ladies joining the nocturnal festivities. Paul jumps or is pushed from a window, leaving a ...
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DVD (Special Edition / Wide Screen / Subtitled / B&W)
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Overview

Masculine Feminine was Jean-Luc Godard's first but not his last foray into the burgeoning "Children of the Sixties" generation -- or, as Godard described it, "the children of Marx and Coca-Cola." Impressionable teenager Paul Jean-Pierre Léaud tries to make sense of the world by working as an interviewer for a research firm. Meanwhile, Paul cohabits with aspiring singer Madeleine Chantal Goya, with two additional young ladies joining the nocturnal festivities. Paul jumps or is pushed from a window, leaving a pregnant Madeleine to move on to the next aimless youth she meets. While the nominal hero has failed to find fulfillment in personal relations, another male protagonist Michel Debord, a political activist, is luckier -- an indication that the director favored revolutionary politics over simple emotionalism at this point in his career. Though Godard's free-form style is usually opposed to linear storytelling, Masculine Feminine has solid literary roots, having been inspired by two Guy de Maupassant stories.
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Special Features

New, restored high-definition digital transfer, supervised by cinematographer Willy Kurant; Archival 1966 interview with actress Chantal Goya; New video interviews with Goya, Kurant, and Jean-Luc Godard collaborator Jean-Pierre Gorin, conducted in 2005; Video discussion of the film between French film scholars Freddy Buache and Dominique Païni; Swedish television footage of Godard directing the “film within the film” scene; Trailers for the original theatrical release and the 2005 rerelease; New and improved English subtitle translation; Plus: a 16-page booklet featuring a new essay by film critic Adrian Martin and a reprint of a report from the set by French journalist Phillippe Labro
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Editorial Reviews

All Movie Guide - Wheeler Winston Dixon
Jean-Luc Godard went through his most brilliant period as filmmaker in the 1960s; though he was still active into the 2000s, it is for his work in this period that he is best remembered. It was during the '60s that he had his finger firmly on the pulse of the youth movement, and was already becoming deeply interested in class issues and politics. Made for less than 150,000 dollars and shot in flat back-and-white by the great Willy Kurant, Masculin/Feminin chronicles the rise of young pop singer Madeleine (Chantal Goya, in real life ruling the '60s French pop charts with her "ye-ye" hits, catchy songs of transient adolescent passion and romance), who will stop at nothing in her rise to the top. Along for the ride are Paul (Jean-Pierre Léaud), a rather aimless revolutionary drifting through a series of dead-end jobs; Elisabeth (Marlène Jobert), who acts pretty much as Madeleine's groupie; and Robert (Michel Debord), a punk revolutionary who sees hypocrisy at every turn. Much of the dialogue centers on the differences between the sexes, and the fears, hopes, and desires that confronted teens in the 1960s. Godard's style was, and is, revolutionary; breaking into the narrative at random intervals, he offers the viewer bold intertitles that comment on the action (the most famous being "This film could be called the children of Marx and Coca-Cola. Think of it what you like"). There is also a stunning ten-minute take in which the real "Miss 19" of 1965 (Elsa Leroy) is directly interviewed by Léaud off-camera, as she professes complete ignorance about world politics, methods of birth control, and anything other than the disposable pop world of the moment. Godard also throws in bits of pop theater, as two actors (one of them the Algerian director Med Hondo, in an uncredited role) perform a scene from LeRoi Jones' Dutchman on the Paris metro, while Paul looks on in horror as the scene degenerates into a subway shooting. Godard's vision of the world, here as elsewhere, is sardonically nihilistic; a man confronts Paul with a knife in an amusement arcade, and then, for no reason, turns the knife on himself, plunging it into his stomach. In another sequence, a man trying to set himself on fire to protest the Vietnam War has to borrow some matches to make good his threat. Brigitte Bardot turns up in a café cameo, and much of the dialogue is improvised, but at the same time, strictly controlled by Godard's intensely personal vision. Once seen, never forgotten, this is a moment frozen in time, and one of the key films of the French New Wave in the 1960s.
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Product Details

  • Release Date: 9/20/2005
  • UPC: 037429209226
  • Original Release: 1966
  • Rating:

  • Source: Criterion
  • Region Code: 1
  • Presentation: Special Edition / Wide Screen / Subtitled / B&W
  • Time: 1:45:00
  • Format: DVD
  • Sales rank: 15,084

Cast & Crew

Performance Credits
Jean-Pierre Léaud Paul
Chantal Goya Madeleine
Marlene Jobert Elisabeth
Brigitte Bardot Woman in a Couple
Michel Debord Robert
Catherine Duport Catherine-Isabelle
Birger Malmsten Actor
Antoine Bourseiller Man in Couple
Françoise Hardy Woman with the American Officer
Eva-Britt Strandberg Lavinia
Technical Credits
Jean-Luc Godard Director, Screenwriter
Anatole Dauman Producer
Jean-Jacques Debout Score Composer
Philippe Dussart Production Manager
Agnès Guillemot Editor
Willy Kurant Cinematographer
Francis Lai Score Composer
René Levert Sound/Sound Designer
Marguerite Renoir Editor
Bernard Toublanc-Michel Asst. Director
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Scene Index

Disc #1 -- Masculin/Feminin
1. Madeleine [7:16]
2. Robert [4:32]
3. "The Center of the World" [11:06]
4. Peace in Vietnam [5:53]
5. "There is Nothing but a Man and a Woman..." [1:11]
6. "Leave Me Alone" [3:44]
7. Dreams In the Laundromat [6:18]
8. "Number Six in Japan" [5:16]
9. Miss 19 [12:42]
10. Bardot [6:37]
11. Mis-Projection [10:33]
12. Children of Marx and Coca-Cola [8:39]
13. Offscreen Protest [8:19]
14. The Studio Visit [2:18]
15. The Police Station [6:57]
16. Color Bars [3:01]
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Menu

Disc #1 -- Masculin/Feminin
   Play the Movie
   Chapters
   Supplements
      Chantal Goya, 1966
         Play
      Chantal Goya, 2005
         Play
      Willy Kurant
         Play
      Jean-Pierre Gorin
         Play
      Freddy Bauche and Dominique Païni
         Play
      Godard on Swedish Television
         Play
      Original Theatrical Trailer
      Rialto Pictures Rerelease Trailer
   Subtitles
      English Subtitles: On/Off
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Customer Reviews

Average Rating 4.5
( 2 )
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    Posted July 24, 2010

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