Nymphomaniac: Volume I

Overview

A brutalized young woman recalls her many sexual exploits to the kindly bachelor who nurses her back to health in this sexually charged drama from acclaimed director Lars von Trier. When Seligman Stellan Skarsgård finds Joe Charlotte Gainsbourg clinging to life in a darkened alley, he brings her back to his apartment, and begins tending to her wounds. Meanwhile, comfortable in the company of the benevolent stranger, Joe finds her thoughts drifting back to her youth, and her dramatic sexual awakening. A ...
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Overview

A brutalized young woman recalls her many sexual exploits to the kindly bachelor who nurses her back to health in this sexually charged drama from acclaimed director Lars von Trier. When Seligman Stellan Skarsgård finds Joe Charlotte Gainsbourg clinging to life in a darkened alley, he brings her back to his apartment, and begins tending to her wounds. Meanwhile, comfortable in the company of the benevolent stranger, Joe finds her thoughts drifting back to her youth, and her dramatic sexual awakening. A self-professed nymphomaniac, Joe's vividly erotic stories gradually reveal her to be an intensely sexual creature whose carnal appetite knows no limits. Christian Slater, Uma Thurman, Udo Kier, Connie Nielsen, and Shia LaBeouf co-star in a film featuring Stacy Martin as a young Joe.
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Special Features

The characters; AXS TV: a look at Nymphomaniac; Nymphomaniac; Volume I trailer
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Editorial Reviews

All Movie Guide - Perry Seibert
Structured more like a novel than a movie, writer/director Lars Von Trier's Nymphomaniac: Volume I consists of the first five chapters of what was always intended as a four-hour journey into sexual addiction. Knowing there's more to come makes assessing this film difficult; after all, nobody writes a review about the first half of an Adam Sandler comedy or an Iron Man movie. But since a four-hour film can't make any money in the modern marketplace, Nymphomaniac got the Kill Bill treatment and has been split into two parts for theatrical distribution. The picture stars Charlotte Gainsbourg as Joe, a young woman whom the soft-spoken and gentle Seligman (Stellan Skarsgård) finds unconscious and beaten up outside his apartment. Wanting to help, he brings the frail-looking woman to his place and nurses her back to health. As she regains her strength, the self-confessed nymphomaniac regales her sympathetic benefactor with stories about her voracious sexual experiences, which include the loss of her virginity and her discovery of how love and sex intertwine. While the self-loathing Joe shares these frank tales, Seligman constantly encourages her not to beat herself up, and draws comparisons between her exploits and aspects of his beloved hobby of fly-fishing. What's most striking about the first two hours of Nymphomaniac is that Von Trier is relatively subdued. Don't misunderstand; there are graphic depictions of sexual acts, and he shows almost every kind of bodily fluid imaginable. He doesn't allow us to turn away from painful emotional moments either, whether it's Joe dealing with her dying father (Christian Slater) or watching a scorned wife (Uma Thurman) unload an epic guilt trip on her straying husband after he has declared his love for the protagonist. But while the movie contains a great deal of sensitive and explicit material, Von Trier doesn't wallow in it. The structure of the film, in which Joe shares these stories with Seligman, lessens their immediacy and intensity without negating their power -- we're given a little bit of breathing room. Skarsgård's charismatic and calming performance also helps him act as an audience stand-in for these tales. Additionally, Von Trier's remarkable craft as a moviemaker is on display throughout -- this is a compulsively watchable film. The images flow with such ease and assurance that, even with the heaviness of the material, the two hours feel like they fly by in half the time. He's seduced us, in the best sense of the word, with fine performances, alluring imagery, and flawless editing. Von Trier's visual skills have never been in doubt, but his worldview and storytelling are usually his Achilles' heel. Every film of his since Breaking the Waves has been a torturous exercise in cynicism, which makes it impossible to give yourself over to his work. The first half of his previous movie, Melancholia, seemed like it was going to be a clear-eyed examination of depression, but it eventually veered into pure nihilism with an ending that implied that depressed people are the only ones capable of understanding the inherent futility and meaninglessness of life. That kind of cheap nihilism isn't in Nymphomaniac: Volume I, but then again, this is only the first part. Perhaps, taking a hint from Seligman's comment about the art of creating a fly that lures fish to bite, Von Trier has shaped an appealing first half to his story in order to gut us with a conclusion that will express his disdain for our gullibility and empathy. Maybe Seligman will turn out to be a monster of the highest order. On the other hand, if the remainder of Von Trier's film is as observant, poetic, and well-crafted as the first two hours, he may have come up with his best work in nearly two decades.
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Product Details

  • Release Date: 7/8/2014
  • UPC: 876964006910
  • Original Release: 2013
  • Rating:

  • Source: Magnolia
  • Region Code: A
  • Presentation: Wide Screen / Subtitled
  • Sound: Dolby AC-3 Surround Sound
  • Time: 1:57:00
  • Format: Blu-ray
  • Sales rank: 23,270

Cast & Crew

Performance Credits
Charlotte Gainsbourg Joe
Stellan Skarsgård Seligman
Stacy Martin Young Joe
Shia LaBeouf Jerôme
Christian Slater Joe's Father
Uma Thurman Mrs. H
Sophie Kennedy Clark B
Connie Nielsen Joe's Mother
Udo Kier Waiter
Ronja Rissmann Joe, 2 Years
Maja Arsovic Joe, 7 Years
Sofie Kasten B, 7 Years
Ananya Berg Joe, 10 Years
Anders Hove Odin
James Northcote Young lad 1 On Train
Charlie Hawkins Young Lad 2 On Train
Clayton Nemrow Married Man on Train
Simon Boer Man Uninterested
Jeff Burrell Man on Train 1
Andreas Grotzinger Man on Train 2
Jens Albinus S
Thomas Sinclair Spencer Conductor on Train
Jesse Inman Man A Having Sex
Christoph Schechinger Man B Having Sex
David Halina Man C Having Sex
Jonas Baeck Man D Having Sex
Katharina Hubertus Joe's Girlfriend, 18 Years
Inga Behring Joe's Girlfriend, 18 Years
Lisa Matschke Joe's Girlfriend, 18 Years
Felicity Gilbert Secretary
Johannes Kienast Man who Cannot Touch Joe
Jesper Christensen Jerôme's Uncle
Hugo Speer Mr. H.
Frankie Dawson H's Boy 1
George Dawson H's Boy 2
Harry Dawson H's Boy 3
Cyron Bjørn Melville A
Peter Gilbert Cotton Doctor 1
Saskia Reeves Nurse
Markus Tomczyk Young Man in Hospital
Christoph Jöde Man in Window
Nicolas Bro F
Christian Gade Bjerrum G
Jamie Bell
Willem Dafoe
Mia Goth
Michaël Pas
Jean-Marc Barr
Technical Credits
Lars von Trier Director, Screenwriter
Kristian Eidnes Andersen Sound/Sound Designer
Bettina Brokemper Co-producer
Manuel Alberto Claro Cinematographer
Marie Gade Denessen Executive Producer
Madeleine Ekman Co-producer
Peter Garde Executive Producer
Simone Grau Production Designer
Bert Hamelinck Co-producer
Peter Aalbæk Jensen Executive Producer
Manon Rasmussen Costumes/Costume Designer
Alexander Scherer Art Director
Marianne Slot Co-producer
Molly Malene Stensgaard Editor
Louise Vesth Producer
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