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5.0 1
Director: Wim Wenders

Cast: Regina Advento, Pina Bausch, Malou Airaudo


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Pina Bausch was one of Europe's most celebrated choreographers, fusing the discipline of ballet with the freedom of modern dance and approaching her material in a bold, innovative and emotionally compelling manner. Bausch made the acquaintance of German filmmaker Wim Wenders, and he began making a documentary about her life and work. The focus of Wenders' film shifted


Pina Bausch was one of Europe's most celebrated choreographers, fusing the discipline of ballet with the freedom of modern dance and approaching her material in a bold, innovative and emotionally compelling manner. Bausch made the acquaintance of German filmmaker Wim Wenders, and he began making a documentary about her life and work. The focus of Wenders' film shifted dramatically in 2009, when Bausch was diagnosed with cancer and died only a few days later. Wenders considered abandoning the project, but after meeting with the members of her dance company, Tanztheater Wuppertal, Wenders chose instead to create a cinematic interpretation of Bausch's art, preserving several of her pieces and the work of her dancers for the ages. Pina is the result, a performance film that takes several of Bausch's dance pieces into the open and celebrates the beauty and physicality of dance; the film was shot in 3D to give a greater sense of the power and interplay of bodies in motion. Pina received its North American premiere at the 2011 Toronto International Film Festival.

Editorial Reviews

All Movie Guide - Nathan Southern
The playwright-stage director André Gregory once spoke of the works of art that consciously set out to interpret others -- such as the color glossies of his own stage play Alice in Wonderland shot by Richard Avedon -- and observed that each derivation should be judged not on the basis of its source material, but as a unique and independent artistic creation, possessor of its own strengths and weaknesses. That may be a sound argument in most cases, but it doesn't really apply to Wim Wenders' Pina, the celebrated German director's homage to the late choreographer Pina Bausch. The documentary -- a series of imaginatively staged dance numbers intercut with headshot interviews featuring members of Bausch's ensemble and archival clips of Bausch -- feels inseparably intertwined with the dance visionary's work. Accordingly, Wenders uses cinematic techniques and tricks not to express his own voice, but to draw out some intrinsic qualities of her choreography in inventive ways that take unprecedented advantage of the film form. The documentary itself, of course, has been heavily publicized for its use of 3D imagery, and it does force the audience to reconsider that technique, to look at it from a different (and slightly deeper) angle. Most contemporary 3D Hollywood films use the device to foster the illusions of people and things projected toward the audience, kinesthetically -- one reason that 3D is so suited for action and adventure sagas. Wenders, on the other hand, uses it in an abrechtian way, to create and sustain the impression of "layered depth" on the screen. During the film's early stages, the interviews convey the dancers' insights that Bausch's work brought them more intimately in touch with their feelings, prompting them to explore the emotional spectrum belying the dances and make those nuances more alive, vibrant, and palpable for the audience. Ingeniously, then, because of the 3D, the dancers seem to exist apart from the elaborate sets, and appear to have popped out of the background, along with their emotions. To put it another way: Wenders has devised a nearly perfect visual corollary for the film's thesis about what performing in Bausch's work meant to the dancers. Wenders enlists another interesting device by taking many of the Bausch dances outside of the proscenium. He stages numbers in everyday locations, including one of the upper platforms of a metro rail, inside one of the elevated subway cars, and on the median of a busy German street. This forces the audience to reassess Bausch's work within a contemporary context, driving home its relevance and immediacy amid our day-to-day reality. The film, as noted, also etches out a biographical portrait of Bausch, and here its minimalism and profundity go hand-in-hand. Presumably to avoid the pitfall of oversimplified homilies about Pina and sustain ambiguity, Wenders begins interpolating silent close-ups of the dancers, standing in a fixed position and staring into the camera. Like the finest work of Danish documentarian Anne Wivel -- with whose Giselle this film withstands comparison -- these shots hit us with numerous emotions, some of them contradictory, that tumble through the dancers' minds and spill onto their faces, as the artists reflect internally and wordlessly on Pina and what she meant to them. We then find ourselves reading that same level of emotional complexity into the dances themselves. To be certain, Pina will be most admired by dance enthusiasts and experts, but anyone who relishes the beautiful and the sublime will find much to cherish here -- not least of all the unfettered admiration of Bausch and the deep-seated comprehension of her work that Wenders brings to the fore. Tragically, the choreographer didn't live to see the finished product, but it seems certain and she would have been both humbled and honored by the treatment afforded her here.

Product Details

Release Date:
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[Wide Screen]
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Special Features

Disc One: High-Definition Digital Master, Approved By Director Wim Wenders; Audio Commentary Featuring Wenders; ; Disc Two: The Making Of "Pina" ; Deleted Scenes, With Commentary By Wenders; Behind-The-Scenes Footage; Inteview With Wenders; Trailer

Cast & Crew

Performance Credits
Regina Advento Actor
Pina Bausch Actor
Malou Airaudo Actor
Ruth Amarante Actor
Jorge Puerta Armenta Actor
Rainer Behr Actor
Andrey Berezin Actor
Damiano Ottavio Bigi Actor
Ales Cucek Actor
Clémentine Deluy Actor
Josephine Ann Endicott Actor
Lutz Förster Actor
Pablo Aran Gimeno Actor
Mechthild Großmann Actor
Silvia Farias Heredia Actor
Barbara Kaufmann Actor
Nayoung Kim Actor
Daphnis Kokkinos Actor
Ed Kortlandt Actor
Eddie Martinez Actor
Dominique Mercy Actor
Thusnelda Mercy Actor
Cristiana Morganti Actor
Morena Nascimento Actor
Nazareth Panadero Actor
Helena Pikon Actor
Fabien Prioville Actor
Jean-Laurent Sasportes Actor
Franko Schmidt Actor
Azusa Seyama Actor
Julie Shanahan Actor
Julie Anne Stanzak Actor
Michael Strecker Actor
Fernando Suels Mendoza Actor
Aida Vainieri Actor
Anna Wehsarg Actor
Tsai Chin-Yu Actor
Alexeider Abad Gonzales Actor
Stephan Brinkmann Actor
Meritxell Checa Esteban Actor
Paul Hess Actor
Rudolf Giglberger Actor
Chrystel Wu Guillebeaud Actor
Mu-Yi Kuo Actor
Szu-Wei Wu Actor
Tomoko Yamashita Actor
Sergey Zhukov Actor
Andy Zondag Actor

Technical Credits
Wim Wenders Director,Producer,Screenwriter
Heiner Bastian Associate Producer
Pina Bausch Choreography
Beckmann Consultant/advisor
Wolfgang Bergmann Producer
Chris Bolzli Co-producer
Rolf Borzik Costumes/Costume Designer
Matthias Burkert Consultant/advisor
Alain Derobe Cinematographer
Andreas Eisenschneider Consultant/advisor
Milena Fessmann Consultant/advisor
Toni Froschhammer Editor
Thomas Hanreich Score Composer
Peter Hermann Production Manager
Gabriele Heuser Producer
Matthias Lempert Sound Mixer
Helene Louvart Cinematographer
Stephan Mallmann Associate Producer
Dominique Mercy Consultant/advisor
Helen Olive Production Manager
Claudie Ossard Co-producer
Peter Pabst Art Director
Andre Rigaut Sound/Sound Designer
Gian-Piero Ringel Producer
Stefan Rüll Associate Producer
Dieter Schneider Producer
Robert Sturm Consultant/advisor
Jeremy Thomas Executive Producer
Joerg Widmer Cinematographer
Mohammad Zahoor Associate Producer

Scene Index

Disc #1 -- Pina
1. Carnations I [2:57]
2. Le Sacre Du Printemps I [4:45]
3. Le Sacre Du Printemps II [7:21]
4. Only You [2:50]
5. Café Müller I [4:20]
6. Café Müller II [3:05]
7. Café Müller III [4:06]
8. Café Müller IV [2:23]
9. Café Müller V [3:36]
10. Café Müller VI [5:50]
11. For The Children Of Yesterday, Today, And Tomorrow [1:07]
12. Ten Chi I [1:58]
13. Kontakthof I [6:00]
14. Kontakthof II [3:31]
15. Kontakthof III [8:19]
16. Kontakthof IV [3:31]
17. Vollmond I [5:11]
18. Vollmond II [6:46]
19. Vollmond III [7:31]
20. Vollmond IV [7:27]
21. Danzón And Ten Chi II [2:22]
22. Carnations II [8:29]
23. Color Bars [:00]
Disc #2 -- Pina
1. Chapter 1 [6:20]
2. Chapter 2 [5:02]
3. Chapter 3 [5:15]
4. Chapter 4 [6:45]
5. Chapter 5 [6:25]
6. Chapter 6 [5:25]
7. Chapter 7 [10:16]


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Pina 5 out of 5 based on 0 ratings. 1 reviews.
Danceenthusiast More than 1 year ago
Absolutely astonishing!  Wonderful documentary by Wim Wenders showcasing Pina Bausch's memorable dance pieces and nominated for an Oscar (Best Documentary) at  last year's Academy Awards. BREATHTAKING!