Barnes & Noble - Gregory BairdSimply put, Planet of the Apes is a great film. The various film and TV sequels, the collectable lunch boxes, and the lingering visions of thespians emoting through simian-shaped latex can't obscure that fact. Like the Pierre Boulle novel that inspired it, the film has just enough satirical wit to carry the day. Three American astronauts, including Charlton Heston, crash-land into an upside-down world where the apes are civilized and humans are wild. Heston's overblown performance as George Taylor is legendary -- his delivery alone makes for great one-liners. The actors playing apes are also riveting: Roddy McDowall and Kim Hunter shine through their makeup (which won a special Academy Award) as a pair of scientists who befriend Taylor. Also chewing the scenery is Maurice Evans, who, as Dr. Zaius, sees Taylor as a threat to the ape status quo. Sharply directed by Franklin Schaffner, the film features some stunning scenery and a superb score by Jerry Goldsmith. But the real fun comes from such throwaways as "Human see, human do" and "I never met an ape I didn't like" (The Twilight Zone's Rod Serling was one of the screenwriters). Good to the last shot, Planet of the Apes also boasts one of the best endings in cinema history. You'll laugh. You'll cry. You'll groan out loud.
All Movie Guide - Dan JardineMike Wilson and Rod Serling's script plays heavily (and sometimes simple-mindedly) on the conflicts between faith and science, while the paradoxically inverted relationship of man to apes allows the filmmakers to drive home some rather pointed attacks on racist behavior and intolerant attitudes on our planet. Charlton Heston's performance is not particularly subtle, but, between contorted grimaces and hollered epithets, he does create sympathy for his lost and angry character. The most compelling performance is by Roddy McDowell, who must spend the entire movie hidden in an ape costume. Director Franklin J. Schaffner (Patton, Papillon), along with his set designers, art directors, and makeup artists, creates an intriguing alternative world, with rabbit-warren-like habitations and cold, clinical ape masters. Planet of the Apes has an undeniable camp appeal -- several lines of dialogue are both intentionally and unintentionally hilarious, gender roles are badly dated, and the ape costumes have not aged well -- but the final scene holds up as a stirring and evocative moment of self-realization. John Chambers won an honorary Oscar for his innovative makeup.
- Release Date:
- Original Release:
- 20th Century Fox
- [Wide Screen]
- [DTS 5.1-Channel Surround Sound, Dolby Digital Mono, Dolby Digital 5.1 Surround]
Cast & Crew
|James Whitmore||President of the Assembly|
|Diane Stanley||Female Astronaut|
|Norman Burton||Hunt Leader|
|Wright King||Dr. Galen|
|Franklin J. Schaffner||Director|
|L.B. Abbott||Special Effects|
|John Chambers||Makeup Special Effects|
|William J. Creber||Art Director|
|Art Cruickshank||Special Effects|
|David Dockendorf||Sound/Sound Designer|
|Hugh S. Fowler||Editor|
|Jerry Goldsmith||Score Composer|
|Morton Haack||Costumes/Costume Designer|
|Arthur P. Jacobs||Producer|
|William Kissell||Asst. Director|
|Emil Kosa||Special Effects|
|Herman Lewis||Sound/Sound Designer|
|Norman Rockett||Set Decoration/Design|
|Walter Scott||Set Decoration/Design|
|Jack Martin Smith||Art Director|
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Planet of the Apes based on 0 ratings. 6 reviews.
''Planet of the Apes'' is a very entertaining movie, and you'd better go see it quickly, before your friends take the edge off it by telling you all about it. They will, because it has the ingenious kind of plotting people love to talk about. If it were a great picture, it wouldn't need this kind of protection; it's just good enough to be worth the rush. Adapted from a novel by Pierre Boulle, 'Planet of the Apes' most closely resembles George Pal's 1960 version of H.G. Wells' 1895 novel 'The Time Machine.' It's also a little like 'Forbidden Planet,' the 1956 science-fiction adaptation of 'The Tempest,' though it's perhaps more cleverly sustained than either of those movies. At times, it has the primitive force of old 'King Kong.' It isn't a difficult or subtle movie; you can just sit back and enjoy it. That should place the genre closely enough, without spoiling the theme or the plot. The writing, by Michael Wilson and Rod Serling, though occasionally bright, is often fancy-ironic in the old school of poetic disillusion. Even more often, it is crude. But the construction is really extraordinary. What seem to be weaknesses or holes in the idea turn out to be perfectly consistent, and sequences that work only at a simple level of parody while you're watching them turn out to be really funny when the total structure is revealed. You're too busy for much disbelief anyway; the timing of each action or revelation is right on the button. The audience is rushed along with the hero, who keeps going as fact as possible to avoid being castrated or lobotomized. The picture is an enormous, many-layered black joke on the hero and the audience, and part of the joke is the use of Charlton Heston as the hero. I don't think the movie could have been so forceful or so funny with anyone else. Physically, Heston, with his perfect, lean-hipped, powerful body, is a god-like hero; built for strength, he's an archetype of what makes Americans win. He doesn't play a nice guy; he's harsh and hostile, self-centered and hot-tempered. Yet we don't hate him, because he's so magnetically strong; he represents American power -- the physical attraction and admiration one feels toward the beauty of strength as well as the moral revulsion one feels toward the ugliness of violence. And he has the profile of an eagle. Franklin J. Schaffner, who directed 'Planet of the Apes,' uses the Heston of the preposterous but enjoyable 'The Naked Jungle' -- the man who is so absurdly a movie-star myth. He is the perfect American Adam to work off some American guilt feelings or self-hatred on, and this is part of what makes this new violent fantasy so successful as comedy. ''Planet of the Apes'' is one of the best science-fiction fantasies ever to come out of Hollywood. That doesn't mean it's art. It is not conceived in terms of vision or mystery or beauty. Science-fiction fantasy is a peculiar genre; it doesn't seem to result in much literary art, either. This movie is efficient and craftsmanlike; it's conceived and carried out for maximum popular appeal, though with a cautionary message, and with some attempts to score little points against various forms of establishment thinking. These swifties are not Swift, and the movie's posture of superiority is somewhat embarrassing. Brechtian pedagogy doesn't work in Brecht, and it doesn't work here, either. At best, this is a slick commercial picture, with it's elements carefully engineered -- pretty girl (who unfortunately doesn't seem to have had acting training), comic reliefs, thrills, chases -- but when expensive Hollywood engineering works, as it rarely does anymore, the results can be impressive. Schaffner has thought out the action in terms of the wide screen, and he uses space and distance dramatically. Leon Shamroy's excellent color photography helps to make the vast exteriors (shot in Utah and Arizona) an integral part of the meaning. The editing, though, is somewhat distra
Best movie. Love the storyline. Don't even consider thinking the new movie is better. The original is the way to go. Think old school.
''Planet of the Apes'' is fantastic entertainment. A crew of astronauts crash on an unfamiliar planet, only to discover it's ruled by talking apes. The apes hunt the local mute humans and use them for scientific experimentation. When Charlton Heston (one of the astronauts)is captured, he impresses kind chimpanzee scientists Zira and Cornelius becasue of his ability for speech, but the other apes are not amused; their religion dictates that apes, not humans, are God's chosen. The movie's famous twist ending not only deepens the meaning of everything that's come before; and gives great reason for sequels.