Rick

( 1 )

Overview

Written and directed by Curtiss Clayton, Bill Pullman stars in the title role as Rick, a brown-nosing employee of a young, crass, and incredibly arrogant Wall Street success story (Aaron Stanford). When Duke (Stanford) isn't in the office, he's busy seducing Rick's teenage daughter Eve (Agnes Bruckner) via cyberspace. Meanwhile, a smooth-talking hit man (Dylan Baker) specializes in bumping off corporate bigwigs, which puts both of the men in a complicated and deadly situation. ...
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Overview

Written and directed by Curtiss Clayton, Bill Pullman stars in the title role as Rick, a brown-nosing employee of a young, crass, and incredibly arrogant Wall Street success story (Aaron Stanford). When Duke (Stanford) isn't in the office, he's busy seducing Rick's teenage daughter Eve (Agnes Bruckner) via cyberspace. Meanwhile, a smooth-talking hit man (Dylan Baker) specializes in bumping off corporate bigwigs, which puts both of the men in a complicated and deadly situation.
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Special Features

Closed Caption; Rick: behind-the-scenes featurette - including new interviews with Bill Pullman and writer Daniel Handler; Two trailers; Photo gallery including production and behind-the-scenes shots; Production notes in downloadable PDF format; Widescreen format
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Editorial Reviews

All Movie Guide - Josh Ralske
Rick starts out as an entertainingly scabrous anti-capitalist satire, along the same lines as Mary Harron's American Psycho but played more for laughs. The opening scenes -- involving Rick (Bill Pullman), his callow, sex-obsessed young boss, Duke (Aaron Stanford), a disastrous job interview, and the subsequent encounter with Michelle (Sandra Oh), the humiliated prospective employee -- are a bitterly funny and trenchant critique of white-male corporate culture, and the satire only sharpens when Rick encounters his old schoolmate, Buck (the ever reliable Dylan Baker), who offers Rick his services while pointedly avoiding stating what it is he does. But after a promising beginning, the plot kicks in, and the film begins to unravel. Screenwriter Daniel Handler, of Lemony Snicket fame, has a sharp ear for corporate logo-speak, and cinematographer Lisa Rinzler captures the gleaming grandiosity of the milieu. Pullman does an admirable job with tricky material, as does the very watchable Agnes Bruckner as Rick's daughter, Eve. Stanford's role is more cartoonish, and he doesn't quite pull it off. Oh and Baker shine in smaller, keenly written roles; however, the main problem is tone. After the mean-spirited opening, it's nearly impossible to make Rick sympathetic, but the filmmakers try, giving him an unconvincing past family tragedy and playing up his devotion to Eve. In hewing to the general outline of Rigoletto's plot, the film sacrifices suspension of disbelief, as the baroque twists of the opera don't jibe with the contemporary corporate setting. While flawed, Rick is an admirable effort that offers, at least for a while, a stinging respite from the typical mushy Hollywood-style comedy.
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Product Details

  • Release Date: 4/1/2005
  • UPC: 829567022122
  • Original Release: 2003
  • Rating:

  • Source: Virgil Films
  • Presentation: Wide Screen
  • Time: 1:33:00
  • Format: DVD
  • Sales rank: 95,712

Cast & Crew

Performance Credits
Bill Pullman Rick O'Lette
Aaron Stanford Duke
Agnes Bruckner Eve
Sandra Oh Michelle
Dylan Baker Buck
Paz de la Huerta
Marianne Hagan
Emmanuelle Chriqui
Technical Credits
Curtiss Clayton Director, Editor
Roger Bobb Asst. Director
Ruth Charny Producer
Jim Czarnecki Producer
Daniel Handler Screenwriter
Heidi Loeffler Set Decoration/Design
Amanda Mackey-Johnson Casting
Edward R. Pressman Executive Producer
Theresa Radka Sound/Sound Designer
Alysia Raycraft Costumes/Costume Designer
Ted Reichman Score Composer
Lisa Rinzler Cinematographer
John Schmidt Executive Producer
Sofia Sondervan Producer
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Scene Index

Side #1 --
1. Waiting for Rick [8:42]
2. The Interview [5:16]
3. Cursed [5:58]
4. Buck's Company [5:27]
5. Big Boss [6:44]
6. Father and Daughter Talk [10:11]
7. Breaking News [3:22]
8. Visit From Buck [7:13]
9. Super Storage [7:54]
10. Instructions [4:21]
11. No Party for Eve [1:54]
12. Mountain of Success [3:48]
13. Duke and Eve [4:03]
14. "It's Done" [6:03]
15. A Tragic Mistake [7:45]
16. End Credits [4:34]
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Menu

Side #1 --
   Play Movie
   Scene Selections
   Special Features
      Behind the Scenes of Rick: Play All Segments
      Behind the Scenes of Rick: Rick, the Man
      Behind the Scenes of Rick: The Story
      Behind the Scenes of Rick: The Architecture
      Behind the Scenes of Rick: Remote Lounge Nightclub
      Behind the Scenes of Rick: The Look of the Film
      US Theatrical Trailer
      US Video Trailer
      Photo Gallery
      Production Notes in Downloadable PDF Format
   Sneak Previews
      Scotland, PA
      The Other Side of the Bed
      Die Mommie Die!
      Seeing Other People
      The Tesseract
      Tanner on Tanner
      Soho Square
      Wilbur
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Customer Reviews

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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    A Waste of Time & Acting Talent

    This film is pointless, for many reasons. Not the least of which is that it's a bad bastardization of Victor Hugo's Le Roi s'Amuse (and Verdi's Rigoletto). It gets off to an intriguing start, though. Meet Rick (Bill Pullman) - the office jerk. He's a fairly unlikable guy, but that's because his wife was killed. Rick is also pushed around by his less-talented, half-his-age boss. So an old schoolmate says for $10,000 he'll kill any one person of his choosing. What do you do? If you're Rick, you let yourself get pushed into something you don't want to do, and you make racial slurs on not one but two occasions to Sandra Oh, keep her from getting a new job and get her fired from her old one. So it's kind of hard to root for old Rick. This film seems to want to tell us something, some truth about the human condition, but what? That all receptionists are mean? That all bosses are evil? That they always have clichéd, drunkard wives? That you can never get over the loss of a loved one? That grieving people are easily manipulated? That it's okay to be racist against Asians? That there are no good people, anywhere, ever? In the end, it's a waste of the acting talents of Bill Pullman, Agnes Bruckner, Sandra Oh, and Dylan Baker.

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