RickDirector: Curtiss Clayton, Bill Pullman, Aaron Stanford, Agnes Bruckner
The amoral world of a handful of Wall Street businessmen is delineated in this black comedy written by Lemony Snicket creator Daniel Handler. Rick takes as its central character a mid-level manager (Bill Pullman) working in a nameless corporation for a boss, Duke (Aaron Stanford), who's nearly half his age. Duke and Rick are constantly one-upping each other around the office; compounding their contentious relationship is the fact that Duke is pursuing Rick's daughter, Eve (Agnes Bruckner), a teenager who frequents Internet sex-chat rooms. Rick thinks he has found the solution to his work problems in Buck (Dylan Baker), an old college buddy who's become a paid hitman; for a fee, he'll take care of anyone who comes between Rick and his climb up the corporate ladder. But when a jilted job interviewee (Sandra Oh) puts a hex on Rick, it seems his good fortune may come to an end.
- Release Date:
- Original Release:
- Showtime Ent.
Cast & Crew
|Bill Pullman||Rick O'Lette|
|Paz de la Huerta||Actor|
|Roger Bobb||Asst. Director|
|Heidi Loeffler||Set Decoration/Design|
|Edward R. Pressman||Executive Producer|
|Theresa Radka||Sound/Sound Designer|
|Alysia Raycraft||Costumes/Costume Designer|
|Ted Reichman||Score Composer|
|John Schmidt||Executive Producer|
Most Helpful Customer Reviews
See all customer reviews
This film is pointless, for many reasons. Not the least of which is that it's a bad bastardization of Victor Hugo's Le Roi s'Amuse (and Verdi's Rigoletto). It gets off to an intriguing start, though. Meet Rick (Bill Pullman) - the office jerk. He's a fairly unlikable guy, but that's because his wife was killed. Rick is also pushed around by his less-talented, half-his-age boss. So an old schoolmate says for $10,000 he'll kill any one person of his choosing. What do you do? If you're Rick, you let yourself get pushed into something you don't want to do, and you make racial slurs on not one but two occasions to Sandra Oh, keep her from getting a new job and get her fired from her old one. So it's kind of hard to root for old Rick. This film seems to want to tell us something, some truth about the human condition, but what? That all receptionists are mean? That all bosses are evil? That they always have clichéd, drunkard wives? That you can never get over the loss of a loved one? That grieving people are easily manipulated? That it's okay to be racist against Asians? That there are no good people, anywhere, ever? In the end, it's a waste of the acting talents of Bill Pullman, Agnes Bruckner, Sandra Oh, and Dylan Baker.