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| Irene Dunne | Stephanie |
| Fred Astaire | Huck Haines |
| Ginger Rogers | Countess Scharwenka, Countess Scharwenka/Lizzie Gatz, Lizzie Gatz |
| Randolph Scott | John Kent |
| Helen Westley | Roberta (Aunt Minnie) |
| Victor Varconi | Ladislaw |
| Claire Dodd | Sophie |
| Luis Alberni | Voyda |
| Ferdinand Munier | Lord Delves |
| Torben Meyer | Albert |
| Adrian Rosley | Professor |
| Lucille Ball | Girl |
| Hal Borne | |
| Candy Candido | |
| Virginia Carroll | |
| Lynne Carver | |
| Diane Cook | |
| William B. Davidson | Purser |
| William Dunn | Orchestra |
| Mary Forbes | Mrs. Teal |
| Rita Gould | Bits |
| Jane Hamilton | |
| Grace Hayle | Reporter |
| Maxine Jennings | |
| Howard Lally | |
| Muzzy Marcellino | |
| Wanda Perry | |
| Donna Mae Roberts | Mannequin |
| Zena Savina | Woman |
| Sam Savitsky | Cossack |
| Gene Sheldon | |
| Kay Sutton | |
| Mike Tellegen | Cossack |
| Dale Van Sickel | Dance Extra |
| Judith Vosselli |
| William Seiter | Director |
| Fred Astaire | Choreography |
| Pandro S. Berman | Producer |
| Carroll Clark | Art Director |
| Edward J. Cronjager | Cinematographer |
| Willaim Hamilton | Editor |
| Otto Harbach | Score Composer |
| Jerome Kern | Score Composer |
| Thomas K. Little | Set Decoration/Design |
| Sam Mintz | Screenwriter |
| Jane Murfin | Screenwriter |
| Bernard Newman | Costumes/Costume Designer |
| Hermes Pan | Choreography |
| Van Nest Polglase | Art Director |
| Allan G. Scott | Screenwriter |
| Max Steiner | Musical Direction/Supervision |
| Glenn Tryon | Screenwriter |
meMD
Posted October 1, 2010
Purchased DVD mainly for fashion ideas. Dresses are ideal for dancing and evening wear. Story and dancing aren't bad either!
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted August 15, 2003
''Roberta'' is one of the most overlooked of the Astaire-Rogers films. This may be because they are again playing second fiddle. The main story belongs to Irene Dunne, a lovely soprano/actress who has three numbers of her own. Rogers plays Lizzie Gatz who poses as a Polish noblewoman, Countess Scharwenka, in order to hold a job (''You've got to have a title to croon over here.'') We first see her throwing a tantrum (screaming in a mix of French and English) in the dress salon where Dunne works. Once Astaire meets up with her, she goes back to her normal (American) self while keeping up (Polish) appearances. This results in her rehearsing a song in her French accent, then launching into the spirited dance number ''Hard to Handle'' with Astaire. This routine is their absolute best in my opinion. While the movie can be a little dull in points, the Astaire-Rogers bits are always enjoyable, and Irene Dunne is no slouch! Definitly a must have for any Astaire-Rogers fan.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted December 2, 2008
No text was provided for this review.
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