Room 237

Overview

Filmmaker Rodney Ascher examines the many conspiracy theories surrounding Stanley Kubrick's controversial 1980 horror classic The Shining by speaking with fans of the film, and scholars who claim the director had a hidden agenda in adapting Stephen King's bestselling novel to the big screen. In-depth conversations with Bill Blakemore, Geoffrey Cocks, Juli Kearns, John Fell Ryan, and Jay Weidner Kubrick's Odyssey reveal a wide spectrum of theories pertaining to Kubrick's film, including speculation that it was a ...
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Overview

Filmmaker Rodney Ascher examines the many conspiracy theories surrounding Stanley Kubrick's controversial 1980 horror classic The Shining by speaking with fans of the film, and scholars who claim the director had a hidden agenda in adapting Stephen King's bestselling novel to the big screen. In-depth conversations with Bill Blakemore, Geoffrey Cocks, Juli Kearns, John Fell Ryan, and Jay Weidner Kubrick's Odyssey reveal a wide spectrum of theories pertaining to Kubrick's film, including speculation that it was a cinematic allegory for the slaughter of Native Americans, the Holocaust, or perhaps a cleverly-constructed confession that he was in fact the filmmaker responsible for faking the 1969 moon landing that placed the U.S. at the cutting-edge of the international space race against the former Soviet Union.
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Special Features

The mstrmnd speaks: commentary with Kevin McLeod; Secrets of The Shining: panel discussion from the First Annual Stanley Film Festival; 11 deleted scenes; The making of the music featurette; Mondo poster design discussion with artist Aled Lewis; Trailer; Alternate trailers
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Editorial Reviews

All Movie Guide - Jason Buchanan
It's hardly news that many fans of Stephen King's The Shining took issue with Stanley Kubrick's 1980 film adaptation of the seminal horror novel. Even the author himself has voiced his displeasure with the movie cited by the AFI as one of the best American thrillers ever produced The Shining came in at 29 on their Top 100, beating out even Night of the Living Dead by a decidedly wide margin. Yet despite all of the controversy over Kubrick's handling of King's material, some cinephiles have opted to focus their analytic eyes on the possibility that the director known for his perfectionism may have had little interest in telling the story of the Torrance family's experiences in the Overlook Hotel, but was instead driven by a hidden agenda that's only revealed through careful study of the film's dialogue, symbolism, and imagery. In his compelling, occasionally hilarious documentary Room 237, director Rodney Ascher allows five fans and film scholars the opportunity to explore a variety of thought-provoking conspiracy theories related to The Shining. Against the backdrop of footage from the movie and clips of various other pictures employed primarily to provide a context, Bill Blakemore, Geoffrey Cocks, Juli Kearns, John Fell Ryan, and Jay Weidner all speak at length about the various hidden meanings they have detected during repeated viewings. From the theories that The Shining was a veiled commentary on the Holocaust or the genocide of Native Americans to the possibility that Kubrick was using the story as a means of admitting to his role in faking the moon landings, no detail goes unnoticed as scenes are repeatedly dissected down to the most minute detail including, in one of the more humorous instances, the paper holder on Stuart Ullman's desk. As entire sections of the film play out forward, backward, in regular speed, in slow motion, in frame-by-frame, and even backwards and forwards superimposed, we become completely immersed in The Shining and all of its vast potential. This approach is enhanced by Ascher's decision to never once show us the faces of his five subjects though occasional ambient noise and audio anomalies give the impression that this was due more to budgetary constraints rather than creative license. But the technique also proves something of a double-edged sword: Once his subjects are cited onscreen in the opening scenes, their names never appear again, making it difficult to get a handle on any one researcher's theory as Ascher repeatedly cuts back and forth between them throughout the documentary's nine parts. Meanwhile, though many of the subjects use their extensive backgrounds in history and film study to make compelling points especially when it comes to addressing Kubrick's notoriously slavish attention to detail, at certain points we sense that each of them may have let his or her imagination run a bit wild. Fell Ryan in particular comes off as either stoned or overly self-enamored as he continually giggles to himself after every comment before backing up his own brilliant theories with a hazy "yeah...." Even Weidner, whose own documentary Kubrick's Odyssey addresses the faked-moon-landing theory in painstaking detail, seems lucid by comparison despite some amusing oversight in his claim that "you can only form two words" out of the letters "R," "O," "O," "M," and "N" -- hint: there is a third one that isn't "moon" or "room," and it's not very complimentary. The beauty of Room 237, however, doesn't lie in the validity of any one of the commentators' thoughtful and occasionally well-informed speculations, but instead in that mysterious grey zone between an artist's intentions and audience interpretation. After all, every one of us brings our own experiences into the films we watch, so much like Mona Lisa's mysterious smile, we all notice subtly different details of the same picture. Our theories are shaded not just by the movies we've previously seen, but by virtually every moment we've lived, no matter how seemingly insignificant they may seem to others a concept illustrated quite astutely by Blakemore as he reveals why the Calumet baking-soda cans featured in the film hold special meaning for him because of where he was raised. That's just one of the reasons it pays to watch Room 237 with an open mind, and why, despite the many deviations from the widely praised source material, Stanley Kubrick's movie remains one of the most unique -- and uniquely terrifying -- horror films ever made.
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Product Details

  • Release Date: 9/24/2013
  • UPC: 030306987996
  • Original Release: 2012
  • Rating:

  • Source: Ifc Independent Film
  • Region Code: 1
  • Time: 1:42:00
  • Format: DVD
  • Sales rank: 2,253

Cast & Crew

Performance Credits
Bill Blakemore Participant
Geoffrey Cocks Participant
Juli Kearns Participant
John Fell Ryan Participant
Jay Weldner Participant
Technical Credits
Rodney Ascher Director
The Caretaker Score Composer
P. David Ebersole Executive Producer
Andrew Herwitz Associate Producer
Ian Herzon Sound/Sound Designer
Todd Hughes Executive Producer
William Hutson Score Composer
Tim Kirk Producer
Carlos Ramos Animator
Jonathan Snipes Score Composer
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Scene Index

Disc #1 -- Room 237
1. Prelude
2. Ch. 1 The Interviewees
3. Ch. 2 Boiling Down
4. Ch. 3 Navigating the Earth
5. Ch. 4 Elevator to the Graveyard
6. Ch. 5 The Enigmatic Bill Watson
7. Ch. 6 Pictures in a Book
8. Ch. 7 How The Shining was Meant to Be Seen
9. Ch. 8 Room 237
10. Ch. 9 After the Shining
Disc #2 -- Room 237
1. Chapter 1 [10:09]
2. Chapter 2 [12:46]
3. Chapter 3 [6:54]
4. Chapter 4 [16:51]
5. Chapter 5 [3:33]
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Menu

Disc #1 -- Room 237
   Play
   Chapters
   Setup
      Audio Options
         5.1 Surround
         Commentary with Kevin 'MSTRMND' McLeod
      Subtitles
         English SDH
         Spanish
         Subtitles: Off
   Trailer
Disc #2 -- Room 237
   Bonus
      Secrets of the Shining: Live From the First Annual Stanley Film Festival
      Secrets of the Shining: Live From the First Annual Stanley Film Festival: Chapters
      Deleted Scenes
         Play All
         Dream of Jacob
         Gemini
         International Version
         Masters and Servants
         Off and the Right
         Other Rooms, Other Filmmakers
         Star Maps
         The Devil is Empty
         There Are No Mistakes
         Time and Date
         The Difference Between a Visionary and a Madman
      The Making of the Music
      Mondo Poster Design: Discussion with Artist Aled Lewis
      Alternate Trailer 1
      Alternate Trailer 2
      Alternate Trailer 3
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