Sin City

Sin City

4.5 57
Director: Frank Miller, Robert Rodriguez

Cast: Frank Miller, Robert Rodriguez, Jessica Alba, Devon Aoki

     
 

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The Eisner Award-winning comic series Sin City comes to life in this live-action feature adaptation from director Robert Rodriguez and creator Frank Miller. Interweaving multiple storylines from the series' history, this violent crime noir paints the picture of the ultimate town without pity through the eyes of its roughest characters. There's the street thugSee more details below

Overview

The Eisner Award-winning comic series Sin City comes to life in this live-action feature adaptation from director Robert Rodriguez and creator Frank Miller. Interweaving multiple storylines from the series' history, this violent crime noir paints the picture of the ultimate town without pity through the eyes of its roughest characters. There's the street thug Marv (Mickey Rourke), whose desperate quest to find the killer of a prostitute named Goldie (Jaime King) will lead him to the foulest edges of town. Inhabiting many of those areas is Dwight (Clive Owen), a photographer in league with the sordid ladies of Sin City, headed by Gail (Rosario Dawson), who opens up a mess of trouble after tangling with a corrupt cop by the name of Jackie Boy (Benicio Del Toro). Finally, there's Hartigan (Bruce Willis), an ex-cop with a heart problem who's hell-bent on protecting a stripper named Nancy (Jessica Alba). Featuring a who's who supporting cast that includes Elijah Wood, Brittany Murphy, Devon Aoki, and Nick Stahl, Sin City promises to be one of the most direct translations from page to screen of a comic series, with shots and dialogue adapted straight from the original comic's panels. Rodriguez quit the Director's Guild when they refused to let Frank Miller co-direct the film, a deal hashed out after the two collaborators developed and shot the opening scene utilizing a green-screen process to harness the stark, black-and-white look of the books as a litmus test for the rest of the production. Quentin Tarantino was brought in and reportedly paid one dollar to direct an extended scene between Del Toro and Owen that amounts to one issue of The Big Fat Kill miniseries.

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Editorial Reviews

Barnes & Noble - Ed Hulse
The highly stylized graphic novels of talented comic-book artist Frank Miller come to life in an equally stylized motion picture co-directed by Miller and Robert Rodriguez. Starkly photographed in black-and-white (with strategically placed daubs of color), Sin City resembles its printed-page inspiration more closely than perhaps any previous comic-book adaptation. Rodriguez and Miller take great pains to replicate specific panels from the graphic novels, casting actors who resemble the pen-and-ink characters, posing them in the same positions, and employing the same dramatic interplay of light and shadow created by Miller’s bold brushwork. The reliance on comic-book imagery makes for an impressionistic look so visually striking that the viewer either won’t know or won’t care that the interrelated, episodic story lines are pure pulp, distilled from decades of hard-boiled crime fiction and the noirish movie thrillers of the ‘40s and ‘50s. Bruce Willis plays a rugged, honest cop -- one of the few working in Sin City -- who rescues a little girl from a sadistic rapist (Nick Stahl) whose big brother (Rutger Hauer) happens to be a politically well-connected clergyman. Framed into prison, the cop languishes for years, and the girl grows up to be a stripper (Jessica Alba) working in a nightclub frequented by a hulking ex-con (an unrecognizable Mickey Rourke) wanted for murder. Meanwhile, a corrupt detective (Benicio Del Toro) who is harassing one of the club’s waitresses (Brittany Murphy) is eventually killed by her boyfriend (Clive Owen). The resulting chaos ignites a war between Sin City’s armed prostitutes (led by Rosario Dawson) and dishonest cops infuriated by the murder of their crooked comrade. The movie’s two-dimensional underpinnings are reinforced by the comic-strip nature of its violence: people sustain multiple gunshot wounds without dying, plunge from great heights without injury, and soar dozens of feet through the air after being hit by speeding cars. There’s nothing even remotely realistic about Sin City, but its atmospherics are so convincing that viewers will believe they’re always right in the middle of this violent, grotesque, fully realized world.
All Movie Guide - Jeremy Wheeler
As far as comic adaptations go, Sin City is an unprecedented book-to-screen translation that's locked, loaded, and rip-roaring ready to introduce movie audiences to the mad genius that is Frank Miller. By meticulously re-creating the acclaimed comic creator's most personal work, co-director Robert Rodriguez has given Miller's creation the chance to live and breathe using the exact hard-nosed dialogue and iconic camera shots from the acclaimed graphic novels. The end result is a mad brushstroke of digital filmmaking that is risqué enough to be considered bold, while palatable enough for exploitive entertainment purposes. It remains to be seen what the unprepared masses will think of Sin City -- in fact, there couldn't be a better, more PC time for the flick to hit. Basically a slap in the face to neo-conservative ideals, the film is so full of gleeful graphic violence and raw, steaming sexuality that there's sure to be some kind of backlash somewhere. The cast is a knockout, with major kudos going to Mickey Rourke, Rosario Dawson, Benicio Del Toro, and even a smaller, supporting appearance by Rutger Hauer as they fulfill their inspired casting choices and take delicious delight in this world of corruption and sleaze. The stark black-and-white visuals are the real star here though, merging film noir sensibilities and dynamic comic panel storytelling with the help of a heap-load of computer graphics and inventive filmmaking to create something that's new, raw, and refreshing. Additionally, the direct translation is both exciting and a bit jarring, lending an unusual pace that you don't see in modern cinema; just as the gusto violence will turn off many and probably create more cynics in the critical circles, so too will the film continue to polarize its viewers due to its experimental nature. Comparisons will no doubt be drawn between the page and screen for years to come, which might hurt the film simply because it is an adaptation and no matter how direct a translation it is, there's bound to be things that are lost in the process. Still, after years of being jerked around in Hollywood, Miller is finally given the tools to strut his stuff on the big screen and, love it or leave it, perfect or not, that's exactly what Sin City is.

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Product Details

Release Date:
04/15/2011
UPC:
0031398134671
Original Release:
2005
Source:
Miramax Lionsgate
Region Code:
1
Presentation:
[Wide Screen]
Sound:
[Dolby AC-3 Surround Sound]
Time:
2:04:00
Sales rank:
993

Cast & Crew

Performance Credits
Jessica Alba Nancy
Devon Aoki Miho
Alexis Bledel Becky
Powers Boothe Senator Roark
Rosario Dawson Gail
Benicio Del Toro Jackie Boy
Michael Clarke Duncan Manute
Carla Gugino Lucille
Josh Hartnett The Man
Rutger Hauer Cardinal Roark
Jaime King Goldie / Wendy
Michael Madsen Bob
Brittany Murphy Shellie
Clive Owen Dwight
Mickey Rourke Marv
Nick Stahl Junior / Yellow Bastard
Bruce Willis Hartigan
Elijah Wood Kevin
Marley Shelton The Customer
Frank Miller Priest
Rick Gomez Shlubb
Tommy Flanagan Brian

Technical Credits
Frank Miller Director,Producer,Screenwriter
Robert Rodriguez Director,Score Composer,Cinematographer,Editor,Producer,Screenwriter
Elizabeth Avellan Producer
Jeff Bettwy Asst. Director
Brian Bettwy Asst. Director
John Debney Score Composer
Craig Henighan Sound/Sound Designer
K.N.B. EFX Group Makeup Special Effects
John Pritchett Sound/Sound Designer
Graeme Revell Score Composer
Jeanette Scott Art Director
Rob Simons Set Decoration/Design
Mary Vernieu Casting
Harvey Weinstein Executive Producer
Bob Weinstein Executive Producer

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Scene Index

Side #1 --
1. The Customer Is Always Right [2:59]
2. Sin City [1:51]
3. Hartigan [8:10]
4. "Her Name Is Goldie" [3:36]
5. Lucille [1:57]
6. Marv [5:57]
7. The Farm [5:46]
8. "What if I'm Wrong?" [4:02]
9. The Hard Goodbye [9:28]
10. "Is That the Best You Can Do, Pansies?" [3:25]
11. Shellie [4:38]
12. Dwight [3:13]
13. Old Town [3:38]
14. Deadly Little Miho [3:29]
15. Warrior Woman [5:09]
16. Designated Driver [4:18]
17. The Pits [5:24]
18. Jackie Boy's Head [2:57]
19. The Big Fat Kill [6:19]
20. Senator Roark [3:40]
21. Letters From Cordelia [3:08]
22. This Guy Smells Awful [3:53]
23. That Yellow Bastard [4:59]
24. Kiss of Death [7:02]
25. Killing of the Snake [5:19]
26. Fair Trade [2:06]
27. Becky [:57]
28. End Credits [6:15]

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