Someday This Pain Will Be Useful to You

Overview

A sensitive yet perceptive New York City teen wrestles with his sexuality, his prospects for the future, and severe family dysfunction in the wake of his parents' divorce in director Roberto Faenza's adaptation of the bestseller by author Peter Cameron. James (Toby Regbo) is a teenage boy with an acute eye for observation, but he lacks the social skills to get ahead in life. His future looking increasingly uncertain as his family falls apart, James watches in bemusement as his melodramatic 20-year-old sister ...
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Overview

A sensitive yet perceptive New York City teen wrestles with his sexuality, his prospects for the future, and severe family dysfunction in the wake of his parents' divorce in director Roberto Faenza's adaptation of the bestseller by author Peter Cameron. James (Toby Regbo) is a teenage boy with an acute eye for observation, but he lacks the social skills to get ahead in life. His future looking increasingly uncertain as his family falls apart, James watches in bemusement as his melodramatic 20-year-old sister (Deborah Ann Woll) prepares to pen her memoirs, takes advice from his quirky grandmother (Ellyn Burstyn), and discovers that some lessons are best learned with your body in motion during running sessions with his sharply observant life coach (Lucy Liu).
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Special Features

Music Video; Photo Gallery; Trailer
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Editorial Reviews

All Movie Guide - Nathan Southern
Sometimes the dramatic core of a movie is so on target and emotionally persuasive that you can forgive small accompanying missteps. That's the case with this terrific coming-of-age seriocomedy from Italian multihyphenate Roberto Faenza, who adapts Peter Cameron's 2007 novel. Toby Regbo stars as James Sveck, the 16-year-old son of a hyperdysfunctional Manhattan family. His mother Marjorie Marcia Gay Harden is a four-time divorcée whose most recent husband maxed out all of her credit cards on a Las Vegas gambling binge; sister Gillian Deborah Ann Woll is having an affair with a married university professor, and plans to author a tell-all memoir in order to profit from the relationship; and dad Paul Peter Gallagher, who's superb is a narcissistic executive, obsessed with the wrinkles around his eyes and interested in dating svelte young women decades his junior. Amid all this craziness, it's little wonder that James should feel so lost or have so many unresolved neuroses: When we first see him, he's contemplating a leap from the roof of an apartment building, and he acknowledges in voice-over what little use he has for many aspects of contemporary life. The theme of this movie recalls the assertion made by Joan Didion in her essay "On Self Respect" -- that one of the byproducts of self-esteem involves liberating oneself from others' opinions and behavioral expectations. Accordingly, James -- who endures his parents' constant criticism of his eccentricities and feels freakish in the company of everyone -- must learn to embrace his uniqueness and listen to the desires of his own heart, no matter how odd or offbeat they may seem to bystanders. In the process, we infer his chronic anxiety will dissipate. Faenza and his co-writer Dahlia Heyman include not one but two emotional anchors for James -- his venerable grandmother Nettie Ellen Burstyn and a life coach Lucy Liu -- each of whom encourages him to march to the beat of his own drum, to realize his innate dreams and passions. The Burstyn and Liu sequences form the soul of the picture by helping to define James' arc. Not a single line of dialogue in these scenes feels ill-advised, misplaced, or gratuitous -- all are masterfully gauged, flawlessly acted, and entirely convincing. The surrounding sequences send up the Gotham elite, with their bizarre excuses for contemporary art, meditation crazes, and materialistic obsessions. In theory, that's a grand idea. But the scenes with Harden, Gallagher, and especially Woll are so broad that they qualify as all-out farce. A sequence in which Woll shoots faux-sexy posed photographs of herself with a webcam epitomizes this idea. Taken on its own, the scene delivers laughs, but in the broader context of the movie, it's slightly over the top. Scenes like this might have been more effective with a tone of subtle, dry satire -- something, say, along the lines of John Guare's Six Degrees of Separation. Faenza and company fare much better with comedy in some inspired flashback sequences -- the nutty behavior in these scenes such as a group sing-along on a bus, and a heavyset prep-school girl with the funniest dance moves since Elaine Benes can be conceptually justified. This is more or less the same device used for example in Frank Perry's Diary of a Mad Housewife -- comically extreme behavior as a product of the central character's distorted perspective -- and it works equally well here. In the final analysis, the picture bounds over its negligible flaws and delivers a dramatic home run. Faenza -- heretofore unknown in the States -- is easily the single most brilliant film artist now working in Italy, and has built a decades-long career specializing in stirring, offbeat dramas. So it isn't at all surprising that this movie, like the writer/director's prior efforts, rises and succeeds on the basis of the central character's finely nuanced evolution. At heart, this is a sensitive, beautiful coming-of-age story, and it leaves one richly satisfied.
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Product Details

  • Release Date: 3/5/2013
  • UPC: 030306501697
  • Original Release: 2011
  • Rating:

  • Source: Filmbuff
  • Region Code: 1
  • Time: 1:39:00
  • Format: DVD
  • Sales rank: 67,079

Cast & Crew

Performance Credits
Toby Regbo James
Marcia Gay Harden Marjorie
Peter Gallagher Paul
Lucy Liu Rowena
Stephen Lang Barry Rogers
Ellen Burstyn Nanette
Deborah Ann Woll Gillian
Aubrey Plaza Jeanine Breemer
Gilbert Owuor John
Dree Hemingway Rhonda
Olek Krupa Henryk Maria
Siobhan Fallon Mrs. Breemer
Brooke Schlosser Sue Kenney
Kyle Coffman Dakin
Jonny Weston Thom
Kate Kiley Mrs. Wright
Christopher Mann Guard
Rekha Elizabeth Luther Olivia
Greg McFadden Waiter
Dieter Riesle Man Visitor
Rainer Judd Woman Visitor
Amelia Workman Young Woman
Peter Kim Funeral Waiter
Sawyer Avery Jack
Rhonda Jensen Sarah
Technical Credits
Roberto Faenza Director, Screenwriter
Todd Armitage Camera Operator
Allen Bain Co-producer
Simona Bellettini Executive Producer
Maurizio Calvesi Cinematographer
Milena Canonero Producer
Elda Ferri Producer
Massimo Fiocchi Editor
Rose Ganguzza Executive Producer
Andrea Guerra Score Composer
Dahlia Heyman Executive Producer, Screenwriter
Avy Kaufman Casting, Executive Producer
Scott Lazar Asst. Director
Tommaso Ortino Production Designer
Jesse Scolaro Co-producer
Ron Stein Producer
Adriano Wajskol Associate Producer
Donna Zakowska Costumes/Costume Designer
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Scene Index

Disc #1 -- Someday This Pain Will Be Useful to You
1. "Gillian. With A Hard G" [:08]
2. Came Back Early [9:04]
3. Has No Name [7:00]
4. "Seventh Best." [7:12]
5. "F-A-C-S-I-M-L-E." [10:01]
6. Nice Profile [10:02]
7. "Gambler's Anonymous" [18:21]
8. Genetically Twisted [7:23]
9. My Own Plaque [7:54]
10. You Were Right [6:43]
11. Pay The Bill [7:50]
12. Ending Credits [4:07]
13. Chapter 13 [3:21]
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Menu

Disc #1 -- Someday This Pain Will Be Useful to You
   Play
   Chapters
   Bonus
      Music Video
      Photo Gallery
      Trailer
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