StuckDirector: Stuart Gordon
Re-Animator director Stuart Gordon takes the helm for this disturbing tale of a compassionate retirement-home caregiver whose life is turned upside down after a gruesome hit-and-run accident leaves a severely injured homeless man lodged helplessly in her shattered windshield. Despite her repeated promises to take her ailing victim to the hospital, the realization that the accident could destroy both her career and her future finds her uncharacteristically deciding to let the man die a slow death in her garage while conspiring with her boyfriend to dispose of the body. A fictionalized account of actual events, Stuck was co-scripted by director Gordon and frequent Tales from the Darkside contributor John Strysik.
- Release Date:
- Original Release:
- Image Entertainment
- [Wide Screen]
- [DTS 5.1-Channel Surround Sound]
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Cast & Crew
|Stephen Rea||Hapless Tom|
|Lionel Mark Smith||Sam|
|Stuart Gordon||Director,Original Story,Producer,Screenwriter|
|Andrew Arno||Executive Producer|
|Carol Cutshall||Costumes/Costume Designer|
|Sam Grana||Executive Producer|
|Georges Hannon||Sound/Sound Designer|
|Bobby Johnston||Score Composer|
|John F.S. Laing||Executive Producer|
|Craig Lathrop||Production Designer|
|Tim McGrath||Executive Producer|
|Laird McMurray||Special Effects Supervisor|
|Julie Moldo||Associate Producer|
|Chris O'Neil||Costumes/Costume Designer|
|Scott Senechal||Asst. Director|
|John Strysik||Associate Producer,Screenwriter|
|Mena Suvari||Associate Producer|
|Zenon Yunko||Associate Producer|
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STUCK is one of those films that creeps up on you, teases you into thinking a comedy is in the making, then slowly reveals itself as what seems to be an exposé of our current manner of getting through life, of competing in the workplace, and of self absorption to the point of endangering those around us. The fact that the film is based on a true story as adapted by director Stuart Gordon and transformed into a bitingly satirical screenplay by John Strysik increases the impact of this well-crafted little low budget film. Watch it once for the gritty content of the story, then watch it again to appreciate all of the very dark (and very pointed!) humor in what at first appears to be a grisly tale.
Brandi Boski (Mena Suvari) works as a Nurse's Aid in a nursing home of senile elderly patients, giving some of the finest care for those entrusted to her talents. Brandi's compassionate work is noted by the supervisor Peterson (Carolyn Purdy-Gordon) who manages to trick Brandi into an even heavier work schedule by suggesting a raise in position. Excited about her possible promotion Brandi and her working partner Tanya (Rukiya Bernard) celebrate that evening with Brandi's boyfriend/drug supplier Rashid (Russell Hornsby) who gives Brandi a pill of Ecstasy and the mixture of the drug with the alcohol creates a mess of Brandi's mind.
The parallel story involves one jobless Thomas Bardo (Stephen Rea) who lives in a tenement, is evicted because of past due rent, and becomes a street person, treated with cold (but satirical) mechanical responses at the Department of Unemployment. Left to sleep in the park he is befriended by another homeless person, given a shopping cart, and makes his way toward a midnight mission.
Brandi cum altered thought processes drives home, hits Thomas who comes sailing through her windshield badly injured, and out of fear and distress Brandi merely takes the 'stuck' Thomas home to park him in her garage, knowing that her boyfriend Rashid will help her. Thomas is conscious, unable to climb out of the glass of the crushed windshield and begs for help. How the stranded and injured Thomas is treated by the desperate but self-centered Brandi, by the frightened but macho Rashid, and by neighbors who fear intervention because of reporting an incident that would encourage police intervention and threaten their deportation as illegal immigrants results in an ending that shows how 'justice' can prevail!
The cast is first rate - especially Rea, Suvari, Hornsby and Bernard. The direction is tight and maintains credible characters in incredible situations and holds the audience attention every moment. This is a fine example of how a low budget film, in the hands of pros, can be more successful that the big budget, less thoughtful movies that crowd our marquis. Grady Harp