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|William Holden||Lt. Hany Brubaker, USNR|
|Grace Kelly||Nancy Brubaker|
|Fredric March||Rear Adm. George Tarrant|
|Mickey Rooney||Mike Forney|
|Earl Holliman||Nestor Gamidge|
|Robert Strauss||Beer Barrel|
|Charles McGraw||Cmdr. Wayne Lee|
|Richard Shannon||Lieutenant Olds|
|Willis B. Bouchey||Capt. Evans|
|Nadene Ashdown||Kathy Brubaker|
|Marshall V. Beebe||Pilot|
|Cheryl Lynn Calloway||Susie|
|James Jankins||Asst. CIC Officer|
|Paul Kruger||Captain Parker|
|Gene Reynolds||C.I.C. Officer|
|Robert Sherry||Flight Surgeon|
|Teru Shimada||Japanese Father|
|Charles Tannen||MP Major|
|Dennis Weaver||Air Intelligence Officer|
|Henry Bumstead||Art Director|
|Charles G. Clarke||Cinematographer|
|Sam Comer||Set Decoration/Design|
|Francisco Day||Asst. Director|
|John P. Fulton||Special Effects|
|Gene Garvin||Sound/Sound Designer|
|Grace Gregory||Set Decoration/Design|
|Hugo Grenzbach||Sound/Sound Designer|
|Edith Head||Costumes/Costume Designer|
|Lyn Murray||Score Composer|
|Hal Pereira||Art Director|
|James A. Michener||Source Author|
Posted September 29, 2013
The Korean War (police action) went into cease-fire about eighteen months previous to the release of The
Bridges at Toko-Ri. The novel on which it was based, by James Michener (Lt. USN ret.) had been published
the previous year. Most Americans had the same feelings toward the police action-they were ambivalent.
Certainly everyone had wanted to win it -quickly- but at the same time no one wanted to risk WW III to do so.
General Douglas MacArthur was willing to, which is why Truman promptly fired him, even after a decisive (con-
vebtional) victory at Inchon. Most audiences, therefore, were open-minded to Micheners ( (Pulitzer (1947 )) prize
-winning work and balanced viewpoint on the Korean conflict, written in 1951.
The film The Bridges at Toko-Ri continues this balanced work. We look at two sides of the war, officer and
enlisted, and how they interact in combat. The director, Mark Robson, had the cream of Hollywood at the time-
William Holden, who had won the best acting Oscar the previous year for Stalag 17, Grace Kelly who would
receive one the following year for The Country Girl, Frederic March who had received two in his long career was at 57
perfectly cast as the elderly, paternal Admiral Tarrant, and the ever-popular Mickey Rooney as a rescue
helicopter Chief Petty Officer.
The film is primarily about the experiences of Lt. Brubaker (Holden), a WW II Navy pilot called back to active
duty for the Korean conflict. Brubaker is'nt excited about returning to combat duty-he has a wife, two children
and a law practice as a civilian. The drama is primarily about his coming to grips with his thankless job of
flying dangerous shore missions, and particularly one against the heavily fortified bridges at Toko-Ri. Right to
the end, Brubaker wonders if the war effort is worth it.
In contrast to this is the Task Force admiral Tarrant, who, even though he has lost a son to the conflict, still
holds out for victory as the film ends. How Brubaker's wife, Nancy (Kelly), feels is left up in the air,, but as a
dutiful Navy wife, she's probably prepared for anything.
I have read reviews of The Bridges at Toko-Ri that consider this an anti-war movie, and reviews that consider
it a war movie. I feel that The Bridges at Toko-Ri can go either way, depending on who you empathize with.
So the audiences of 1954 probably left the theater satisfied, even though the ambiguity of the conflidt cannot be
resolved. Whether this ambiguity still stands today is up to you, the viewer.
(Academy Award for Best Special Effects, 1954.
Posted October 30, 2008
No text was provided for this review.