The Double

Director: Richard Ayoade, Jesse Eisenberg, Mia Wasikowska, Wallace Shawn

Cast: Richard Ayoade, Jesse Eisenberg, Mia Wasikowska, Wallace Shawn


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Richard Ayoade's stylized adaptation of Fyodor Dostoevsky's novella The Double stars Jesse Eisenberg as Simon James, a meek office drone who bumbles his way through his day, forever pining for a pretty girl (Mia Wasikowska) who lives near him and working hard for a boss (


Richard Ayoade's stylized adaptation of Fyodor Dostoevsky's novella The Double stars Jesse Eisenberg as Simon James, a meek office drone who bumbles his way through his day, forever pining for a pretty girl (Mia Wasikowska) who lives near him and working hard for a boss (Wallace Shawn) who doesn't see any of his accomplishments. One day Simon discovers that he has a new co-worker, James Simon (also Eisenberg), who looks just like him and possesses all of the confidence and charisma that Simon lacks. Simon befriends this new person, and soon the put-upon man is asserting himself. However, he begins to fear he's becoming just another pawn in James' relentless self-interests. The Double screened at the 2013 Toronto International Film Festival.

Editorial Reviews

All Movie Guide
Simon James (Jesse Eisenberg), the hero of Richard Eyoade's comic thriller The Double, is a spineless, toothless, whimpering corporate drone. He's trapped in a menial job at a ghoulish company that looks born out of some Kafkaesque nightmare. The world that we see here seems eternally bound to the vaccuum-tube technology of the 1950s with the vague hum of machines suspended in the air. We never learn what functions this business performs, and Simon himself may scarcely know. Amid all of this bleakness, a source of hope arises in the form of Hannah (Mia Wasikowska), a copy girl within the company, for whom Simon yens - though he can barely summon the moxie to speak with her. Then Simon's doppelganger materializes. Called James Simon (Eisenberg again), he seems to possess all of the qualities Simon James lacks, including confidence, suaveness with Hannah, a flair for business, and an ability to make enormous strides at work. Before long, James seems poised to take over Simon's life. This picture may have been adapted by Eyoade and Avi Korine from Fyodor Dostoyevsky's novel of the same title, but it finds more recent pop culture antecedents in Terry Gilliam's sci-fi comedy Brazil, Michael Radford's Orwell adaptation 1984 (the brilliant production design by Joseph Crank echoes both movies), and - in its premise - the 1946 Walt Disney cartoon short "Donald's Double Trouble," where Disney's stuttering, tongue-tied mallard has his love, Daisy, stolen by an identical twin, and must wrest his life back. This is a fun conceit with an enormous amount of comedic and dramatic mileage to be tapped from it. Unfortunately, Eyoade's direction - reportedly so satisfying in his cult hit Submarine - here comes across as maladroit; he seldom sets up and delivers his gags effectively on camera, so we're forced to look beyond the sophomoric execution and laugh solely at the concepts on display, which is a lot to ask of an audience. For example, an opening scene has Simon struggling to leave a subway car to greet Hannah, but he repeatedly gets immobilized by oncoming passengers, each one carrying an enormous brown box onto the train. A funny idea, though the dramatic blocking and the facial reactions from Eisenberg don't ring true - there are enormous gaps left in-between the actors, so that anyone (confident or not) could easily stroll in-between the men, and Eisenberg pantomimes very broadly here; nothing about his response to the situation feels credible. Nor are Eyoade's visual storytelling skills up to par; one of the central story motifs, for example, involves Simon watching Hannah through a telescope in his apartment, and observing how each evening, she ritualistically draws an illustration, tears it up, and throws it into the incinerator. On a nightly basis, Simon races down to the boiler room to retrieve the scraps of paper before they burn. Again: it's an inspired concept,, although the shot choices are so poorly done that we initially have a difficult time ascertaining what is going on. Nor is the narrative here ideally conceived; it's irritating, for example, that Ayoade and Korine waffle between enabling the supporting characters to discern between Simon and James, or not, depending on the needs of the scene at hand; the twists in the story seem born out of convenience. And if the setup and initial stages of the picture feel awkward and disappointing, the conclusion strikes one as so overwrought and complicated that the film becomes totally hopeless. We get two Eisenbergs running around and switching places and experiencing different fates, and cannot tell who is who; it's about as clear of a denouement as the finale of Andrzej Zulawski's Possession, with its multiple Sam Neills all suffocating and wreaking havoc on Isabelle Adjani. The Double is a particularly disappointing film because it seemed so full of promise and surely must have looked like a dream project on the page. Eisenberg and Wasikowska do what they can, but the execution is too poor to send the movie aloft.

Product Details

Release Date:
Original Release:
Region Code:
[Wide Screen]
[Dolby AC-3 Surround Sound]
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Special Features

Cast and characters; Creating The Double: The story and design; Behind the scenes comparisons; Interview with Director Richard Ayoade; AXS TV: A look at The Double ; Trailer

Cast & Crew

Performance Credits
Jesse Eisenberg Simon James,James Simon
Mia Wasikowska Hannah
Wallace Shawn Mr. Papadopoulos
Yasmin Paige Melanie Papadopoulos
Noah Taylor Harris
James Fox The Colonel
Craig Roberts Detective
Paddy Considine Actor
Sally Hawkins Receptionist
Chris O'Dowd Nurse
Cathy Moriarty Kiki
Phyllis Somerville Simon's Mother
Kobna Holdbrook-Smith Guard
Tony Rohr Rudolph
Susan Blommaert Liz
Jon Korkes Detective
Tim Key Staff Member
Lloyd Woolf Actor
Lydia Ayoade Actor
J Mascis Janitor
Chris Morris Actor
Kierston Wareing Actor

Technical Credits
Richard Ayoade Director,Screenwriter
Douglas Aibel Casting
Charles-Marie Anthonioz Associate Producer
Michael Caine Executive Producer
Graeme Cox Executive Producer
David Crank Production Designer
Amina Dasmal Producer
Chris Dickens Editor
Jacqueline Durran Costumes/Costume Designer
Nick Fenton Editor
Robin Fox Producer
Andrew Hewitt Score Composer
Harmony Korine Associate Producer
Avi Korine Screenwriter
Karen Lindsay-Stewart Casting
Tessa Ross Executive Producer
Andy Stebbing Co-producer
Polly Stokes Associate Producer
Nigel Williams Executive Producer
Erik Alexander Wilson Cinematographer

Scene Index

Disc #1 -- The Double
1. The Double [7:36]
2. One Copy [6:20]
3. Watching [10:08]
4. Play A Song [4:34]
5. New Employee [7:13]
6. What Do You Want? [7:24]
7. The Switch [6:54]
8. Hannah [7:41]
9. The Takeover [9:14]
10. The System [9:36]
11. Unique [9:21]
12. Ending Credits [6:49]


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