The Good, the Bad, and the UglyDirector: Sergio Leone
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- Cast & Crew
- Scene Index
There are special editions and then there are "Special Editions." With as much work as has been put into restoring Sergio Leone's seminal spaghetti Western to the director's original vision -- not to mention the inclusion of some truly informative and engrossing bonus materials -- MGM Studios can truly take pride in this comprehensive two-disc collector's set of The Good, the Bad and the Ugly. For those who have endured countless television screenings in which Leone and director of photography Tonino Della Colli's seductively visual landscapes have been incomprehensibly butchered beyond recognition, it's not going too far to say that if you haven't seen the film in its original 2.35:1 widescreen aspect ratio, you simply haven't experienced the full impact of this beautifully photographed film. The near-flawless visual presentation of the film as seen here is just one of the areas where this release truly surpasses expectation. The image is both crisp and razor-sharp, sporting solid, well-balanced colors, even skin tones and showing no signs of digital artifacting or edge enhancement -- well surpassing MGM's previous release of the film when compared side by side. The restored scenes are virtually indistinguishable from the rest of the film, given the amount of care put into the transfer, with only the aged voices of stars Clint Eastwood and Eli Wallach (who returned to dub scenes that until now only existed in Italian-language prints of the film) and the vocal stand-in for Lee Van Cleef (who died in 1989) betraying the fact that the scenes had never been included in English-language versions of the film until the 2002 restoration. Though the restoration crew does admit to running into some problems while upgrading the audio mix to Dolby Digital 5.1 in the "Reconstructing The Good, the Bad and the Ugly" featurette (issues that were masked by the inclusion of an occasional background noise), identifying these will be near impossible for the casual viewer, and they provide no distraction from the enjoyment of the film. When all is said and done, the new audio mix manages to be bold and rich without ever becoming too overpowering. The option to view the film in original Italian Mono with optional English, French, Spanish, Cantonese, or Mandarin subtitles (presented in white, bold-outlined font) will certainly make this release appealing to non-English-speaking audiences as well. No matter how effective the presentation of the film itself is, it's the inclusion of some fantastic bonus materials that place this disc well above any previous DVD release of Leone's films (with the sole possible exception of the Once Upon a Time in the West Special Collector's Edition). Beginning with a commentary track by film historian Richard Schickel, viewers will learn some interesting historical facts regarding the film if they are able to overlook the host's somewhat dry delivery. In addition to doing a fine job of placing the film in historical context (Leone's films in general were initially dismissed as a B-movie Western fodder before moving on to classic status upon further inspection), Schickel does a fine job in vocalizing what makes Leone's films so unique within the genre while detailing his relationship with Eastwood and documenting composer Ennio Morricone's groundbreaking score in satisfying detail. A making-of documentary entitled "Leone's West" offers revealing interviews with Schickel, English translator Mickey Knox, producer Alberto Grimaldi, Wallach, and Eastwood that covers everything from Leone's intense preparation as a director to Eastwood's invaluable contributions to the image of his mythical Western counterpart and the complications of working on a Spanish, Italian, and German co-production. The subsequent documentary "The Leone Style" details the director's inimitable style, remarkable eye for historical detail, and complete dedication to realizing his cinematic vision. In addition to tackling the difficult topic of the Techniscope process by speaking with Triage Labs owner Paul Rutan Jr. and MGM director of technical services John Kirk, the informative featurette "Reconstructing The Good, the Bad and the Ugly" also addresses the difficulties of the ADR process and the complications of converting the soundtrack to a "5.1" mix. Of course, The Good, the Bad and the Ugly wouldn't be the same without composer Ennio Morricone's innovative score, and "Il Maestro: Ennio Morricone and The Good, the Bad and the Ugly" dissects Morricone's score with film music historian Jon Burlingame before delving into the music head first in a revealing audio-only analysis. For those who doubt the Civil War's impact on the American West (or vice versa), the informative documentary "The Man Who Lost the Civil War" details the ill-fated "Sibley Campaign" -- which serves as the backdrop for the titular trio's grueling treasure hunt in the film. Winding down with some deleted scenes, the extra features include an extended version of the "Tuco Torture" sequence (presented in Italian-language only), which actually looks pretty good despite earlier reference to its rough shape in the "Reconstructing" featurette, and the oft-talked about "Socorro Sequence" is lovingly reconstructed using existing footage intercut with production stills and onscreen descriptions of the action. A letterboxed French trailer is noteworthy for including unused footage and alternate angles, with a poster gallery and an original theatrical trailer rounding out what can only be described as a truly satisfying and comprehensive DVD release. The inclusion of an essay by film critic Roger Ebert and a handful of miniature poster recreations simply propel an already over-the-top release well beyond expectation. Whether you're a Leone fan or simply a fan of Westerns in general, you truly owe it to yourself to make this remarkable release a part of your collection.
- Release Date:
- Original Release:
- Mgm (Video & Dvd)
- Region Code:
- [Wide Screen]
Cast & Crew
|Clint Eastwood||The Good|
|Eli Wallach||Tuco, the Ugly|
|Lee Van Cleef||The Bad|
|Eros Bacciucchi||Special Effects|
|Tonino Delli Colli||Cinematographer|
|Gonzalo Gavira||Sound/Sound Designer|
|Franco di Giacomo||Camera Operator|
|Mickey Knox||Original Story|
|Ennio Morricone||Score Composer|
|Bruno Nicolai||Musical Direction/Supervision|
|Giancarlo Santi||Asst. Director|
|Carlo Simi||Art Director,Costumes/Costume Designer|
1. Main Title [2:55]
2. The Ugly [3:04]
3. $500 to Kill [9:02]
4. The Bad [2:22]
5. A Price on Tuco's Head [4:29]
6. Mercy on a Rat's Soul [2:41]
7. Filthy Beggars and Angels [3:10]
8. The Good [1:54]
9. A Fallen Woman [2:23]
10. The Price of a Pistol [6:11]
11. Rich and Lonely [3:16]
12. Dixie's Last Hurrah [8:03]
13. Southern Cuisine [4:17]
14. Tracking Blondie [3:24]
15. A Walk in the Sun [8:38]
16. Carson's Last Words [7:34]
17. With Fathers' Help [8:57]
18. Brother Pablo's Way [4:15]
19. Prisoners of War [2:33]
20. No More Brutality [6:06]
21. A Song for Old Friends [2:54]
22. Different Partner, Same Deal [8:38]
23. A Breakable Bond [6:13]
24. Tuco Takes a Bath [3:41]
25. Death in a Ghost Town [9:03]
26. Qualified Volunteers [4:53]
27. The Daily Slaughter [6:41]
28. A Bridge to History [6:14]
29. Graveyard Shift [8:57]
30. A Shovel for Arch Stanton [6:36]
31. Triangle of Trust [3:46]
32. ."..And Those Who Dig" [5:45]
Audio Commentary by Historian Richard Schickel: On
Audio Commentary by Historian Richard Schickel: Off
Spoken Languages: English 5.1 Surround
Spoken Languages: Italian Mono
Side #2 -- Special Features
The Leone Style
The Man Who Lost the Civil War
Reconstructing The Good, the Bad and the Ugly
Il Maestro: Ennio Morricone and The Good, the Bad and the Ugly
Extended Tuco Torture Scene
The Socorro Sequence: A Reconstruction
Original Theatrical Trailer
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Most Helpful Customer Reviews
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I am not exaggerating when I say that this may be the greatest movie of all time. The theme of man's battle against his own nature is so sweepingly (and brutally) depicted. It's a battle we will never win. for we are the good, the bad, and the ugly. a losing battle in a series of losing battles fought with extreme veracity in an endless war where the casualties mount with every sweep of Leone's blood-stained eye. And all three main characters (and we) know this all too well. but that doesn't mean they hesitate for a second to journey head-long into that final beautiful standoff. and we're left with no sunset to ride off into. just the burning image of a lone rider. A solitary figure. Disappearing on the horizon.
Also Recommended: "For a few dollars more" is very good but not a classic. If possible, watch this first then G.B.andU. "Fistful of Dollars" has a tiny budget but is interesting to watch. The plot is ripped off from the dark comedie(Japanese?) "Yojimbo". Warning: "Fistful" lacks any shred of epicness. I do NOT recommend "Once upon a time in the west". It probably is just me but I wasn't at all interested in the characters. Somehow it all just seemed fake and pointless, and a step backward from the perfection of "The Good, The Bad , And the Ugly". And then of course there's Apocalyse Now, Dr. Strangelove, anything monty python related,
Plot barely even matters, that's how good the cast and score is. The double-crossing is constant and exhilarating, and the action is tight, quick, and cool. Hard to top this.
This movie has great action, comedy, and excellent acting. Also it is the extended, almost all the original version which I love. I like my movies long, as long as they have great action like this outstanding movie.
A must see for all film lovers!
If every genre has its apothesis, for the spaghetti Western it is the Good, Bad and the Ugly. Continually watched over generations, this film never disappoints. Clint Eastwood as Blondie is at its hippest. What's so great about this movie is that it never lives up to any stereotypes of the West. Nobody in this is really noble, in fact, all of them are equally despicable. The first Western to live up to the standards of realism, the quickest, smartest, and the luckiest are the only ones to survive, not the "good, the bad and the ugly."
I realize some people won't be interested in the immortal characters and epic grandeur (most teens dont get westerns), so here are some reasons the film Must be at least appreciated by everybody: the music is perfect. ya know, that "ahh-ee-ah-ee-ahhhh wa-WA-waa" plus the guitar. To demonstrate the other reason I will use an example from "For a Few Dollars More" which I am stealing from Roger Ebert's review (the second in the trilogy). At one point, the good guys and the bad guys are walking toward each other in the middle of town. They start off far away and shown together but then the cemera just switches back forth between showing the good guys and the bad guys up close from the side. It is obvious that the two groups are now very close, and it has allready been told in the plot that everyone here has superhuman marksmanship. They stop. It seems only when the camera again shows both groups together do they fire. This isnt just stylized work it is as if the two are in separate worlds until they are shown together. There is a better example of what I'm trying to say in this film but I down want to give some of the the plot away. If you've already seen it, read this backwards: okuT stih sih deah no a enotsevarg dna ylno neht ew dna mih eciton eht daryevarg, hcihw saw ni sih realc weiv eht elohw emit dna dlouhs evah neeb ni sruo. please see part two.
OK, probably not. But my all-time favorite. There is a peculiar elegance to this sordid and depraved and exuberant mutilation of all that is good and decent in human nature. The Good (Eastwood) is not; he's just smarter and shoots faster than the Bad (Van Cleef, who looks amazingly like a six-foot rat, but ironically is the only character of the titled that has standards), and the Ugly, portrayed with magnificent sprezzatura by Eli Wallach. The camera work is absolutely brilliant; and the soundtrack is lush, gorgeous, and jarring. And, in this amoral universe populated by people who are fun to watch but about whom you don't really care, director Leone cuts in with priceless little moments of pathos-and then cuts back immediately to the greed. A treasure.
This movie is a good example of a western from the 1960's. The movie was made in 1966. Clint Eastwood, Lee Van Cleef, and Eli Wallach star in this motion picture. The classic scene in the contest scene were the three main characters get in a circle and see who can draw the fastest. You will be amazed on how Sergio Leone makes alot of different camera angles. When it gets close to the time to shot the guns he puts the camera in different places very quickly. This film is a must see.
one very amazing movie!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
Greatest Movie Ever Made!!!
An amazing piece of the Sphagetti Western cinema art that could only fit the sensational sixties.The Blue Ray presentation is yet another excuse to see this masterpiece by Sergio Leone again, if you have seen it before. For the uninitiated, however, it provides a rude and ravishing introduction to a superb actor in making. Clint Eastwood, by now, an established "man with no name' gets the amusing Eli Wallach as the partner in crime and ruthless Lee Van Cliff as the real foe. It is easy to see why a movie becomes a treasure in any form be it and old VHS or the DVD or the Special edition and lastly, the Collector's edition. what is clearly appealing about the Blue Ray format, is the phenomenal picture quality detailing the finer aspects of the sizzling scenery and the astounding quality of the sound of music by 'everybody loves" Ennio Morricone that plays in your brain waves over and over again. The thrill does not get old no matter how old classic it is and how senile you feel watching this Baddest Leone Western.