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Hustler
     

The Hustler

4.4 8
Director: Robert Rossen

Cast: Paul Newman, Jackie Gleason, Piper Laurie

 

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Lovingly restored and featured on a disc with a bevy of solid extras, this 20th Century Fox Special Edition of The Hustler could be used as a template for releasing other classic movies on DVD. Listed at a budget price, the disc features a pristine widescreen anamorphic transfer that shows off Eugene Schuftan's starkly beautiful black-and-white Oscar-winning

Overview

Lovingly restored and featured on a disc with a bevy of solid extras, this 20th Century Fox Special Edition of The Hustler could be used as a template for releasing other classic movies on DVD. Listed at a budget price, the disc features a pristine widescreen anamorphic transfer that shows off Eugene Schuftan's starkly beautiful black-and-white Oscar-winning cinematography. Paul Newman should have won an Academy Award for his typically exceptional performance in The Hustler and he's featured in both the engaging audio commentary track and in a much better than average making-of documentary entitled "The Huster: The Inside Story." The kind of gritty, tough yet humanistic movie that mainstream Hollywood just doesn't make anymore, both the commentary track and the documentary about The Hustler should be of interest to filmmakers, students, and fans alike. The DVD also contains a featurette on how to do the trick pool shoots that are contained in the movie and the good people at 20th Century Fox have close-captioned the disc for the hearing impaired. The Dolby Digital 2.0 audio track comes in both stereo and mono (the original film was released in mono) and the track sounds clean and well balanced in either version. This quality disc is worthy of the upscale Criterion Collection, yet the extremely reasonable list price on The Hustler disc is less than half of what consumers so often pay for lavishly produced DVD reissues such as this. If only the major studios treated all of their classic films in the same loving manner which they've treated The Hustler.

Editorial Reviews

Barnes & Noble - Ed Hulse
Paul Newman unnerved moviegoers with his multilayered portrayal of a thoroughgoing heel in this superb 1961 adaptation of Walter Tevis’s gritty novel about an amoral pool hustler. Undeniably sordid but grimly compelling, The Hustler chronicles the rise and fall of its seamy protagonist, "Fast Eddie" Felson, a cocky but talented small-timer determined to make a name for himself by besting Chicago’s cue-ball king, the legendary Minnesota Fats (Jackie Gleason, in what is arguably his finest screen characterization). Newman is absolutely riveting throughout, but no less so than Piper Laurie -- a dewy-eyed ingénue only a few years previous, she delivers the performance of her career as a hard-drinking floozie. George C. Scott lends memorable support as the big-time gambler who takes Fast Eddie under his wing, only to betray him at a crucial juncture. Director Richard Rossen (All the King’s Men) captured the seedy milieu down to the tiniest detail, and Eugene Shuftan won a well-deserved Oscar for his smoky, mood-enhancing, black-and-white cinematography. Resolutely resisting the temptations to sugarcoat its subject and contrive a typical Hollywood happy ending, The Hustler heaps misfortune and tragedy on Fast Eddie, who ultimately finds the grace to accept defeat and stumble toward redemption. (Director Martin Scorsese later got Newman to reprise the role, with Oscar-winning results, for his 1986 hit The Color of Money). The DVD Special Edition of this deeply affecting classic includes an audio commentary by Newman and various crew members and film historians, among other features.
All Movie Guide - Dan Jardine
The Hustler combines elements of film noir, Westerns, sports films, and a heavy dose of existentialism. Some have suggested that the film has a Biblical aspect: the ever-darkened pool halls are each man's Hell, with the parasitic Bert Gordon (George C. Scott) as the Satanic figure who lures Eddie with his own brand of apple. Others point to the film as a parable for the conflict between art and commerce, utilitarianism and metaphysics. Regardless of interpretation, The Hustler is a crackling good morality tale, with a series of top-notch performances, appropriately moody black-and-white cinematography, and a master and prodigy conflict as old as the ages. Paul Newman's performance is a raw-nerved, twitchy wonder, while Jackie Gleason, Scott, and Piper Laurie provide supporting performances of rare depth. Director Robert Rossen allows the complex relationships of the film's key figures plenty of time to evolve, while his careful work establishes a tangibly musty and seedy sense of the film's pool hall setting. Fast Eddie's ultimate redemption, which comes at a terrible price, gives the film a melancholy and bittersweet conclusion that is wholly fitting.

Product Details

Release Date:
06/04/2002
UPC:
0024543042136
Original Release:
1961
Rating:
NR
Source:
20th Century Fox
Region Code:
1
Presentation:
[B&W, Wide Screen]
Sound:
[THX-Supervised Mastering, Dolby Digital Mono, Dolby Digital Stereo]
Time:
2:15:00
Sales rank:
10,236

Special Features

Closed Caption; Commentary by Paul Newman, Time magazine film critic Richard Schickel, and others; Original documentary: "The Hustler: The Inside Story"; Picture-in-picture commentary on "How to Make the Trick Shots"; Theatrical trailer; Scene selection; Anamorphic widescreen (aspect ratio 2.35:1); Audio: English Stereo, English Mono, French Mono; Subtitles: English, Spanish

Cast & Crew

Performance Credits
Paul Newman "Fast" Eddie Felson
Jackie Gleason Minnesota Fats
Piper Laurie Sarah Packard
George C. Scott Bert Gordon
Myron McCormick Charlie Bums
Murray Hamilton Findlay
Michael Constantine Big John
Stefan Gierasch Preacher
Jake LaMotta Bartender
Gordon B. Clarke Cashier-Bennington's
Alexander Rose Scorekeeper
Carolyn Coates Waitress
Carl York Young Hustler
Tom Aheame Actor
Charles Dierkop Actor
Vincent Gardenia Bartender
Clifford A. Pellow Turk
William Adams Old Doctor
Charles Andre Waiter
Don de Leo Another Player
Don Koll Ticket Clerk
Charles McDaniel Reservation Clerk
Willie Mosconi Willie
Sid Raymond First Man
Art Smith Old Man Attendant

Technical Credits
Robert Rossen Director,Producer,Screenwriter
Dede Allen Editor
Albert Brenner Art Director
Gene Callahan Set Decoration/Design
Sidney Carroll Screenwriter
Kenyon Hopkins Score Composer
Harry Horner Production Designer
Robert Jiras Makeup
Ruth Morley Costumes/Costume Designer
Willie Mosconi Consultant/advisor
Eugen Schüfftan Cinematographer
Richard Vorisek Sound/Sound Designer

Scene Index

Side #1 --
1. Easy Money
2. Main Titles
3. The Pool Hall
4. Looking for Action
5. A Master at Work
6. The Big Game
7. Round Two
8. The Bus Station
9. Sarah
10. Staying in Town
11. Charlie Finds Eddie
12. Talking With Bert
13. Arthur's Pool Hall
14. Beaten and Broken
15. Signing Up With Bert
16. To Louisville
17. A Hustlers Convention
18. Meeting Findley
19. Billiards
20. The Payoff
21. Perverted, Twisted, Crippled
22. Another Game
23. About Sarah
24. End Titles

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The Hustler 4.4 out of 5 based on 0 ratings. 8 reviews.
mike-s More than 1 year ago
What Rossen does with a decent screenplay in fantastic. Maybe it had something to do with the performances of Newman, Scott, Gleason and most of all Piper Laurie, The cinematography brings out the best and the worst of what used to be life on the wild side, playing pool. The theme of arrogance runs throughout the film. Both Newman and Scott are just plain outstanding in their portrayal of two individuals that know exactly where their going and do not care who they have step on to get there. Made in the 60's this film is a classic and has been for some time. A must see and own for any collector.
Guest More than 1 year ago
Thanks for all the great movies you gave us and for all your fine charity work!
Guest More than 1 year ago
The hallmark of Robert Rossen's "The Hustler" is its performances. After repeated viewings, you can still find new facets in Paul Newman's portrait of a loser, Piper Laurie's pathetic alcoholic, Jackie Gleason's Minnesota Fats, George C. Scott's definition of the soul of evil. Repeated viewings of the movie serve to underline the slickness of the story's resolution which seems more and more to indicate that there's nothing like the loss of a loved one to improve your pool game. Good guys are winners. Bad guys are losers. It used to be as simple as that. But in the Sixties, a new breed called "anti-heroes" had taken over in movies. Who's an anti-hero? Sometimes he's really a good guy who can't help losing. Sometimes he's a rebel who tries to take on the Establishment--and goes down trying. Sometimes he's more a villain than a hero--but a villain who isn't all bad. Though originally written for "Playhouse 90" back in the late Fifties, "The Hustler" (1961) functioned as a morality play for the early Sixties. Pool shark Eddie Felson (Newman) is the first full-blown non-hero, and a character quite different from the anti-heroes of the previous decade. In the Fifties, such characters were best symbolized by Montgomery Clift in "From Here to Eternity", Marlon Brando in "The Wild One", and James Dean in "Rebel Without a Cause"--troubled, sincere men who suffer much anguish at the hands of an unfair system, but fight to remain true to their own moralities in spite of the world's general amorality. In the Sixties, Newman eclipsed these three superstars: his Fast Eddie is amoral, anguished, and alienated from the world. He is not true to a code of his own--and therefore superior to the mainstream--but only unable to reach out to others. In their films, Brando, Dean and Clift all longed for a sincere woman with whom they could share a separate piece in "The Hustler", Newman is unable to accept such commitment and communication with his girl Sarah (Piper Laurie). The anti-hero of the Fifties experiences victory in defeat, cleaning up a lousy system while sacrificing himself in the process the Sixties non-hero undergoes defeat in victory, winning what he wanted and finding it without value. Newman's demeanor--his intense nervous energy and cool, casual cynicism--found its perfect embodiment in this role, making him a pop-culture idol for a new generation, the star of a new kind of cinema. Director Robert Rossen's sparse, effective screenplay (written in collaboration with Sidney Carroll) and his stark, shadowy scenes set the proper pace for this downbeat tale. But it was Newman's electrifying performance that made "The Hustler" such a smashing experience for viewers. [filmfactsman]
Guest More than 1 year ago
This is not only a masterpiece of cinematography, but a performance piece featuring some of the finest acting work of our time. This film is a classic in every sense of the word and did I mention that the billard scenes are pretty good too?
Guest More than 1 year ago
The Hustle was a good movie from start to finish. The movie score and period piece depicting "the urban side of a hustlers' life in" New York City in the early sixties actually made me long for those good old days.The movie cast was sincere and had marvelous chemistry. The only down-side was the commentary. Newman had way too little to say about the movie , the actors in it, or even about himself.The commentary turned out to be more a biography about the director, with Rossen's daugther doing all the talking. Critic Richard Schickle interviews were bad and uninteresting. Some of the guests' had very little to add that would give this commentary any meaning. Why wasn't Piper Laurie invited to be a commentator for this fine movie? Movie: B+ Commentary: C-
OtisBelcher More than 1 year ago
What a movie. Paul Newman at his peak and great performances by Jackie Gleason, George C. Scott and Piper Laurie. Every aspect is well done including the decision to do the picture in black and white. Myron McCormick is fantastic as Newman's mentor.
Anonymous More than 1 year ago
Anonymous More than 1 year ago