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| Robert De Niro | Rupert Pupkin |
| Jerry Lewis | Jerry Langford |
| Diahnne Abbott | Rita |
| Sandra Bernhard | Marsha |
| Shelley Hack | Cathy |
| Tony Randall | Himself |
| Ed Herlihy | Himself |
| Lou Brown | Band Leader |
| Margo Winkler | Receptionist |
| Scotty Bloch | Crockett's Secretary |
| Victor Borge | Himself |
| Dr. Joyce Brothers | Herself |
| Kim Chan | Jonno |
| Jeff David | Announcer |
| Frederick de Cordova | Himself |
| Tony Devon | Plainclothesman |
| Richard Dioguardi | Capt. Burk |
| Ray Dittrich | Giardello |
| Peter Fain | Plainclothesman |
| Ellen Foley | Street Scum |
| Marta Heflin | Young Girl |
| Mick Jones | Street Scum |
| George Kapp | Mystery Guest |
| Doc Lawless | Chauffeur |
| Thelma Lee | Woman in Phone Booth |
| Leslie Levinson | Roberta Posner |
| Charles Low | Man in Chinese Restaurant |
| Mardik Martin | Men at Bar |
| Marvin Scott | Voice Only |
| Bill Minkin | McCabe |
| Liza Minnelli | Herself |
| Ralph Monaco | Raymond Wirtz |
| Diane Rachell | Mrs. McCabe |
| Matt Russo | Cabbie |
| Whitey Ryan | Stage Door Guard |
| Edgar J. Scherick | Wilson Crockett |
| Catherine Scorsese | Rupert's Mom |
| Charles Scorsese | Man at Bar |
| Martin Scorsese | TV director |
| Joe Strummer | Street Scum |
| Loretta Tupper | Stage Door Fan |
| Sel Vitella | Man at Telephone |
| Katherine Wallach | Autograph Seeker |
| Martin Scorsese | Director |
| Richard Bruno | Costumes/Costume Designer |
| Robert F. Colesberry | Associate Producer |
| Cis Corman | Casting |
| Robert Greenhut | Executive Producer |
| Les Lazarowitz | Sound/Sound Designer |
| Boris Leven | Production Designer |
| Scott Maitland | Asst. Director |
| Arnon Milchan | Producer |
| Lawrence Miller | Art Director |
| Edward Pisoni | Art Director |
| Daniel Robert | Set Decoration/Design |
| Robbie Robertson | Score Composer, Musical Direction/Supervision |
| Thelma Schoonmaker | Editor |
| Fred Schuler | Cinematographer |
| Paul D. Zimmerman | Screenwriter |
Anonymous
Posted October 1, 2010
Scorcese shows his skills as a director bringing top-notch performances from DeNiro, Bernhart, and Lewis. The scene with DeNiro in his mock studio with Liza and Jerry is both hysterically funny and excruciatingly painful to watch. It was under rated by critics and the public at the time of release. Their loss. It is a terrific movie and shows insight into the hazards of celebrity and the lunacy of the fringe fans that cling to it.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted October 1, 2010
Out of print on video for years, this is truly a gem for anyone's film collection. For once DeNiro doesn't lapse into trite mannerisms, and even those who absolutely hate Jerry Lewis will enjoy his intelligent performance here. On repeat viewings you might want to give the final five minutes of Pupkin's stand-up comedy a pass, though; it really is awful. The extras on the disc are a welcome addition to a fascinating film.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted October 1, 2010
After creating some of the best urban dramas the screen has seen, Marty Scorsese did 2 dark comedy gems in the 1980's: AFTER HOURS (1985) and THE KING OF COMEDY. Both never got the audience they deserved until both landed on cable and video. With another celluloid psycho in his vitae DeNiro is just as frightening here as he was in TAXI DRIVER or MEAN STREETS, only this time it's easier to laugh. The theme of ''At what price fame'' gets across with ease and dims the vicarious thrill of living the celebrity life. Jerry Lewis shines and the dining room scene with Sandra Bernhard is a riot.
Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.Anonymous
Posted July 24, 2010
No text was provided for this review.
Overview