The Life of Emile Zola

( 3 )


The second of Paul Muni's biographical films for Warner Bros., the Oscar-winning The Life of Emile Zola is by far the best, even allowing for the dramatic license taken with the material. When first we meet French novelist and essayist Zola, he is starving in a Parisian garret with his painter friend, Paul Cezanne. Each time Zola attempts to write "the truth," he is stymied by governmental censors. Still, he is able to achieve both fame and fortune with the publication of "Nana," an unardorned and best-selling ...
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The second of Paul Muni's biographical films for Warner Bros., the Oscar-winning The Life of Emile Zola is by far the best, even allowing for the dramatic license taken with the material. When first we meet French novelist and essayist Zola, he is starving in a Parisian garret with his painter friend, Paul Cezanne. Each time Zola attempts to write "the truth," he is stymied by governmental censors. Still, he is able to achieve both fame and fortune with the publication of "Nana," an unardorned and best-selling tale of a prostitute (whom we can safely assume was not quite as likeable or attractive as Erin O'Brien-Moore, who plays the novel's "role model"). The lion's share of the film is devoted to Zola's attempts to clear the reputation of Army captain Alfred Dreyfus (Joseph Schildkraut), who has been framed on a charge of treason by his superiors and condemned to Devil's Island. Publishing his famous manifesto "J'accuse," Zola leaves himself wide open for public condemnation and criminal prosecution. Though he delivers a brilliant self-defense in court, Zola is found guilty. Forced to flee to England, he continues railing against the unjust, corrupt military establishment, eventually forcing a retrial and exoneration of Dreyfus. Alas, Zola is killed in a freak accident at home before he can meet the liberated Dreyfus. At his funeral, Emile Zola is eulogized by Anatole France (Morris Carnovsky), who refers to the fallen crusader as "a moment of the conscience of man." For various reasons -- some dramatic, some legal -- the actual facts of "L'affaire Dreyfus" are altered by the Norman Reilly Raine/Heinz Herald/Geza Herczeg screenplay. The fact that Dreyfus was railroaded because he was Jewish is obscured; in fact, except for a very brief visual reference, the word "Jew" is never mentioned. Only those villains whose names were a matter of public record (Major Dort, Major Esterhazy) are specifically identified. Others are referred to as the Chief of Staff, the Minister of War, etc. to avoid lawsuits from their descendants (remember that the events depicted in the film, most of which take place between 1894 and 1902, were still within living memory in 1937). As for Dreyfus himself, he was not freed and restored to rank in 1902, the year of Zola's death, but in 1906-after being found guilty again in an 1899 retrial (Dreyfus died in 1935, outliving everyone else involved in the case). These historical gaffes can be forgiven in the light of the film's overall message: that a single small, clear voice can fight City Hall. If for nothing else, The Life of Emile Zola deserves classic status due to Paul Muni's towering performance, most notably in the unforgettable summation scene: "By all that I have done for France, by my works -- by all that I have written, I swear to you that Dreyfus is innocent. May all that melt away -- may my name be forgotten, if Dreyfus is not innocent. He is innocent."
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Special Features

Closed Caption; 3 vintage vault treasures: Dramatic short The Littlest Diplomat, musical short Romance Road and cartoon Ain't We Got Fun; Audio-only bonus: 5/8/39 Lux Radio Theater production starring Muni; Theatrical trailer; Subtitles: English, Français & Español
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Editorial Reviews

All Movie Guide
The first quarter of The Life of Emile Zola is a paint-by-numbers movie biography of the famed writer, condensing his early years into a few scenes while simultaneously providing little insight into Emile Zola the individual or explaining why we should care about him in the first place. It is only later that it becomes clear why these awkward early scenes were included; they may not have been presented in the most original fashion, but they provided necessary information to understand Zola's evolution. Once the film arrives at its true purpose, Zola's role in the historic Alfred Dreyfus affair, the film comes alive dramatically if not cinematically. The story of the Dreyfus affair is inherently compelling, and this is a solid (if not entirely factual) dramatization. From the beginning, the story leaves no doubt as to Dreyfus' innocence, and does not shy away from depicting the ruling officers as more concerned with preserving their power than with serving in the interest of France. The filmmakers do, however, shy away from pointing the finger at anti-Semitism, and that is the film's biggest failing. Only once does the film make any connection to anti-Semitism as the reason behind Dreyfus' persecution. Still, if the film is not an indictment of anti-Semitism, it is an indictment of mob mentality, as the easily manipulated nature of public opinion is ridiculed time and again. Paul Muni, acting under heavy makeup, is good as Zola, even if one never loses sight of the fact that one is watching a performance, and Joseph Schildkraut won an Oscar for playing Dreyfus. But the film is stolen by the group of actors playing the ruling officers, namely Robert H. Barrat, Louis Calhern, Robert Warwick, and especially Harry Davenport, who is cast completely against type as a scheming Chief of Staff.
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Product Details

  • Release Date: 2/1/2005
  • UPC: 012569692527
  • Original Release: 1937
  • Rating:

  • Source: Warner Home Video
  • Region Code: 1
  • Time: 1:56:00
  • Format: DVD
  • Sales rank: 19,862

Cast & Crew

Performance Credits
Paul Muni Emile Zola
Gloria Holden Alexandrine Zola
Gale Sondergaard Lucie Dreyfus
Joseph Schildkraut Capt. Alfred Dreyfus
Robert Warwick Maj. Henry
Donald Crisp Maitre Labori
Robert H. Barrat Maj. Walsin-Esterhazy
Henry O'Neill Col. Picquart
Harry Davenport Chief of Staff
Ralph Morgan Commander of Paris
Frank Mayo Mathieu Dreyfus
Paul Everton Assistant Chief of Staff
Gilbert Emery Minister of War
Marcia Mae Jones Helen Richards
Frank Sheridan Van Cassell
Morris Carnovsky Anatole France
Vladimir Sokoloff PaulCezanne
Grant Mitchell Georges Clemenceau
Montagu Love Cavaignac
Louis Calhern Maj. Dort
Charles Richman Monsieur Delagorgue
Dickie Moore Pierre Dreyfus
Robert Cummings Gen. Gillian
Rolla Gourvitch Jeanne Dreyfus
Harry Worth Lieutenant
Erin O'Brien-Moore Nana
John Litel Charpentier
Walter Kingsford Col. Sandherr
Lumsden Hare Mr. Richards
Florence Roberts Madame Zola
Moroni Olsen Capt. Guignet
Frank Reicher M. Perrenx
David Cross Senator Scheurer-Kestner
William Von Brincken Schwartzkoppen
Pierre Watkin Prefect of Police
Iphigenie Castiglioni Madame Charpentier
Arthur Aylesworth Chief Censor
Egon Brecher Brucker
Frank Darien Albert
Holmes Herbert Commander of Paris
Paul Irving La Rue
Alexander Leftwich Maj. D'Aboville
Technical Credits
William Dieterle Director
Irving Rapper Director
Milo Anderson Costumes/Costume Designer
Henry Blanke Producer
Leo F. Forbstein Musical Direction/Supervision
Tony Gaudio Cinematographer
Anton Grot Art Director
Heinz Herald Original Story, Screenwriter
Geza Herczeg Original Story, Screenwriter
Ali Hubert Costumes/Costume Designer
Warren Low Editor
Norman Reilly Raine Screenwriter
Max Steiner Score Composer
Perc Westmore Makeup
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Scene Index

Side #1 --
1. Credits [1:11]
2. A Job for Emile [3:57]
3. Official Warning [2:59]
4. Injustice All Around [3:03]
5. Nana's Story [4:20]
6. Nana's Profits [4:05]
7. The Downfall [3:06]
8. Defying the Censor [2:10]
9. Cezanna's Goodbye [5:39]
10. Traitor in Their Midst [4:47]
11. Arrested for Treason [6:16]
12. "I'm Innocent!" [5:39]
13. You Must Survive [3:34]
14. Military Maneuvers [3:35]
15. Lucio Appeals to Zola [7:09]
16. I Accuso [2:59]
17. Inflaming the Mob [2:13]
18. On Trial [1:56]
19. Picquart Testifies [3:39]
20. Written and Spoken [4:43]
21. Intolerance All Around [3:09]
22. Let Truth Conquer [6:57]
23. Another Closed Case [6:44]
24. Honor of the Army [3:03]
25. Homecomings to France [4:09]
26. By Force of Ideas [4:05]
27. Moment of Conscious [4:03]
28. Cast List [5:58]
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Side #1 --
   Play Movie
   Scene Selections
   Special Features
      The Littlest Diplomat
      Romance Road
      Ain't We Got Fun
      5/8/1939 Lux Radio Theater Broadcast
      Theatrical Trailer
      Spoken Languages: English
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Customer Reviews

Average Rating 4.5
( 3 )
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Sort by: Showing all of 3 Customer Reviews
  • Posted October 1, 2010

    more from this reviewer

    Emile Zola

    This movie is great especially for literary, political science and history or human rights students. It is strong and direct. Written at a time of many workers' risings, it may feel dated for today blase, action and sex driven oriented audiences. Even if the acting is amazing, you can feel the period but it is a message piece and should be viewed with the time frame and political atmosphere in mind. In 1937 it must have indeed been an amazing movie, and it still has much strength. The Dreyfus Affair and the changing attitude of Zola towards it is exposed quite clearly while the class and behavior of Dreyfus is very realistically portrayed. However the list of Zola's books is not representative. (Maybe it was a concession to the Hollywood studios exigences).
    Altogether, I would highly recommend this film which carries human values still valid today.

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  • Anonymous

    Posted October 17, 2009

    No text was provided for this review.

  • Anonymous

    Posted February 10, 2010

    No text was provided for this review.

Sort by: Showing all of 3 Customer Reviews