Medusa Touch

The Medusa Touch

Director: Jack Gold, Richard Burton, Lino Ventura, Lee Remick

Cast: Jack Gold, Richard Burton, Lino Ventura, Lee Remick

In The Medusa Touch Brunel (Lino Ventura), a French detective on temporary assignment with Scotland Yard, investigates a mysterious series of disasters. The uncanny events begin happening shortly after writer John Morlar (Richard Burton) was hit over the head by an unknown intruder and rendered comatose. Slowly, Brunel begins to connect the strange things that


In The Medusa Touch Brunel (Lino Ventura), a French detective on temporary assignment with Scotland Yard, investigates a mysterious series of disasters. The uncanny events begin happening shortly after writer John Morlar (Richard Burton) was hit over the head by an unknown intruder and rendered comatose. Slowly, Brunel begins to connect the strange things that are happening in the world with the deranged dreams of the comatose Morlar. He gets the final clue he needs from Morlar's reluctant psychiatrist, Dr. Zonfield (Lee Remick), who holds the key to Morlar's past. Once it is discovered that Morlar has the ability to think horrible thoughts and make them come true, Brunel and Zonfield must take off with dispatch to a London cathedral, where the Queen is scheduled to make an appearance -- but Morlar is thinking about the cathedral, and it is crumbling fast. Well-liked in Britain, this movie did not do well in the U.S.

Editorial Reviews

All Movie Guide - Bruce Eder
From the second shot in Jack Gold's The Medusa Touch -- a close-up of a print of Edvard Munch's painting "The Scream," in a study where a man is watching a tragedy unfolding on a lunar mission -- this is one eerie and unsettling movie. From what seems to be a murder scene (but proves to be something much more complicated), we shift across twin landscapes, of multiple disasters spread across the past life of the victim, John Morlar (Richard Burton), and see hints of some recent tragedy and destruction in London. The film unfolds in such a way that the two separate layers of death and disaster, and the threat and paranoia that come with them -- one vertical, out of Morlar's past, and the other horizontal, in the here-and-now as the characters move about London -- intersect for the denouement, which is one of the most exciting and one of the more horrific seen in this kind of movie. Lino Ventura and Lee Remick are coolly credible as two characters on the periphery of Morlar's life, trying to understand what is happening, and it is difficult to imagine an actor other than Richard Burton who could bring the degree of pathos, anger, and dignity that he encompasses within his portrayal of Morlar. The plot resembles an old Outer Limits script entitled "The Man With The Power," which was produced with Donald Pleasence as the tormented possessor of psychokinetic power, but his was a more sad and sympathetic character, even when his subconscious mind was triggering peoples' deaths -- Burton's Morlar evokes a far more complex range of emotions here, including raw fear when, at the denouement, his worst destructive impulses manifest themselves, seemingly without any way of stopping them. The film's believability is helped greatly by the presence in supporting roles of Harry Andrews, Gordon Jackson, and other top British acting talent, and the script's and the director's occasional display of a nasty sense of humor, such as in the flashbacks to Morlar's relationship to his parents and the circumstances of their deaths, and a scene involving a bickering couple arguing over a fish. There is also a decidedly topical, Watergate-era slant given to the plot as the investigating detective is told that his superiors want the assault/attempted murder case wrapped up quickly and quietly, because of Morlar's supposed possession of incriminating facts about government and business leaders -- that elements is almost lost, however, amid the ever heightening destruction depicted in the story as the time-line of Morlar's life advances to the present, and the suspense that comes with it as the nature of Morlar's final plan becomes clear. Thanks to the presence of Lee Remick in the cast and the script's suggestion at one point -- in a frankly delightful scene with Michael Hordern -- of a possible mystical (or demonic) source for Morlar's abilities, The Medusa Touch was compared with The Omen and other horror films of its era depicting demonic manifestations; in fact, it's a better, more rational chiller than The Omen or its sequels, closer in spirit and substance to science fiction of the Quatermass variety, though not remotely as inventive as that esteemed cycle of productions written by Nigel Kneale. Though it was very successful in England, The Medusa Touch never found an audience in America, possibly because its story, images, and characters were too English to capture the imaginations of American filmgoers. The script's explanation of the movie's title -- ironically, one of its numerous strong attributes -- probably didn't help either, being rather vague and rooted as it was in classical mythology rather than more conventional and easily understood notions of demonism and Christian imagery.

Product Details

Release Date:
Original Release:
Henstooth Video
[Wide Screen]
Sales rank:

Special Features

Audio commentary with director Jack Gold, Kim Newman, and Stephen Jones; Behind the scenes footage: destroying the Abbey; Original theatrical trailer

Related Subjects

Cast & Crew

Performance Credits
Richard Burton John Morlar
Lino Ventura Insp. Brunel
Lee Remick Dr. Zonfield
Harry Andrews Assistant Commissioner
Marie-Christine Barrault Patricia Morlar
Michael Hordern Atropos, the Fortune Teller
Gordon Jackson Dr.Johnson
Derek Jacobi Townley, the Publisher
Michael Byrne Duff
Jeremy Brett Edward Parrish
Robert Lang Pennington
Alan Badel Barrister
Ian Marter Detective in Street
Victor Winding Senior Police Officer
Avril Elgar Mrs. Pennington
John Normington Schoolmaster
Robert Flemyng Judge McKinley
Philip Stone Dean
Malcolm Tierney Deacon
Norman Bird Father
Jennifer Jayne Mother
James Hazeldine Lovelass
Wendy Gifford Receptionist
Gordon Honeycombe TV Newscaster
Mark Jones Sgt. Hughes
Maurice O'Connell Sgt. Robbins
Frances Tomelty Nanny
Brook Williams Male Nurse
John Flanagan Police Constable
Stanley Lebor Police Doctor
George Innes Van Driver
Joseph Clark 14 Year Old Morlar
Earl Rhodes Parson
Matthew Long Copilot
Colin Rix Engineer
Denise Alexander Hospital Doctor
Michael J. Lewis Conductor

Technical Credits
Jack Gold Director,Producer,Screenwriter
John Briley Screenwriter
Anne V. Coates Editor,Producer
Ian Crafford Editor
Lew Grade Producer
Dennis Holt Associate Producer
Arthur Ibbetson Cinematographer
Elliott Kastner Producer
Michael J. Lewis Score Composer
Arnon Milchan Executive Producer
Peter Mullins Art Director

Scene Index

Disc #1 -- The Medusa Touch
1. Start [8:56]
2. Still Alive [8:18]
3. Inevitable [10:58]
4. Disasters [10:23]
5. Telekinesis [9:59]
6. Open Mind [8:23]
7. Destiny [9:45]
8. Growing Stronger [11:38]
9. Beyond Belief [9:30]
10. The Power [9:50]
11. Bomb Threat [9:18]
12. End Credits [1:56]

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