The ShiningDirector: Stanley Kubrick, Jack Nicholson, Shelley Duvall, Danny Lloyd
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"All work and no play makes Jack a dull boy" -- or, rather, a homicidal boy in Stanley Kubrick's eerie 1980 adaptation of Stephen King's horror novel. With wife Wendy (Shelley Duvall) and psychic son Danny (Danny Lloyd) in tow, frustrated writer Jack Torrance (Jack Nicholson) takes a job as the winter caretaker at the opulently ominous, mountain-locked Overlook Hotel so that he can write in peace. Before the Overlook is vacated for the Torrances, the manager (Barry Nelson) informs Jack that a previous caretaker went crazy and slaughtered his family; Jack thinks it's no problem, but Danny's "shining" hints otherwise. Settling into their routine, Danny cruises through the empty corridors on his Big Wheel and plays in the topiary maze with Wendy, while Jack sets up shop in a cavernous lounge with strict orders not to be disturbed. Danny's alter ego, "Tony," however, starts warning of "redrum" as Danny is plagued by more blood-soaked visions of the past, and a blocked Jack starts visiting the hotel bar for a few visions of his own. Frightened by her husband's behavior and Danny's visit to the forbidding Room 237, Wendy soon discovers what Jack has really been doing in his study all day, and what the hotel has done to Jack.
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- Warner Home Video
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- [Full Frame]
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Cast & Crew
|Jack Nicholson||Jack Torrance|
|Shelley Duvall||Wendy Torrance|
|Danny Lloyd||Danny Torrance|
|Scatman Crothers||Dick Hallorann|
|David Baxt||Forest Ranger 1|
|Lia Beldam||Young Woman in Bathtub|
|Lisa Burns||Grady Daughter|
|Norman Gay||Injured Guest|
|Manning Redwood||Forest Ranger|
|Milena Canonero||Costumes/Costume Designer|
|Brian Cook||Asst. Director|
|Kelvin Pike||Camera Operator|
|Leslie Tomkins||Art Director|
|Roy Walker||Production Designer|
|Terry Needham||Asst. Director|
|James Devis||Camera Operator|
|Michael Stevenson||Asst. Director|
|Douglas Twiddy||Production Manager|
|Wendy Carlos||Score Composer|
|Stephen King||Source Author|
1. Drive to the Overlook [2:59]
2. The Interview [2:04]
3. Quite a Story [5:28]
4. Bloody Vision [1:34]
5. The Doctor's Questions [2:15]
6. Family History [3:13]
7. Closing Day [2:52]
8. The Tour [4:27]
9. Doc Gets the Message [3:52]
10. Talk of Shining - and Room 237 [5:18]
11. A Month Later: Bouncing and Exploring [6:18]
12. Tuesday: Curiosity for Danny, Rules for Wendy [5:31]
13. Thursday: Snowbound [:51]
14. Saturday: Slipping out of Touch [2:24]
15. Come and Play [1:58]
16. Monday: "I Love You, Danny" [5:45]
17. Wednesday: Room 237 Beckons [:02]
18. Nightmares and Neck Wounds [1:31]
19. The Gold Room [4:00]
20. Words of Wisdom [3:28]
21. Halloran Shines; Room 237 Spooks [2:54]
22. Danny Shines; Jack Rages [7:51]
23. The Party [5:26]
24. Delbert Grady [3:11]
25. "Redrum! Danny's Not Here" [6:10]
26. Sabotage' [2:22]
27. Halloran Flies in [1:44]
28. All Work and No Play [3:41]
29. What Should Be Done With Danny [4:19]
30. Jack in Storage; Wendy in a Frenzy [5:36]
31. Grady Intervenes; Halloran En Route [4:57]
32. "Redrum!" [4:19]
33. "Here's Johnny" [2:24]
34. On the Prowl [4:20]
35. Halloran Killed [2:02]
36. Into the Maze [2:50]
37. "Great Party, Isn't It?" [1:46]
38. Escape [2:53]
39. The Overlook Claims Jack [3:53]
40. End Credits [2:20]
Jump to a Scene
Making "The Shining"
Commentary by Director Vivian Kubrick
Most Helpful Customer Reviews
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As a fan of Sephen King's book I went to the movie theater to see this movie back when it was playing in the theaters and despite not being all that faithful to the book I liked it and thought Jack Nicholson was great as Jack Torrance. By the way: I think it needs to be pointed out that Stephen King never actually said that he hated this version of the book. I watched an interview with him on TV and he said he thought this movie was visually stunning and very scary but that some important aspects of the novel were left out that really explained why this family was doomed. The psycological horror of the alcoholisim, etc.
''The Shining'' is probably the most disappointing film I've ever seen. I had heard so much about it that when I saw it, I was so disappointed. Some scenes were creepy, but the film mostly just dragged on forever. The length and pacing for the film were unbearable. This is probably the only ''classic'' horror film that just bored me to no end. Jack Nicholson and Scatman Crothers are both great talents, but they seemed to be wasted here. Director Stanley Kubrick seems more concerned with subtle visual details than story or character development. That was what made his sci-fi epic ''2001'' dull and boring. That same thing occurs with ''The Shining''. I was not scared out of my wits; I was mostly bored out of my skull.
Shelly Duvall's portrayal of Wendy Torrance was to weepy and Jack Nicholson made Jack Torrance look evil from the start runining most of the movie.
Although I am a dear fan of Stephen King novels and nearly all of his works, this film was not the best. The portrayal of the book The Shining in this movie was amazing, but the acting from the female leading role was atrocious. There are memorable moments in this film, but unless you are willing to slowly arise to the climax of the story, you may not enjoy this film. It was not one that kept me very interested, although Jack Nicholson's performance was significant at least.
Almost 30 years after it was released to much criticism and low box office results, "The Shining" proves its value as a horror film and as a Stanley Kubrick product by continuing to fascinate, scare and entertain. Watching the movie again recently on DVD "on my laptop computer, a completely new and different viewing experience for this 1980 film", I was struck by how beautiful "The Shining" is just on the level of production design and cinematography. I was only 10 when the movie was first released, so I didn't see it in theaters, but I'm sure it was awesome on the big screen. This is one of the great horror stories. The screenplay has a purity that puts it on a level with "Jaws," "The Exorcist" and "Alien." Also, it's the classic haunted house/homicidal lunatic tale. Kubrick makes us believe in two things vital to the story: the satanic power of the Overlook Hotel, and the Jeckyl/Hyde insanity of Jack Torrance. Jack's craziness feeds into the horrific psychic energies of the hotel, and vice-versa. By the end of the movie, it is clear that the hotel itself wants little Danny and poor, pathetic Wendy murdered, and that Jack is its instrument of destruction. The performances are still remarkable. This is the high-water mark of Jack Nicholson's impressive career. Who cares if he's over the top? He's terrifying all by himself in this movie, without Kubrick's zoom shots, without the gore and without the hotel. Think of him as playing a werewolf, one whose transformation is triggered by alcohol and rage instead of the full moon. Nicholson nailed it. Shelley Duvall cringes, weeps, screams, cowers and flees as Jack's enabler, Wendy. She is the weakest link in the film "you just want to slap her", but that's Kubrick's fault, not Duvall's. Watch the superlative "Making Of" documentary on the DVD and you will understand why her performance turned out the way it did. Kubrick basically hated her and made no secret of it. Then there's Danny Lloyd, as little Danny Torrance, the gifted child whose talents enrage his abusive father. Critics called his performance "wooden" back in the day, but in 2007, Lloyd makes so many contemporary child actors appear lame by comparison. "The Shining" works just fine as it is, what one critic called an "epic horror film." But there are other, deeper levels to explore, such as the significance of the hedge maze, the numbers game, the seeming "continuity errors," and two completely unrelated subtexts. One relates to McLuhan's "medium is the massage" theory, the other, to the genocide waged against American Indians "the Overlook is built on a pagan Indian burial ground". Check around on the Web for scholarly insights into these storylines. Despite some flaws, "The Shining" stands tall as one of the best films of the last quarter century.
I love this movie. It is sooooo scary, but a great story line. My friends and I love to watch this movie in the middle of the night in my basement.
This is a really great movie for it's time and now. Not like the book, but the Remake is much more like the book but can't beat Jack Nicholson's spectacular performance.
This is a great and legendary horror movie. it is (in my opinion) Jack Nicholson's best performance and Stanley Kubrick's best.
One of those movies you have to see.
From start to finish, from one scene to the next,' The Shining ' is truly unsettling. Kubrick has created a masterful film where visual and audio seem to almost overlap one another. At times you feel your watching the sound and hearing the sight. The heavy baritones in the soundtrack combining with the carmeras' slow and steady movement are orchestrated beautifully. Every symmetrical color coordinated scene credits film as art. The panoramic shots and wide open spaces of the 'Overlook' - (cleverly named since an audience cannot) - and the superb acting by Nicholson, Duvall, and Lloyd, all but pastes our eyes to the screen. This is very important to this film because it has continuous build up scene after revisited scene and if your not paying close attention, as a viewer, you may find yourself at a loss to how a particular moment came about. This is precisely why this is a brillant horror/suspense film. Stephen King's story is in a word, scary. Anytime a character is caressing insanity whether real or imagined, an audience will relate to him on either side of the coin. There is some primal fears here in the 'out of control sense. Nicholson portrays Jack Torrance frightfully. We feel he really doesn't care to much of what's happening to him or perhaps that he has found some sense of freedom wihtin the jaded reality the 'Overlook '. The audience watches in horror as his regard for consequence slowly and surely falls off the edge. Those unable to face that about themselves will start to talk during the viewing. He acts it that well. Kubrick understands horror film. No question. The scariest thing is watching someone be scared. We become scared for them so to speak and their terror becomes ours. Shelly Duvall was perfect as Wendy Torrance. Her anxiety escalated exponential to match Jacks'rage. We can see on her face the survival instinct battling with the parallizing effects of terror. Near the end, in each scene she shook more and more and seemed to get whiter and whiter. The knife in her hand made her seem eerie as if the hotel had gotten to her and it did. The chaotic undertone resonates full blast toward the end. Some of the audience feels cheated because nothing is clearly explained. Others will feel the movie stay with them a while because of that. But most of us will leave like Wendy probably in that she doesn't understand and is too scared to even think about what might of gone on. Great movie. True to the notion that we really don't see things as they are - we see things as we are. c. martino
Stanley Kubrick's movies never are direct adaptions of the books(if based on one) that they are based upon. Stephen King is one of my favorite authors, but his opinion on this movie is outlandish and childish. When the final version was shone Stephen King attacked Kubrick for not using his novel. The point is why would Kubrick want make a direct copy of a book, and Kubrick knew this, so he made his own version of that story. This movie is as good, or better than the book, and Kubrick is the reason. Sure Jack Nicholson acted superbly, but it is the Direction which really raises the bar. Stanley Kubrick used wonderful camera work to follow Danny in the maze or in the hallways, this is what makes it a directorial delight. Kubrick mixes his sets with emotion and beauty, the colorful sets make the movie even more fun to watch, and with Kubrick's classic moments and wit this movie can't be beaten. This is the best 'horror' film ever made, and it's all due to Kubrick.
The Shining was so cool . It was so intersting to watch the stages of how a person cracks and finally try to kill his family . The axe scene was the best . When Jack Nicholson yells out 'Herrrrrrrrrrrre's Johnny!' , the movie instantly became a classic . Even if you watch a parody of The Shining , you won't get angry because you know it's honoring a horror great . The Shining RULES !
The first time I saw the Shining I was very young, it was about 2 in the morning and everything was dark and still. Every few minutes I heard a sound that was amplified by the complete silence of an empty house at 2 am. Of course, when you are very young you are convinced that every sound and every shadow that seems to echo or quiver is something sinister that has nothing better to do than come get you! So this was the situation I was in - absolutely terrified of every little noise and every little movement. I made up my mind to turn on the TV, hoping that the light from the television would disperse any shadows and that the noise would hide any other sound that I couldn't explain. To my great dismay, the film that was on television was `The Shining' I don't think I slept properly for about a month afterwards! Whilst saying this, it still remains my favourite! From the moment the movie opens, all horror fans realise they are in for a treat. Jack Nicholson is on top form - steadily throughout the film becoming more and more sinister and irrational. Descending at a steady and believable pace from a man who dismisses superstition (in the first scene's interview room) to an axe wielding maniac corrupted by the ghosts of the Overlook Hotel. Although, it is not only Nicholson's performance that makes this film a classic. It is the director - Stanley Kubrick's use of colour and sound which chills you to the bone. Whether it is crimson blood gushing from the sides of the elevators or the contrasting sounds of a child riding a tri-cycle over carpeted and solid wooden floors - you are terrified! The Shinning does not use the clichés we now associate with horror movies to make us jump, for example, loud bangs accompanied by jerky visual onslaughts. It treats its audience with a bit more respect than that and tells a story of man's slow descent into madness.
The Shining has received mixed reviews over the years, but one thing is certain - it is unforgettable. The visual mastery of Kubrick combined with Jack Nicholson's campy performance make this a fantastic odyssey of sorts. The story revolves around a writer (Nicholson) who decides to move into a hotel with his wife and child to spark his writing prowess while caretaking for the facility. From the moment he enters the isolated mansion, he feels an uncanny sense of paramnesia, as if he had been there before. What ensues is his descent into madness as the hotel slowly reveals its horrid past. The images in this movie are thoughtful, detailed, and mind-blowing, and the directing is meticulously crafted. Nicholson may go over-the-top in his performance, but why not? He adds a dark humor to the film which gives it a unique taste. Shelly Duvall has seen better days, but she did what she could with her role, which was not much. Danny Lloyd and Scatman Crothers were both solid, but what about Grady? I have not read a review that mentions how terrific Philip Stone is in this role. He goes toe-to-toe with Nicholson in their scenes together and is quite eerie. Where was his Oscar nomination? In addition to the acting, there are some fine plot twists and interesting dialogue you may wish to consider at the end of the film. All in all, The Shining is more than a movie, it is an experience.
This was an instant classic from one of the greatest authors in history. This could be the best horror/dark comedy of all time.
There are not enough stars to rate this film, it is without a doubt the greatest horror film ever made. Jack Nicholson's performance in this movie is absolutely mezmorizing, I consider him to be the greatest actor of all time.
Kubrick's the Shining is very different from King's version. However, if you are willing to accept these differences, you are in for one heck of a ride! Overall I'd give this movie a 8.5/10, or 4 stars.
I think this is the greatest movie ever. Im not a horror movie freak. This is not a horror film. This is a great film with great pieces of music that was hand picked by Stanley Kubrick. Most movies have a cheesy score written for it that makes the movie too dull and predictable. All the music in this movie was made years before the film was made. Most people dont realize this. And if you listen closely and watch closely, the final production must have been a bear to put together. Scenes begin and end flawlessly to the music. Especially the Bela Bartok score 'Music for STrings, Percussion, and Celesta'. GO out and find this masterpiece if you can. Plus get anything by Penderecki, he is amazing also. Chow.
This movie could possibly be the most scary, psychologically intense film I have ever seen. Kubrick really messes with your head in this movie. He does a brilliant job of demonstrating the madness of a caretaker (Jack Nickelson) as he tries to murder his family. The setting is an isolated, mountain resort, in the middle of winter. This is a perfect setting for this type of thriller. The viewer will be forced to cringe, while experiencing mixed emotions of fear and disgust. The edge of your seat will be worn out because you will be sitting on it for most of the movie. Jack Nickelson also does a superb job of going insane in this movie. You can really feel the madness. After watching this movie, expect to have some of the most horrific nightmares of your life. It really is that scary. This movie is a masterpiece that will never get old.
Director Stanley Kubrick outdid himself in this adaptation of legendary author Stephen King's The Shining. Set in a remote hotel in the middle of nowhere, Jack Nicholson takes his wife and son to gaurd the hotel while it is closed for the winter. However, their psychic son has visions of the hotels gory past and its deadly future intentions. Jack soon looses his mind and begins a rampage through the building after his family. Kubrick directs every scene, every frame with utter perfection. Moreover, the most frightening character in the film is the music score. The eerie sounds alone builds the suspense, along with the high pitch instruments and the low bass of the tubas. Blood and gore dont play too much of an element in The Shining because it doesn't have to. A favorite classic that has yet to be outdone.
i didn't really like this movie as much as the book the book was better because it had a nice plot and it just gave you a nice visual. the movie was ok but the soudtrack was pretty good i thought but the actual film i didn't really like.
This is one creepy movie. Even from the opening credits with that opening music. This is probably on my Top 5 list although it might have been number 2. Don't get me wrong, I love this movie, but it could have been so much better, and that is creepy itself. First, i recommend you see this movie before you read the book. If you read the book first, you'll spend more time being mad about parts that should have been left in and you won't get to enjoy the film like you should. With Jack's performance this could have even been a greater movie. Yes, if Kubrick would have followed the novel better it would have been like 4 hrs long but i would have loved to see Danny and the playground scene and Jack with the hedges. Owell what can you do. This is still a classic in my book and should be in everyone's collection.
This film is another example of Stanley Kubrick's master hand at directing, something which he has elevated to an art. The gloomy imagry, chilling acting, and claustraphobia is juxtaposed to the cold beauty and glamor of the Overlook Hotel, creating a wonderfully eerie atmosphere. Perhaps the only problem is that because it can only be so long, it did not have time to fully and realistically portray Jack's slip into evil and it was not very true to the book. However, it will always be a classic in the horror genre and for fine filmaking alike.