One of the all-time classics
Almost 30 years after it was released to much criticism and low box office results, "The Shining" proves its value as a horror film and as a Stanley Kubrick product by continuing to fascinate, scare and entertain. Watching the movie again recently on DVD "on my laptop computer, a completely new and different viewing experience for this 1980 film", I was struck by how beautiful "The Shining" is just on the level of production design and cinematography. I was only 10 when the movie was first released, so I didn't see it in theaters, but I'm sure it was awesome on the big screen. This is one of the great horror stories. The screenplay has a purity that puts it on a level with "Jaws," "The Exorcist" and "Alien." Also, it's the classic haunted house/homicidal lunatic tale. Kubrick makes us believe in two things vital to the story: the satanic power of the Overlook Hotel, and the Jeckyl/Hyde insanity of Jack Torrance. Jack's craziness feeds into the horrific psychic energies of the hotel, and vice-versa. By the end of the movie, it is clear that the hotel itself wants little Danny and poor, pathetic Wendy murdered, and that Jack is its instrument of destruction. The performances are still remarkable. This is the high-water mark of Jack Nicholson's impressive career. Who cares if he's over the top? He's terrifying all by himself in this movie, without Kubrick's zoom shots, without the gore and without the hotel. Think of him as playing a werewolf, one whose transformation is triggered by alcohol and rage instead of the full moon. Nicholson nailed it. Shelley Duvall cringes, weeps, screams, cowers and flees as Jack's enabler, Wendy. She is the weakest link in the film "you just want to slap her", but that's Kubrick's fault, not Duvall's. Watch the superlative "Making Of" documentary on the DVD and you will understand why her performance turned out the way it did. Kubrick basically hated her and made no secret of it. Then there's Danny Lloyd, as little Danny Torrance, the gifted child whose talents enrage his abusive father. Critics called his performance "wooden" back in the day, but in 2007, Lloyd makes so many contemporary child actors appear lame by comparison. "The Shining" works just fine as it is, what one critic called an "epic horror film." But there are other, deeper levels to explore, such as the significance of the hedge maze, the numbers game, the seeming "continuity errors," and two completely unrelated subtexts. One relates to McLuhan's "medium is the massage" theory, the other, to the genocide waged against American Indians "the Overlook is built on a pagan Indian burial ground". Check around on the Web for scholarly insights into these storylines. Despite some flaws, "The Shining" stands tall as one of the best films of the last quarter century.
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Overview
"All work and no play makes Jack a dull boy" -- or, rather, a homicidal boy in Stanley Kubrick's eerie 1980 adaptation of Stephen King's horror novel. With wife Wendy Shelley Duvall and psychic son Danny Danny Lloyd in tow, frustrated writer Jack Torrance Jack Nicholson takes a job as the winter caretaker at the opulently ominous, mountain-locked Overlook Hotel so that he can write in peace. Before the Overlook is vacated for the Torrances, the manager Barry Nelson informs Jack that a previous caretaker went crazy and slaughtered his family; Jack thinks it's no problem, but Danny's "shining" hints otherwise. Settling into their routine, Danny cruises through the empty corridors on his Big Wheel and plays in the topiary