The Talented Mr. RipleyDirector: Anthony Minghella, Matt Damon, Gwyneth Paltrow, Jude Law
After the Oscar-winning The English Patient, writer/director Anthony Minghella attempted another tricky literary adaptation with The Talented Mr. Ripley, which features heartthrob Matt Damon cast against type as a psychopathic bisexual murderer. Tom Ripley (Damon) is a bright and charismatic sociopath who makes his way in mid-'50s New York City as a men's room attendant and sometimes pianist, though his real skill is in impersonating other people, forging handwriting, and running second-rate scams. After being mistaken for a Princeton student, Tom meets the shipping tycoon father of Dickie Greenleaf (Jude Law), who has traveled to the coast of Italy, where he's living a carefree life with his father's money and his beautiful girlfriend, Marge (Gwyneth Paltrow). Dickie's father will pay Ripley 1,000 dollars plus his expenses if he can persuade Dickie to return to America. As Ripley and Dickie become friends, Tom finds himself both attracted to Dickie and envious of his life of pleasure. In time, he decides that he would rather be Dickie Greenleaf than Tom Ripley, so rather than go back to his life of poverty, Ripley impulsively murders Dickie and assumes his identity. The Talented Mr. Ripley was based on the first of a series of novels featuring Tom Ripley written by Patricia Highsmith; the story was previously filmed in 1960 as Purple Noon, with Alain Delon as Ripley.
- Release Date:
- Original Release:
- Paramount Catalog
- Region Code:
- [Wide Screen]
- [Dolby Digital Surround, Dolby Digital 5.1 Surround]
- Sales rank:
Cast & Crew
|Matt Damon||Tom Ripley|
|Gwyneth Paltrow||Marge Sherwood|
|Jude Law||Dickie Greenleaf|
|Cate Blanchett||Meredith Logue|
|Philip Seymour Hoffman||Freddie Miles|
|Jack Davenport||Peter Smith-Kingsley|
|James Rebhorn||Herbert Greenleaf|
|Sergio Rubini||Inspector Roverini|
|Philip Baker Hall||Alvin MacCarron|
|Lisa Eichhorn||Emily Greenleaf|
|Alessandro Fabrizi||Sergeant Baggio|
|Anna Longhi||Signora Buffi|
|Ivano Marescotti||Superintendent Verrecchia|
|Celia Weston||Aunt Joan|
|Stefano M. Ortolani||Art Director|
|Gary Jones||Costumes/Costume Designer|
|Ann Roth||Costumes/Costume Designer|
|Roy Walker||Production Designer|
|Gabriel Yared||Score Composer|
|Bruno Cesari||Set Decoration/Design|
|Patricia Highsmith||Source Author|
|Steve Andrews||Associate Producer,Asst. Director|
|Sydney Pollack||Executive Producer|
|Graham Walker||Musical Direction/Supervision|
|Pat Jackson||Sound Editor|
|Ivan Sharrock||Sound/Sound Designer|
1. Borrowed Jacket
2. Partners in Disguise
4. Three Talents of Tom Ripley
6. Double Agent
7. Mysterious Mr. Ripley
9. A Corduroy Jacket in Italy
10. Festival of Madonna
12. San Remo
14. New Beginning
15. Evening at the Opera
16. Chance Meeting
17. So Bourgeois
18. Police Inquiry
19. Tom's Return
20. Dickie's Letter
23. Silent Promise
24. A Fake Somebody, a Real Nobody
25. End Credits
Audio Options: English Dolby Surround
Audio Options: English 5.1 Surround
Audio Options: French
Subtitle Options: English for the Deaf and Hard of Hearing
Subtitle Options: None
Cast & Crew Interviews
"Inside the Talented Mr. Ripley"
"My Funny Valentine" Music Video
"Tu Vuo' Fa L'Americano" Music Video
Making of the Soundtrack
Commentary With Anthony Minghella
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Most Helpful Customer Reviews
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''The Talented Mr. Ripley'' is an Hitchcockian and blood-curdling study of the psychopath and his victims. At the centre of this masterpiece, set in the exquisitely decadent scapes of Italy, is a titanic encounter between Ripley, the aforementioned psychopath protagonist and young Greenleaf, a consummate narcissist. Ripley is a cartoonishly poor young adult whose overriding desire is to belong to a higher - or at least, richer - social class. While he waits upon the subjects of his not so hidden desires, he receives an offer he cannot refuse: to travel to Italy to retrieve the spoiled and hedonistic son of a shipbuilding magnate, Greenleaf Senior. He embarks upon a study of Junior's biography, personality, likes and hobbies. In a chillingly detailed process, he actually assumes Greenleaf's identity. Disembarking from a luxurious Cunard liner in his destination, Italy, he ''confesses'' to a gullible textile-heiress that he is the young Greenleaf, travelling incognito. Thus, we are subtly introduced to the two over-riding themes of the antisocial personality disorder (still labelled by many professional authorities ''psychopathy'' and ''sociopathy''): an overwhelming dysphoria and an even more overweening drive to assuage this angst by belonging. The psychopath is an unhappy person. He is besieged by recurrent depression bouts, hypochondria and an overpowering sense of alienation and drift. He is bored with his own life and is permeated by a seething and explosive envy of the lucky, the mighty, the clever, the have it alls, the know it alls, the handsome, the happy - in short: his opposites. He feels discriminated against and dealt a poor hand in the great poker game called life. He is driven obsessively to right these perceived wrongs and feels entirely justified in adopting whatever means he deems necessary in pursuing this goal. Ripley's reality test is maintained throughout the film. In other words - while he gradually merges with the object of his admiring emulation, the young Greenleaf - Ripley can always tell the difference. After he kills Greenleaf in self-defense, he assumes his name, wears his clothes, cashes his checks and makes phone calls from his rooms. But he also murders - or tries to murder - those who suspect the truth. These acts of lethal self-preservation prove conclusively that he knows who he is and that he fully realizes that his acts are parlously illegal. Young Greenleaf is young, captivatingly energetic, infinitely charming, breathtakingly handsome and deceivingly emotional. He lacks real talents - he know how to play only six jazz tunes, can't make up his musical mind between his faithful sax and a newly alluring drum kit and, an aspiring writer, can't even spell. These shortcomings and discrepancies are tucked under a glittering facade of non-chalance, refreshing spontaneity, an experimental spirit, unrepressed sexuality and unrestrained adventurism. But Greenleaf Jr. is a garden variety narcissist. He cheats on his lovely and loving girlfriend, Marge. He refuses to lend money - of which he seems to have an unlimited supply, courtesy his ever more disenchanted father - to a girl he impregnated. She commits suicide and he blames the primitiveness of the emergency services, sulks and kicks his precious record player. In the midst of this infantile temper tantrum the rudiments of a conscience are visible. He evidently feels guilty. At least for a while. Greenleaf Jr. falls in and out of love and friendship in a predictable pendulous rhythm. He idealizes his beaus and then devalues them. He finds them to be the quiddity of fascination one moment - and the distilled essence of boredom the next. And he is not shy about expressing his distaste and disenchantment. He is savagely cruel as he calls Ripley a leach who has taken over his life and his possessions (having previously invited him to do so in no uncertain terms). He says that he is relieved to see him go and he cancels off-handedl
Mr. Daman delivers a great performance in this thriller . wow very much enjoyed it.
a good watch filled with excitement around every corner
I had the privelege of being an extra in The Talented Mr. Ripley and after meeting Matt Damon and Anthony Mingella, I say they could do no wrong. They must be two of the warmest, most down to earth people in Hollywood. That said, I found the movie to be extremely well acted, Matt Damon was incredible! The plot was good, but the movie itself moved along a little slow for my taste. I found the theatrical preview to be much more exciting. I still give it four stars, and the ''talented Mr. Damon'' gets five!
In "the talented mr ripley" everything seems to run smoothly for Tom, money, lifestyle, great and above all opportunity, until his $1,000 resources run short. He has to act fast...killing Dickie and assuming his identity achieves his goal and opens a new life for him, something he's always dreamed of.
I had no idea how goo this movie really was unitl I saw it for myself. I really didn't get everything about it until I saw it it was like wow so that was what all the hip was really about. I mean I thought the plot line went one way when it really went quite off in another dicertion totally. I loved it.
Don't miss this one. The trailer that came out did not do the movie justice. The acting and directing are superb. The music is so well placed, the sound track is great. Very well done. One of the few I would like to give 6 stars.
i had no idea what this movie was about but I rented it and i loved everything about it. I had no idea that Matt Damon was going to kill Jude Law. I was like, oh my gosh! The soundtrack to this movie is great too. Matt Damon is so great in this movie. I always love how when Jude Law acts he has that ''flairtaious'' manner which is great also. I had NO idea Matt Damon could sing, (if it really is his voice.)Gwyneth Paltrow is great also.
I wasn't expecting this to be as good as it turned out to be. I had seen the trailers when the movie was out and didn't think it looked that enjoyable but I was wrong. This movie grabs your interest from the start and has you wanting to root for a psychopathic killer. Very strange indeed but its worth the time to watch this one.
A true "psychological thriller." In my opinion, this is one of the best films in recent memory. Both Matt Damon and Jude Law nail their performances, and the supporting cast here is excellent as well. I would agree with the reviewer who refers to this film as a study in psychopathology, and as such, I would highly recommend this film to anyone with the attention span and the time to give this one a fair shake.
this movie was by far my favorite, anyone who can take the time and see this movie will not be missing out, its just one you have to pay attention to
My wife rented this and we were both left in absolute awe of how a cast of wonderful actors could get trapped into such a piece of ......! This movie makes you wonder if it was written while it was being filmed. The movie seems to wrap up and could end somewhat neatly at several points, but it continues to just go on and on and on. It's almost like the creators were finding ways to extend their stay at the filming locations. They bring characters in and out of the movie at a whim, just to keep the story going. And they don't fully develop the ones that seem to be constant. Like Matt Damon's character; he's supposed to be talented right? Well his musical talents and impression abilities are discarded within the first third of the movie, never to be utilized again. You are left wondering if he's just greedy, a psycho, a gay psycho, a really lucky part-time gay psycho, or just a pathetic loser. Those that created this total waste of time should really feel bad. I could expect a better, more consistant story from an 8 year-old.