The Temptation of St. Tony

Overview

A seemingly normal man is drawn into a life where nothing makes sense in this offbeat comedy from Estonian filmmaker Veiko Õunpuu. Tony Taavi Eelmaa is an ordinary white-collar office drone whose world is becoming increasingly bizarre. His wife Ravshana Kurkova is increasingly angry and disinterested in him, his teenage daughter doesn't pay attention to him, his father's funeral turned into a spectacle when a massive auto wreck interrupted the procession, and his employers have become ruthless to the point of ...
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Overview

A seemingly normal man is drawn into a life where nothing makes sense in this offbeat comedy from Estonian filmmaker Veiko Õunpuu. Tony Taavi Eelmaa is an ordinary white-collar office drone whose world is becoming increasingly bizarre. His wife Ravshana Kurkova is increasingly angry and disinterested in him, his teenage daughter doesn't pay attention to him, his father's funeral turned into a spectacle when a massive auto wreck interrupted the procession, and his employers have become ruthless to the point of incoherence. When Tony helps an attractive young woman Ravshana Kurkova who is being harassed by police, she becomes a frequent presence in his life until she's abducted, leading Tony into a netherworld of surreal violence and criminal behavior that could pass for performance art. Püha Tõnu Kiusamine aka The Temptation of St. Tony received its North American premiere as an official selection at the 2010 Sundance Film Festival.
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Editorial Reviews

All Movie Guide - Nathan Southern
Misery is alive and well in 21st century Estonia, as illustrated by The Temptation of St. Tony, a fascinating but willfully perverse trek through a surrealistic landscape from director Veiko Õunpuu. Taavi Eelmaa stars as the title character, the financially comfortable staff supervisor of an Estonian corporation whose life spirals into a nightmare as he endures a series of increasingly upsetting trials, including but not limited to: his father's morose funeral by the sea, the discovery of mass murder in the woods, a trip to a sub-rosa cabaret that spotlights peculiar non-grisly forms of misogynistic torture on-stage, entrapment in a cage while a loved one is victimized a few feet away, and attempted decapitation by a chainsaw-wielding maniac. If these capsule-sized windows into Tony's world seem too loose and scattershot as described here, and fail to establish a clear idea of the movie's narrative arc, rest assured: it scarcely has one. Coherency isn't on this picture's agenda. Õunpuu divides the material up into five chapters, each tagged with a roman numeral, and even within the chapters, sequences basically stand on their own, bearing only the faintest connections and in some cases, no obvious ones to the developments that precede and succeed them. Like David Lynch, Õunpuu seems interested in cutting himself free from standard dramatic architecture. To cite one of many examples, we never find out how Tony winds up in the cage, if he manages to escape from the cage, or what its emotional and psychological ramifications are. Perhaps Õunpuu feels that any of this would be too pedestrian. Also recalling Lynch Lost Highway, with its dual narratives, immediately comes to mind, this sort of concept and approach can be excruciatingly hard to take for some viewers, made even more difficult by the emotional pull of individual sequences. The film presents one spellbinding scene after another, but when viewed broadly, the dramatic events don't connect -- they hang so loosely and freely from one another that one inevitably grows frustrated by Õunpuu's refusal to sustain and build any single thread. And yet, at the same time, the film's narrative incoherency can be thematically justified as a fixture of the director's absurdist paradigm. Despite evidence of Western influences, St. Tony does benefit from an aesthetic and a mise-en-scène that provide a specific and highly effective visual commentary on contemporary Estonian life. As shot by Mart Taniel in high-contrast black-and-white, and set in one of the grimiest and most alienating onscreen worlds outside of the sci-fi or horror genres most of the outdoor scenes take place on mud-encrusted landscapes, with heavy, overcast skies and the impression of chilly, dirty air, St. Tony deliberately feels cruelly oppressive from first frame to last. The film also bears a consistent tone -- one of austere brutality, wrought by the sadistic actions of many of the supporting characters -- and the impact of this behavior combines with the environs before us for a shocking cumulative effect. More specifically, Õunpuu succeeds at hitting the viewer like a sledgehammer with his own apparent conviction that the world especially his corner of it is a sad, nasty, evil, and frankly revolting place, occupied by men and women scarcely more evolved than savages, and seldom guided by rationality. There are subtle traces of drollness throughout the movie -- as when an automobile crashes next to Tony's father's funeral procession, and the mourners fail to let the tragedy interrupt their proceedings -- but this is the humor of desperation, not of joy. It wasn't a capricious decision to end the picture with Nina Simone's mournful, dirge-like cover of "Sometimes I Feel Like a Motherless Child," which drives home a reminder of the one universal human plague: we live alone, we die alone. The rest, Õunpuu seems to be arguing, is all sound and fury.
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Product Details

  • Release Date: 2/22/2011
  • UPC: 887090027205
  • Original Release: 2009
  • Source: Olive Films
  • Region Code: 1
  • Presentation: Subtitled / B&W
  • Time: 1:50:00
  • Format: DVD
  • Sales rank: 67,271

Cast & Crew

Performance Credits
Taavi Eelmaa Tony
Ravshana Kurkova Nadezhda
Denis Lavant Count Korzybski
Tiina Tauraite Tony's Wife
Sten Ljunggren Herr Meister
Rain Tolk Kleine Willy
Hendrik Toompere Actor
Katarina Lauk Actor's Wife
Harry Korvits Tony's Boss
Taavi Teplenkov Urbo
Marika Barabannttikova Urbo's Wife
Liis Lepik Tony's Daughter
Evald Aavik Preacher
Valeri Fjodorov Nadezhda's Father
Tarmo Mitt Meister's Henchman
Moeno Wakamatsu Lying Woman
Sulevi Peltola Uncle Vanja
Juhan Ulfsak Fellow Traveler
Tõnu Tepandi Chief Constable
Peeter Volkonski Fence Builder
Andres Puustusmaa Fence Builder
Anne Maasik Tony's Mother
Technical Credits
Veiko Õunpuu Director, Editor, Screenwriter
Kristina Aberg Co-producer
Tomas Eskilsson Co-producer
Jesse Fryckman Co-producer
Tero Kaukomaa Co-producer
Katrin Kissa Producer
Ulo Krigul Score Composer
Thomas Lagerman Editor
Janne Laine Sound/Sound Designer
Markku Pätilä Set Decoration/Design
Jaagup Roomet Production Designer
Mart Taniel Cinematographer
Lisa Taube Co-producer
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Scene Index

Disc #1 -- Temptation Of St. Tony
1. Scene 1 [:11]
2. Scene 2 [20:11]
3. Scene 3 [31:29]
4. Scene IV [16:43]
5. Scene V [21:30]
6. Scene VI [14:37]
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Menu

Disc #1 -- Temptation Of St. Tony
   Play
   Chapter Selection
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