( 4 )


Chances are that without James Cameron's 1997 blockbuster, Fox Video probably wouldn't be releasing Jean Negulesco's Titanic (1953) on DVD. It's a black-and-white movie from the pre-Cinemascope era, clocking in at a mere 98 minutes (less than half the length of Cameron's epic). Without overly impressive special effects by today's standards, it's more melodrama than spectacle, with only two names in the cast (Barbara Stanwyck, Robert Wagner) that mean much to the public today. Releasing it was something of a ...
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Chances are that without James Cameron's 1997 blockbuster, Fox Video probably wouldn't be releasing Jean Negulesco's Titanic (1953) on DVD. It's a black-and-white movie from the pre-Cinemascope era, clocking in at a mere 98 minutes (less than half the length of Cameron's epic). Without overly impressive special effects by today's standards, it's more melodrama than spectacle, with only two names in the cast (Barbara Stanwyck, Robert Wagner) that mean much to the public today. Releasing it was something of a no-brainer, but you can tell that Fox was sheepish about it; released as part of the company's "Studio Classics" line, they've loaded the disc up with bonus features (including two separate commentary tracks) that outweigh the film itself. For visual spectacle, Cameron's movie has outdone it six ways from Sunday, and Roy Ward Baker's A Night to Remember (1958), based on Walter Lord's 1955 bestseller, outstrips it on a technical, historical, and scholarly level; even the black-and-white Academy ratio image (1.33:1) will seem anemic to most modern viewers. But the film benefits from a handsome full-screen transfer, with rich contrasts and the kind of detail that one never found in the old television broadcasts of this movie. Additionally, the movie does have a heart, and a lot of heart, rooted in the performances -- Clifton Webb as the estranged husband of Barbara Stanwyck gives a performance as a priggish member of the upper-crust that oozes charm and confidence, and every scene in which he appears is worth seeing. Almost his equal, but somewhat more arch, is Richard Basehart's performance as a defrocked alcoholic priest, and Thelma Ritter as a character modeled after Molly Brown is also effective. Barbara Stanwyck's performance doesn't really come to life until about 17 minutes into the movie, but it is rewarding to watch overall. The interesting aspect of the movie, when viewed today, is that, while the effects look a little threadbare and perfunctory, the performances carry it -- Webb's character becomes a compelling presence despite his flaws, and the others follow in behind him, so that one is actually moved by some of the portrayals. The bonus materials on this disc are about as extensive as any in the series. The two commentary tracks offer very little overlap -- Richard Schickel's audio track ranges across the cinematic content of the movie in a somewhat too leisurely fashion, often telling us what we're seeing onscreen and occasionally missing a salient point or two. We learn a lot about Clifton Webb's early career, and Schickel gives a delightful account of what it was that Webb did in movies that allowed him to achieve a peculiar kind of screen stardom, but we never hear that he was gay, which was so obvious that it nearly cost him his big break (in Laura) because Darryl F. Zanuck, the head of production, was put off by his personality. Schickel tends to skip over a fair amount of material in the course of explaining the movie's content. The audio track by Robert Wagner, Audrey Dalton, cinematographer and historian Michael Lonzo, and historian Silvia Stoddard, is much livelier and more directly informative about the making of the movie, the period in which it was made, and how and where the movie departed significantly from reality. Lonzo delves mostly into technical explanations, while Dalton and Wagner recall where they were in each of their lives at the time of the film's production -- they're so charming to hear that their commentary is in a class by itself. Both have very fond memories of working on the movie, and Wagner still feels some of the excitement that he experienced at the time, suddenly thrust into star-billing alongside Webb, Stanwyck, et al. There's also an additional audio essay, "Titanic Aftermath," by Stoddard, in which she delves much more deeply into the history of the ship, which is extremely diverting and well worth the time. The documentary "Beyond Titanic" goes into the factual side of the sinking, and there are also Fox Movietone newsreel clips devoted to the opening of the movie and the 26th Annual Academy Awards, including the Oscar presentations for The Robe, the process of Cinemascope, and the screenwriters and the composer of Titanic's score. A trailer and stills gallery are also present. The movie has been given a generous 25 chapters that break its multi-tiered plot down perfectly. The disc opens automatically to a straightforward menu that goes three layers deep in special features.
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Special Features

Closed Caption; Commentary by film critic Richard Shickel; Commentary by Robert Wagner, Audrey Dalton, and cinematographer Michael Lonza; "Beyond Titanic" documentary; Movietone newsreels (1953); Audio essay by Titanic historian Silvia Stoddard; Still gallery; Full-frame format (aspect ratio 1.33:1); Audio: English stereo, English mono, Spanish mono; Subtitles: English, Spanish
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Editorial Reviews

Barnes & Noble - Ed Hulse
Unjustly forgotten in the wake of the Oscar-winning 1997 film directed by James Cameron, this 1953 fictionalization of the legendary sea disaster is a fine movie in its own right -- highly dramatic and unusually graphic for its time. As with Cameron's film, the ill-fated ocean liner's maiden voyage is the backdrop for a more personal story. Clifton Webb, the erstwhile Mr. Belvedere, portrays a wealthy, elegant snob whose marital strife is exacerbated during the trip when his wife Barbara Stanwyck in one of her juiciest roles stuns him with the revelation that he is not the real father of their son Harper Carter. Devastated, he shuns the puzzled boy until the ship hits an iceberg, at which point he realizes that love is stronger than blood. The screenplay won an Oscar for writers Charles Brackett who also produced the film, Walter Reisch, and Richard Breen, while director Jean Negulesco How to Marry a Millionaire garnered some of the best notices of his career for his depiction of the tragedy. The special effects, which seem primitive by comparison to the computer-generated wizardry of today's movies, were considered state-of-the-art back in 1953. Studio technicians built and destroyed a 20-foot miniature replica of the Titanic, complete down to the last detail. We grant that Clifton Webb and Barbara Stanwyck may not have the sex appeal of Leonardo DiCaprio and Kate Winslet, but in most other respects this Titanic compares favorably to Cameron's more expensive and colorful version.
All Movie Guide
The obvious problem with filming the story of the 1912 sinking of the Titanic is that the outcome of the movie is known to all viewers. The strategy of both the 1953 Hollywood blockbuster and the 1998 Hollywood mega-blockbuster was to humanize the tragedy with soap-opera-type personal stories. In 1953, three screenwriters and little-known director Jean Negulseco focused on the story of an unhappy mother (Barbara Stanwyck) who wants to flee her cruel husband (Clifton Webb) for a new life in America. The plot is not all that different from the 1998 version, which also had a miserable woman hoping to escape an oppressive man, but the characters in the 1953 film are not as compelling or pretty. The plot ends up taking a back seat to the special effects, which are admirable by the standards of the era. A 20-foot model simulated the sinking of the ship. The film was a box-office hit and served for some time as a model for disaster films.
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Product Details

  • Release Date: 9/2/2003
  • UPC: 024543077657
  • Original Release: 1953
  • Rating:

  • Source: 20Th Century Fox
  • Region Code: 1
  • Aspect Ratio: Pre-1954 Standard (1.33.1)
  • Presentation: Black & White / Stereo / Mono
  • Sound: stereo, monaural
  • Language: English, EspaƱol
  • Time: 1:38:00
  • Format: DVD
  • Sales rank: 21,505

Cast & Crew

Performance Credits
Clifton Webb Richard Ward Sturgess
Barbara Stanwyck Mrs. Sturgess
Robert Wagner Giff Rogers
Audrey Dalton Annette Sturges
Thelma Ritter Mrs. Maude Young
Brian Aherne Captain E.J.Smith
Richard Basehart George Healey
Allyn Joslyn Earl Meeker
James Todd Sandy Comstock
Frances Bergen Madeleine Astor
William Johnstone John Jacob Astor
Christopher Severn Messenger
James Lilburn Devlin
Charles Fitzsimmons Chief Officer Wilde
Barry Bernard First Officer Murdock
Helen Van Tuyl Mrs. Straus
Roy Gordon Mr. Isidor Straus
Marta Mitrovich Mrs. Uzcadam
Ivis Goulding Emma
Ashley Cowan Bride
Harper Carter Norman Sturges
Edmund Purdom 2nd Officer Lightoller
Lee Graham Symons
Merry Anders College Girl
Gloria Gordon College Girl
Melinda Markey College Girl
Ron Hagerthy College Student
Conrad Feia College Student
Richard West College Boy
Patrick Aherne
Salvador Baguez
Eugene Borden
George Boyce
Robin Camp Messenger Boy
Harry Cording
John Costello
Nicolas Coster
William Cottrell
Herbert Deans
John Dodsworth
Michael Ferris
Elizabeth Flournoy Woman with Baby
John Fraser Steward
David Hoffman Tailor
Robin Hughes Junior Officer
Charles R. Keane
Mae Marsh Woman
Owen McGiveney
Alberto Morin
Pat O'Moore Relief Man
Richard Peel
Gordon Richards Manager
David Thursby Seaman
Camillo Guercio Mr. Guggenheim
Donald Chaffin
Michael Hadlow
Ivan Hayes
Bert Stevens
Anthony Eustrel Sanderson
Michael Rennie Voice Only
Technical Credits
Jean Negulesco Director
Robert Alton Choreography
Charles Brackett Producer, Screenwriter
Richard L. Breen Screenwriter
Roger Heman Sound/Sound Designer
Dorothy Jeakins Costumes/Costume Designer
Sol Kaplan Score Composer
Ray Kellogg Special Effects
Arthur L. Kirbach Sound/Sound Designer
Louis Loeffler Editor
Joe MacDonald Cinematographer
Lionel Newman Musical Direction/Supervision
Ben Nye Sr. Makeup
Maurice Ransford Art Director
Walter Reisch Screenwriter
Stuart A. Reiss Set Decoration/Design
Lyle Wheeler Art Director
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Scene Index

Side #1 --
1. Main Titles [1:54]
2. Happy Maiden Voyage [3:35]
3. The Passenger List [2:12]
4. A Fair Trade [2:12]
5. Setting Sail [3:53]
6. An Unpleasant Surprise [6:25]
7. Runaway [3:00]
8. The Boy From Prague [3:46]
9. Family Strife [5:15]
10. Trump Card [5:16]
11. Dinner and Dancing [2:25]
12. Confession [5:01]
13. A Good Reason to Drink [4:39]
14. Iceberg Report [3:23]
15. Harsh Words [1:34]
16. Oh! That Navajo Rag [2:54]
17. Not a Man of Character [2:31]
18. Young Love [6:44]
19. Impact! [5:59]
20. A Man of Character [5:31]
21. Tearful Farewell [3:09]
22. Women and Children Only [5:53]
23. Londonderry Air [3:44]
24. My Son [1:53]
25. Nearer, My God, to Thee [4:38]
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Side #1 --
   Language Selection
      English Stereo
      English Mono
      Spanish Mono
      Commentary by Critic Richard Schickel
      Commentary by Cameraman and Historian Mike Lonzo, Actors Audrey Dalton and Robert Wagner, and Historian Sylvia Stoddard
      Subtitles: English
      Subtitles: Spanish
      Subtitles: None
   Scene Selection
   Special Features
      Commentary by Critic Richard Schickel: On
      Commentary by Critic Richard Schickel: Off
      Commentary by Cameraman and Historian Mike Lonzo, Actors Audrey Dalton and Robert Wagner, and Historian Sylvia Stoddard: On
      Commentary by Cameraman and Historian Mike Lonzo, Actors Audrey Dalton and Robert Wagner, and Historian Sylvia Stoddard: Off
      Beyond Titanic
      MovieTone News
         "Titanic" Premiere Thrills South
         Cinemascope and "The Robe" Win Oscars
      Theatrical Trailer
      Still Gallery
      Titanic Aftermath: Audio Essay by Sylvia Stoddard
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Customer Reviews

Average Rating 4.5
( 4 )
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Sort by: Showing all of 4 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    Overwrought Melodrama - Excellent Documentary

    'Titanic' (1953) is (stop me if you've heard this one before), the one about the boat that hits an iceberg and sinks. Whoops! Gave it away. This version stars Barbara Stanwyck and Clifton Webb as Richard and Julia; a married couple on the cusp of divorce. She¿s a brass tax kind of gal who can't stand his guts and lied to him about their son (it¿s really someone else¿s child), he finds redemption before it all gets too cold and wet. Pure fiction but hey, it's Titanic and it¿s masterfully told. Robert Wagner costars and is thoroughly out of his element as the penniless young lover, Gifford Rogers. Can you see where James Cameron got his idea for Jack Dawson? The transfer quality on Fox¿s DVD is outstanding. There is nothing to complain about apart from the rather tacky script (which was nominated for, but didn¿t win, an Oscar) and some generally low hysterics on the high seas. Molly Brown (this time played by hardy Thelma Ritter) once again gets the shaft in several scenes that are all too brief and leave Ritter with little to do but wise crack her way into a row boat. Ah, but in the extra features is where the real treat of this DVD lies. We get 'Beyond Titanic' a masterfully told, nearly two hour documentary that really gets to the bottom of things (no pun intended) and covers the full history of both the ship and its many film incarnations. This is a worth while DVD for two reasons - the documentary and its price tag - cheaper than most low budget no-name studio releases. If nothing else, you're buying the documentary and for that reason alone, it's definitely worth it!

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted July 10, 2002

    Good but short!

    This is a good film and has a great story. It is well written and it seemed very real. The film is very enjoyable to watch, the sinking is way too quick. The ship sinks in 35 minutes and most of it is fake - explosions, everyone on deck stopping to sing Nearer My God to Thee. After watching it you feel like watching it again because it really does seem short. It doesn't seem to be a film about the Titanic tragedy - the sinking is unemotional and the whole 35 mins is spent doing practically nothing - it seems like a low budget film about this small steamer. It doesn't compare well to James Cameron's Titanic masterpiece, but its good. You just don't realise the tragedy. The film totally ignores Ismay and Andrews - the blame is placed soley on Captain Smith. Good acting, REASONABLE special effects, and fine music. It is littered with fiction. The Grand Starcase is totally wrong, they sing the wrong hymn at church, facts are wrong, a GIANT hole is made it the ship. It looks like they didn't spend much money - only one room sinks in the entire film. The decks don't have a speck of water on them. If you like the classics, better try A NIGHT TO REMEMBER - they spent their money well, and you come out feeling like you have actually watched the true tragedy of Titanic.

    1 out of 1 people found this review helpful.

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  • Posted August 3, 2013

    I have seen all of the films about Titanic, without a doubt this

    I have seen all of the films about Titanic, without a doubt this is the very best, very real, outstanding.

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  • Anonymous

    Posted May 18, 2009

    No text was provided for this review.

Sort by: Showing all of 4 Customer Reviews