Tom Jones

Tom Jones

3.0 2
Director: Tony Richardson

Cast: Albert Finney, Susannah York, Hugh Griffith


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This is one of two available versions of the 1963 Best Picture winner Tom Jones. This disc comes with a standard full-frame 1.33:1 image that does not faithfully reproduce the original theatrical aspect ratio. An English soundtrack is rendered on Dolby Digital Stereo, while Spanish and French soundtracks are mixed in Dolby Digital Mono. There are no subtitles,…  See more details below


This is one of two available versions of the 1963 Best Picture winner Tom Jones. This disc comes with a standard full-frame 1.33:1 image that does not faithfully reproduce the original theatrical aspect ratio. An English soundtrack is rendered on Dolby Digital Stereo, while Spanish and French soundtracks are mixed in Dolby Digital Mono. There are no subtitles, but the English soundtrack is closed-captioned. The only real bonus feature is a selection of cast biographies. Another release of this film by MGM contains a widescreen image and a theatrical trailer. Though both versions seem skimpy for a famous film, the MGM disc is superior.

Editorial Reviews

All Movie Guide
A bawdy, exuberant adaptation of Henry Fielding's classic 18th century novel, Tom Jones bears the enviable contradiction of being a timeless period piece. Boasting both a uniformly excellent cast and a screenplay by John Osborne that remains one of the cinema's most successful literary hatchet jobs, the film ushered in a new era for British cinema. Its unabashed commercialism (which had to be financed by United Artists after its subject matter was deemed too outré by British financiers) was key to the subsequent influx of American dollars into the British film industry, and it signaled the effective end of the darker, more politicized English Free Cinema movement. The film was a landmark for a number of other reasons, first and foremost director Tony Richardson's presentation of the subject matter. Presaging MTV-style film direction by at least three decades, Richardson directed his film with impressive speed, employing rapid cuts, frequent breaking-down of the fourth wall, and a pace breathless enough to make audiences forget that they were watching what had been a 1000-page novel. Notable, too, was the fact that a story set two centuries ago could ring so true with a contemporary audience. The depiction of Tom's libidinous past was marked by the sort of carefree, liberated attitude that would soon become one of the defining attributes of the film's era. Moreover, it featured one of the most memorable demonstrations of the link between food and sex ever committed to celluloid, giving new meaning to the term "human appetite." With so many lasting qualities to say nothing of a star-making performance by a young and dashing Albert Finney it is little surprise that Tom Jones has stood the test of time as one of the 20th century's most enjoyable cinematic achievements. Rebecca Flint

Product Details

Release Date:
Original Release:
Hbo Home Video
Region Code:
[Dolby Digital, stereo, monaural]

Cast & Crew

Performance Credits
Albert Finney Tom Jones
Susannah York Sophie Western
Hugh Griffith Squire Western
Edith Evans Miss Western
Joan Greenwood Lady Bellaston
Diane Cilento Molly Seagram
George Devine Squire Allworthy
David Tomlinson Lord Fellamar
Rosalind Atkinson Mrs. Millar
Wilfred Lawson Black George
Rosalind Knight Mrs. Fitzpatrick
Jack MacGowran Partridge
Freda Jackson Mrs. Seagrim
David Warner Blifil
Joyce Redman Mrs. Waters/Jenny Jones
James Cairncross Parson Supple
Rachel Kempson Bridget Allworthy
Peter Bull Thwackum
Angela Baddeley Mrs. Wilkins
George A. Cooper Fitzpatrick
Michael MacLiammoir Narrator
John Moffatt Square
Redmond Phillips Lawyer Dowling
Patsy Rowlands Honour
Mark Dignam Lieutenant
Julian Glover Northerton
Avis Bunnage Inn Keeper
Lynn Redgrave Susan
Jack Stewart MacLachlan
Michael Brennan the Jailor at Newgate

Technical Credits
Tony Richardson Director,Producer
John Addison Score Composer,Musical Direction/Supervision
Ralph W. Brinton Production Designer
Desmond Davis Camera Operator
Alex Garfath Makeup
Antony Gibbs Editor
Peter Handford Sound/Sound Designer
Michael Holden Associate Producer
Robert Lambert Editor
Walter Lassally Cinematographer
Oscar Lewenstein Associate Producer
Josie MacAvin Set Decoration/Design
Ted Marshall Art Director
John McCorry Costumes/Costume Designer
Roy Millichip Production Manager
Gerry O'Hara Asst. Director
John Osborne Screenwriter

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Scene Index

Side #1 --
0. Scene Index
1. Our story begins.... [5:13]
2. Sport in the woods [2:44]
3. Touching his bastard's heart [7:48]
4. The father of Molly's child [4:34]
5. The deer hunt; Rescuing Sophie [6:38]
6. Convalescence montage [4:44]
7. Death...and resurrection [4:52]
8. A drunken night of undulled desire [5:59]
9. Miss Western, Matchmaker [9:09]
10. The force of sobriety [5:01]
11. What to do with Sophie [1:41]
12. On the march; Toasting Sophie [4:19]
13. Hasty departures [4:13]
14. Rescuing Mrs. Waters [4:48]
15. The Upton Inn [:40]
16. Fine dining [3:43]
17. Mr. Fitzpatrick arrives [:49]
18. Everyone else arrives [3:43]
19. "I am no traveling midwife, sir." [1:31]
20. Tom meets Partridge [1:37]
21. Lady Bellaston's favors [2:23]
22. Sophie and the gentleman [5:43]
23. Lord Fellmar's courtship [3:40]
24. Matrimony [6:23]
25. Duel with Fitzpatrick [3:33]
26. Reunions & revalations [3:46]
27. Headed for the hangman [6:37]
28. Headed for Sophie [2:57]

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Tom Jones 3 out of 5 based on 0 ratings. 2 reviews.
Guest More than 1 year ago
Albert Finney is the scandalous 'Tom Jones', a squire of young ladies with nothing on their mind but sex. This is the bawdy, gaudy tale of Tom's romantic prowess and how he became the chambermaid's delight. It's told in a rather tongue-in-cheek fashion and celebrated with a lustfully playful score and winning cameo performances throughout. Susannah York crops up as the playful Sophie Western, one of Tom¿s many conquests, much to the chagrin of her stoic and stalwart father (Hugh Griffith). MGM's DVD is one of the worst looking efforts of digital mastering on the market. Where to begin? Colors are muted, dated, unbalanced and bleed throughout. Contrast levels are so low that night scenes look as though they were shot using only the light coming off of a flashlight with dying batteries. Flesh tones are way too orange. Fidelity in general is a mess. Edge enhancement, pixelization, aliasing and shimmering of fine details are excessive and present throughout the film. Digital and film grain are excessively high. There's really no instance where one can simply sit back and enjoy the film. The audio is a disappointing mono. Considering that the previously issued DVD (exhibiting the same disappointing picture quality) was remastered in 'surround sound' the lack of surround on this disc seems odd. There are no extras.
Guest More than 1 year ago
"The whole world loves Tom Jones!" proclaimed the posters hopefully, showing the title character with arms joyfully outstretched as several scantily clad ladies worship at his feet. The slogan proved prophetic. Although it failed originally to obtain a circuit booking, "Tom Jones" broke box-office records when it opened at the London Pavilion--a success repeated when it was finally distributed across Britain and internationally. The film ultimately picked up four Oscars including Best Picture and Director (Tony Richardson) as well as a host of festival and British Academy Awards, and was universally received as one of the undisputed film delights of 1963. The film's success can be attributed to a combination of acting prowess, technical felicity and fortuitous timing. Certainly the film was fortunate in its cast (Albert Finney, Susannah York, Hugh Griffith, Edith Evans, Joan Greenwood, Diane Cilento), who all threw themselves into the period with energy and style. Also, if the distributors were dubious about the commercial potential of a period romp in a film era more noted for social realism, in retrospect it seems that it was precisely this novelty that attracted world audiences. "Tom Jones" brought colorful extravagance back into the British cinema with its vigorous feeling for landscape and costume, while pointing out (in the celebrated stag-hunting scene) some of the century's lingering bestiality and barbarism. There are great sequences in "Tom Jones", but the dining sequence between Tom and Mrs. Waters (delightfully played by an Oscar-nominated Joyce Redman) is the high point of the film and must be counted among the all-time great comic scenes in movie history. Their devouring of food is so erotic that the scene outclasses, on a purely sexual level, any of the frank, nude lovemaking scenes which began to appear on the screen in the 1970s. Lobsters, chickens, oysters, and fruits are sucked, gobbled, licked, and bitten with riotous obscenity. Still unsatisfied, they race from dinner table to bedroom. How they manage to couple with such bloated bellies is a question the film successfully eludes. The film was applauded for bringing a modern style--slapstick comedy, captions, narration, asides to the camera, speeded-up action--to a period classic: creating comedy out of the incongruity. Once its contemporary modishness had worn off, however, it became more common to claim that this style had little thematic justification. Also, as director Richardson's reputation subsequently declined, retrospective doubts were inevitably cast over his earlier achievements. But if the whole world no longer loves "Tom Jones", its impact at the time was enormous. It also blazed a trail of frankness and good cheer into the international market, epitomizing for many the sparkle and exuberance of swinging Britain in the Sixties. Its confidence and élan would be hard to reproduce today, and there is a whole world of difference between the jolly tread of Tony Richardson's "Tom Jones" and the poisonous progress, a decade later, of Stanley Kubrick's "Barry Lyndon" (1975), also a dazzling re-creation of the eighteenth century, but which narrates the downfall of eponymous social upstart with suave relish. [filmfactsman]