Verdi: Requiem

( 1 )

Overview

This performance of Giuseppe Verdi's "Messa da Requiem" by the Berliner Philharmoniker was conducted by Claudio Abbado.
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Overview

This performance of Giuseppe Verdi's "Messa da Requiem" by the Berliner Philharmoniker was conducted by Claudio Abbado.
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Special Features

[None specified]
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Editorial Reviews

Barnes & Noble - Andrew Farach-Colton
Although some of our greatest singers and conductors have recorded Verdi's Requiem, only a handful of versions can be recommended. Happily, this live performance from January 2001 is among those precious few. Not everything is perfect, though: Daniela Barcellona's warm, lovely mezzo-soprano lacks the mettle needed to set one's hair on end in the "Liber scriptus," for example. And the sound quality, though rich and wonderfully wide-ranging, occasionally lacks the necessary sonic punch. But there is so much here to admire that such criticisms seem insignificant. Angela Gheorghiu is at her expressive best -- her dark, steely tone perfectly suited to the music. In Roberto Alagna we have a tenor who can sing beautifully, even in the most strenuous passages. He generally avoids the un-Verdian, verismo-style sobs most tenors indulge in, although he sometimes comes close in his intensely felt, unusually articulate singing of the "Ingemisco." Julian Konstantinov's sonorous bass provides a solid foundation for the solo quartet. Other singers have made the "Mors stupebit" more terrifying, but Konstaninov's is still a commanding presence. Special mention must be made of the choral singing, for the Swedish Radio Chorus and Eric Ericson Chamber Choir are superb throughout: Their tonal blend and unanimity of expression are simply awesome. Conductor Claudio Abbado captures the score's devotional spirit as well as its dramatic power -- and, of course, the Berlin Philharmonic's burnished sound seems tailor-made for this piece. If the glitzy, brash quality of the recent Gergiev recording with Fleming, Borodina, and Bocelli, on Philips turned you off, this probing, profound interpretation will probably be more to your liking. Strongly recommended.
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Product Details

  • Release Date: 5/21/2002
  • UPC: 724349269491
  • Original Release: 2002
  • Rating:

  • Source: Emi Classics
  • Region Code: 0
  • Aspect Ratio: Theatre Wide-Screen (1.85.1)
  • Presentation: Wide Screen / DTS / Stereo
  • Sound: stereo, DTS 5.1-Channel Surround Sound, Dolby Digital 5.1 Surround
  • Time: 1:29:00
  • Format: DVD

Scene Index

Side #1 --
1. Opening [1:10]
2. Requiem e Kyrie: Requiem Aeternam [5:33]
3. Requiem e Kyrie: Kyrie Eleison [3:26]
4. Sequenza: Dies Irae [2:26]
5. Sequenza: Tuba Mirum [1:48]
6. Sequenza: Mors Stupebit [1:26]
7. Sequenza: Liber Scriptus - Dies Irae [4:56]
8. Sequenza: Quid Sum Miser [3:41]
9. Sequenza: Rex Tremendae [3:29]
10. Sequenza: Recordare [3:51]
11. Sequenza: Ingemisco [3:08]
12. Sequenza: Confutatis - Dies Irae [5:20]
13. Sequenza: Lacrymosa [5:38]
14. Offertorio: Domine Jesu Christe [4:34]
15. Offertorio: Hostias [5:16]
16. Sanctus [2:40]
17. Agnus Dei [4:47]
18. Lux Aeterna [6:01]
19. Libera Me: Libera Me, Domine [2:24]
20. Libera Me: Dies Irae [2:30]
21. Libera Me: Requiem Aeternam [2:56]
22. Libera Me: Libera Me, Domine [6:19]
23. Applause and End Credits [5:16]
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Menu

Side #1 --
   English Menus
      Performance
      Chapters
      Audio
         DTS 5.1 Surround
         Dolby Digital 5.1 Surround
         Stereo
      Subtitles
         English
         French
         German
         All Off
   French Menus
   German Menus
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Customer Reviews

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Sort by: Showing 1 Customer Reviews
  • Anonymous

    Posted October 1, 2010

    This one and Karajan 1967 are the best on DVD

    Abbado and the Berlin Philharmonic give a powerful and exciting performance. The only other DVD of Verdi's Requiem that is competitive with this one is the 1967 Karajan performance on Deutsche Grammophon. Karajan has the better quartet of soloists (Leontyne Price, Fiorenza Cossotto, Luciano Pavarotti, and Nicolai Ghiaurov), but Abbado's singers are more than adequate, and his more recent performance has the advantage of superior recorded sound. Karajan obtains the more beautiful pianissimos, but Abbado generates bigger thrills, especially in the Tuba Mirum where he projects the rolling momentum that Karajan misses. NOTE: Other (inferior) DVDs of this work, conducted by Abbado and Karajan respectively, are currently available. Don't get mixed up.

    1 out of 1 people found this review helpful.

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