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Director: Oliver Stone

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Josh Brolin stars as George W. Bush in this Oliver Stone biopic that traces the head of state's rise to power from a privileged alcoholic to a born-again Christian whose belief in religious destiny helped move him to the top ranks of political power. Co-written by Stanley G.…  See more details below


Josh Brolin stars as George W. Bush in this Oliver Stone biopic that traces the head of state's rise to power from a privileged alcoholic to a born-again Christian whose belief in religious destiny helped move him to the top ranks of political power. Co-written by Stanley G. Weiser, Bush is produced by fellow Stone collaborators Moritz Borman and Jon Kilik, with Elizabeth Banks co-starring as the first lady, James Cromwell as the elder President Bush, Ellen Burstyn as Barbara Bush and Richard Dreyfuss as Vice President Dick Cheney.

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Usually, when the span of time surrounding a movie's release is relevant enough to be worth mentioning, it's because the film was born out of an artistic era or a creative period, like film noir or French New Wave. When a less than reverent presidential biopic comes out while said commander in chief is still in office, the context provided by the timing is a lot less obvious -- but make no mistake, it's still there. Making a distinctly historical film about a history that's still happening places W. simply and unmistakably in its own artistic context: postmodernism. After all, it's hard to get more self-referential than a movie that lets modern times reflect upon themselves. However, this isn't totally apparent for the first 20 minutes of W., and it's hard to say if that's Oliver Stone's fault or ours. Watching the movie, it takes a little time to let go of all those pesky preexisting expectations, and adjust to what at first seems a tad lowbrow and simplistic. But by the same token, walking into W. expecting Natural Born Killers-esque manic black satire, or JFK-esque subtle, multifaceted subtext isn't going to help your viewing experience. In W., the story can't possibly be told in complex terms because the perspective is first person, and the person in question just doesn't have those kinds of perceptive tools. This is how Stone gets subtle: the hero doesn't narrate the story with a Texas-drawled "Dear Diary" voice-over, but the movie still effectively provides Dubya's experiences from his own perspective. It's obvious enough from the zillion super close-ups on his bewilderedly determined expression (and the fact that there's a dream sequence), but most of the time, the vantage point manifests itself in the way the events unfold -- and it works brilliantly once you get the hang of it. After the period of adjustment is over, it makes perfect sense for the story to be so literal and straightforward -- or at least appear so on the surface. It alternates between two timelines: one that follows Dubya from college through the 2000 election, and one that follows him from 9/11 through the full-on nosedive of the Iraq War. There are no intricately woven metaphors, no mystery wrapped in a riddle inside an enigma, just a direct narrative about a fairly unspecial guy with some daddy issues, who endeavors -- but usually fails -- to deserve the opportunities that family string-pulling allows him. When there's symbolism, it's painted in strokes broad enough to fit on an IMAX screen -- he bends over to pray in the War Room, for instance, and it cuts to an upward shot where a huge, hard-edged, blindly bright ring-shaped lighting fixture encircles his head. Dubya's failures and shortcomings are readily apparent enough -- even to people who haven't seen the movie -- so Stone doesn't have to deviate from the main character's perspective for us to understand the disaster left in Dubya's wake. He trusts that we don't need the filmmaker to vilify or even mock Dubya from the third person, and despite the aforementioned halo (which, of course, is a depiction advocated by the character, not the filmmaker), he also doesn't paint devil horns on the members of the administration like Dick Cheney (Richard Dreyfuss) and Condoleezza Rice (Thandie Newton). They bear their share of guilt as exploiters, yes men, and even blinded ideologues, but Stone never resorts to portraying them as the evil power mongers who used this poor simpleton for their own nefarious ends. Well, maybe Cheney. If anything, the supporting cast are just a hair over the line between character and caricature -- a choice that ends up being the cherry on top that first-person narrative. It provides inescapable novelty (who doesn't like to see a spot-on Colin Powell impression?), but it also illustrates Dubya's blunted and simplified image of everything around him, the way he sees every important figure and idea in slightly cartoonish opaqueness. Certainly this conceptual hub of the movie depends on star Josh Brolin, whose ability to overcome his own rugged, chiseled jaw and portray Dub's weakness so believably in this regard is pretty mind-blowing (and equally novel). In the end, it's clear that this basic weakness of both mind and confidence was at the root of all the president's epic failures, and while the character of Dubya himself doesn't appear totally self-aware about it, the audience has no trouble figuring it out -- a sure sign of the film's success.

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Product Details

Release Date:
Original Release:
Lions Gate
Region Code:
[Full Frame]
[Dolby AC-3 Surround Sound]

Special Features

Closed Caption; Audio commentary with director Oliver Stone; "Dangerous Dynasty: The Bush Presidency"; DVD-ROM: E. filmmakers' research and annotations guide

Cast & Crew

Performance Credits
Josh Brolin George W. Bush
Elizabeth Banks Laura Bush
James Cromwell George Herbert Walker Bush
Ellen Burstyn Barbara Bush
Thandie Newton Condoleezza Rice
Richard Dreyfuss Dick Cheney
Jeffrey Wright Colin Powell
Scott Glenn Donald Rumsfeld
Ioan Gruffudd Tony Blair
Toby Jones Karl Rove
Stacy Keach Earle Hudd
Bruce McGill George Tenet
Jesse Bradford Fraternity President

Technical Credits
Oliver Stone Director,Screenwriter
Bill Block Producer
Moritz Borman Producer
Paul Cantelon Score Composer
Gary Chester Sound Mixer
Teresa Cheung Executive Producer
Michael Dennison Costumes/Costume Designer
Elliot Ferwerda Executive Producer
Sarah Halley Finn Casting
Suzie Gilbert Co-producer
Peter D. Graves Executive Producer
Paul Hanson Producer
Derek R. Hill Production Designer
Johnny Hon Executive Producer
Eric Kopeloff Producer
Christopher Mapp Executive Producer
Julie Monroe Editor
Tom Ortenberg Executive Producer
Phedon Papamichael Cinematographer
Ethan Smith Co-producer
Thomas Sterchi Executive Producer
Matthew Street Executive Producer
Stanley G. Weiser Screenwriter
David Whealy Executive Producer
Albert Yeung Executive Producer

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Scene Index

Disc #1 -- W.
1. Hit Them Hard
2. Legacy Man
3. Big Games
4. Future Plans
5. Figuring It Out
6. Signing Off
7. You Break It, You Own It
8. Pulling Strings
9. Hitting It Off
10. Under Attack
11. Foreign Sources
12. Going to Washington
13. Suck It Up
14. Reborn
15. President Elect
16. Armed and Dangerous
17. Making Calls
18. Running for Governor
19. Saddam Threats
20. Going to War
21. Invading Iraq
22. WMDs
23. The Bush Name
24. Facing the Media


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W. 3.7 out of 5 based on 0 ratings. 20 reviews.
Anonymous More than 1 year ago
Anonymous More than 1 year ago
If this movie is even half correct we're lucky he is no longer the President. Good movie
Mr-McAwesome More than 1 year ago
This film is very good in the sense of performances and script writing. However it is difficult to say whether or not everything that happened is true or not. On the one hand if it is than one could only determine that President Bush's biggest mistakes were letting Dick Cheney and Donald "rummy" Rumsfeld into the white house and then listening to what they were telling him. All I can say is it's easy to say what you would've done in his position. Anti Bush people are all about shoulda woulda coulda. They say things like how unintellegent he is. By saying that they are also insulting most of the people in this nation because we elected him. Twice. Other people say that his faith in God made everything worse. Honestly I sleep a lot better at night knowing that our president consulted the creator of the Universe before doing anything. Which is more than I can say for Obama. If Al Gore was elected president for all we know we would've had more terrorist attacks on american soil. See what i did there? I made a completely unfounded assumtion because I'm a conservative. I'll do it again just to make sure the bleeding hearts out there who make unfounded assumtions about Bush because they're liberals get it. If John Kerry had won in 2004 he would've pulled all the troops out of Iraq and Iran would've launched all their nukes at Iraq and us. Who knows right? Liberals need to give Bush A freakin break because what George Sr. says in the film is true. He had the hardest job in the world. Obama has so far continued to dig further down in the hole our econemy is in. Bush did the best he could with what he had.
Criticalthinker More than 1 year ago
Oliver Stone has done it again with "W". Like with his movie JFK about President John F. Kennedy and his ultimate assasination, Stone confirms in "W" what many of us thought and believed about George W. Bush. Many of the scenes can be corroborated in Scott McClellan's book What Happened. If you have not seen "W," I highly recommend seeing it. If you have seen "W," please post your thoughts about the movie in the comment section of my blog The Critical Thinker www.thereadingcircleblog.blogspot.com. I am Looking forward to reading your thoughts.
Tidalwave3 More than 1 year ago
Is the story factually correct? Only those that were there really know. I do see some similarities in other Presidents history. Watch the movie and leave your biased opinions on the table....watch LATE AT NIGHT like I did... say 1 AM :-)
Anonymous More than 1 year ago
W. was too good. Josh Brolin went too far with this character. Weeks after seeing W. I kept think how sexy Bush was and I wish I had at least voted for him once. Seriously, why do i keep thinking about george w bush?Lucky, I had only moments of girl-fever. The movie itself was very good. They made Condi look like a dunce.
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Grady1GH More than 1 year ago
W. is a film not many people want to see or even discuss because of the subject matter - the career of the country's most unpopular President, the debacle of the Iraq War, and the decimated economy. There is a certain 'guilt' that comes with criticizing the leader of the country, from both conservatives and liberals: it is not polite to condemn our elected leaders. But now with the Bush legacy daily being pushed into the past (though the after burn of that embarrassing 8 years will never completely go away), it is time for biographers to examine why the Bush version of Presidential autonomy occurred.

Oliver Stone has examined Nixon and JFK on film and now with a terse script Stanley Weiser he summarizes the life of George W. Bush, from his early bad boy drinking years and inability to hold a job through his family collisions (brother Jeb being the obvious successor to George Bush, Sr.), to his bull headed drive toward absolute power to finish the war his father didn't finish - securing the Middle East oil fields to be held by American control by fabricating the infamous Axis of Evil and Weapons of Mass Destruction as drivers to light the preemptive blundering war against Saddam Hussein and Iraq.

In lesser hands this film might have become too prejudiced a view of a president. But Oliver Stone's technique of telling a story makes this film work: we see the rise and fall of a pitifully misguided man whose judgment and lack of intelligence brought us to where we are today. Much of the success of the film is due to the casting of Josh Brolin as W., James Cromwell as Bush Sr., Ellen Burstyn as Barbara Bush, Richard Dreyfuss as the terrifying Dick Cheney, Jeffrey Wright as Colin Powell, Elizabeth Banks as Laura Bush, Scott Glenn as Donald Rumsfeld, Toby Jones as Karl Rove, Bruce McGill as George Tenet, and a puzzling performance by Thandie Newton as Condoleeza Rice. Their characterizations are remarkable and give an insider's view as to the tehniques used to change a democracy into an oligarchy.

Many people may find this film either too biased and cruel (conservatives) or too watered down (liberals), but at least Oliver Stone has once again placed a key figure on the screen for us all to ponder. In time this film will be better accepted, once the smoke clears from the past 8 eight years. Grady Harp