Dvori'Ak to Duke Ellington: A Conductor Explores America's Music and Its African American Roots / Edition 1

Dvori'Ak to Duke Ellington: A Conductor Explores America's Music and Its African American Roots / Edition 1

by Maurice Peress
     
 

ISBN-10: 0195098226

ISBN-13: 9780195098228

Pub. Date: 03/25/2004

Publisher: Oxford University Press, USA

Drawing upon a remarkable mix of intensive research and the personal experience of a career devoted to the music about which Dvorák so presciently spoke, Maurice Peress's lively and convincing narrative treats readers to a rare and delightful glimpse behind the scenes of the burgeoning American school of music and beyond.

In Dvorák to Duke Ellington

Overview

Drawing upon a remarkable mix of intensive research and the personal experience of a career devoted to the music about which Dvorák so presciently spoke, Maurice Peress's lively and convincing narrative treats readers to a rare and delightful glimpse behind the scenes of the burgeoning American school of music and beyond.

In Dvorák to Duke Ellington, Peress begins by recounting the music's formative years: Dvorák's three year residency as Director of the National Conservatory of Music in New York (1892-1895), and his students, in particular Will Marion Cook and Rubin Goldmark, who would in turn become the teachers of Ellington, Gershwin, and Copland. We follow Dvorák to the famed Chicago World's Fair of 1893, where he directed a concert of his music for Bohemian Honor Day. Peress brings to light the little known African American presence at the Fair: the piano professors, about-to-be-ragtimers; and the gifted young artists Paul Dunbar, Harry T. Burleigh, and Cook, who gathered at the Haitian Pavilion with its director, Frederick Douglass, to organize their own gala concert for Colored Persons Day.

Peress, a distinguished conductor, is himself a part of this story; working with Duke Ellington on the Suite from Black, Brown and Beige and his "opera comique," Queenie Pie; conducting the world premiere of Leonard Bernstein's Mass; and reconstructing landmark American concerts at which George Antheil's Ballet Mecanique, George Gershwin's Rhapsody in Blue, James Reese Europe's Clef Club (the first all-black concert at Carnegie Hall), and Ellington's Black, Brown and Beige, were first presented. Concluding with an astounding look at Ellington and his music, Dvorák to Duke Ellington offers an engrossing, elegant portrait of the Dvorák legacy, America's music, and the inestimable African-American influence upon it.

Product Details

ISBN-13:
9780195098228
Publisher:
Oxford University Press, USA
Publication date:
03/25/2004
Edition description:
New Edition
Pages:
264
Product dimensions:
9.30(w) x 6.30(h) x 1.30(d)
Lexile:
1400L (what's this?)

Table of Contents

Introduction Antonin Dvorák Comes to America American and Negro Music Dvorák's Symphony From the New World
The Chicago World's Columbian Exposition from 1893
The National Conservatory of Music in America Paul Laurence Dunbar, Clorindy, and "The Talented Truth"
James Reese Europe George Gershwin and African American Music Leonard Bernstein Gershwin's Rhapsody in Blue The Clef Club Concert Will Marion Cook George Antheil's Ballet Mécanique
Bernstein's Mass Duke Ellington Ellington's Queenie Pie
Ellington's Black, Brown, and Beige
Afterword Notes Selected Discography Selected Bibliography Index

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