Dying of the Light

Dying of the Light

3.7 9
by George R. R. Martin

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In this unforgettable space opera, #1 New York Times bestselling author George R. R. Martin presents a chilling vision of eternal night—a volatile world where cultures clash, codes of honor do not exist, and the hunter and the hunted are often interchangeable.
A whisperjewel has summoned Dirk t’Larien to Worlorn, and


In this unforgettable space opera, #1 New York Times bestselling author George R. R. Martin presents a chilling vision of eternal night—a volatile world where cultures clash, codes of honor do not exist, and the hunter and the hunted are often interchangeable.
A whisperjewel has summoned Dirk t’Larien to Worlorn, and a love he thinks he lost. But Worlorn isn’t the world Dirk imagined, and Gwen Delvano is no longer the woman he once knew. She is bound to another man, and to a dying planet that is trapped in twilight. Gwen needs Dirk’s protection, and he will do anything to keep her safe, even if it means challenging the barbaric man who has claimed her. But an impenetrable veil of secrecy surrounds them all, and it’s becoming impossible for Dirk to distinguish between his allies and his enemies. In this dangerous triangle, one is hurtling toward escape, another toward revenge, and the last toward a brutal, untimely demise.
Dying of the Light blew the doors off of my idea of what fiction could be and could do, what a work of unbridled imagination could make a reader feel and believe.”—Michael Chabon

“Slick science fiction . . . the Wild West in outer space.”—Los Angeles Times
“Something special which will keep Worlorn and its people in the reader’s mind long after the final page is read.”—Galileo magazine
“The galactic background is excellent. . . . Martin knows how to hold the reader.”—Asimov’s
“George R. R. Martin has the voice of a poet and a mind like a steel trap.”—Algis Budrys

Editorial Reviews

Publishers Weekly
Virtuoso mastery of atmosphere justifies this deluxe, illustrated 35th anniversary reprint of Martin’s debut, which long predates his star turn with Game of Thrones and its sequels. Dirk t’Larien, responding to what he imagines to be a call for help from his former lover Guinevere, voyages to the distant planet Worlorn, which is drifting rapidly out of the galaxy. Life is evolving strangely on the chilly, darkening world, and the humans still living there are an eccentric lot. Dirk isn’t certain whether Jaan, the scholar/warrior from bleak High Kavalaan, is Gwen’s lover or captor, nor does he understand the harsh code that labels non-Kavalars “mockmen,” shape-shifters who are fair game for hunting. Violent, repeated misunderstandings and reappraisals naturally follow. This is a young writer’s book, full of romantic foreboding and foolishness. Nonetheless, Warlorn’s grand, gloomy landscape is an evocative backdrop for characters obsessed with love, duty, and death, and their drama may well linger in the reader’s memory for another 35 years. (Oct.)

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Pocket Books
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Dying of the Light

By George R. R. Martin

Random House

George R. R. Martin
All right reserved.

ISBN: 0553900978

Chapter One


beyond the window, water slapped against the pilings of the wooden sidewalk along the canal. Dirk t'Larien looked up and saw a low black barge drift slowly past in the moonlight. A solitary figure stood at the stern, leaning on a thin dark pole. Everything was etched quite clearly, for Braque's moon was riding overhead, big as a fist and very bright.

Behind it was a stillness and a smoky darkness, an unmoving curtain that hid the farther stars. A cloud of dust and gas, he thought. The Tempter's Veil.

The beginning came long after the end: a whisperjewel.

It was wrapped in layers of silver foil and soft dark velvet, just as he had given it to her years before. He undid its package that night, sitting by the window of his room that overlooked the wide scummy canal where merchants poled fruit barges endlessly up and down. The gem was just as Dirk recalled it: a deep red, laced with thin black lines, shaped like a tear. He remembered the day the esper had cut it for them, back on Avalon.

After a long time he touched it.

It was smooth and very cold against the tip of his finger, and deep within his brain it whispered. Memories and promises that he had not forgotten.

He was here on Braque for no particular reason, and he never knew how they found him. But they did, and Dirkt'Larien got his jewel back.

"Gwen," he said quietly, all to himself, just to shape the word again and feel the familiar warmth on his tongue. His Jenny, his Guinevere, mistress of abandoned dreams.

It had been seven standard years, he thought, while his finger stroked the cold, cold jewel. But it felt like seven lifetimes. And everything was over. What could she want of him now? The man who had loved her, that other Dirk t'Larien, that maker-of-promises and giver-of-jewels, was a dead man.

Dirk lifted his hand to brush a spray of gray-brown hair back out of his eyes. And suddenly, not meaning to, he remembered how Gwen would brush his hair away whenever she meant to kiss him.

He felt very tired then, and very lost. His carefully nurtured cynicism trembled, and a weight fell upon his shoulders, a ghost weight, the heaviness of the person he had been once and no longer was. He had indeed changed over the years, and he had called it growing wise, but now all that wisdom abruptly seemed to sour. His wandering thoughts lingered on all the promises he had broken, the dreams he had postponed and then mislaid, the ideals compromised, the shining future lost to tedium and rot.

Why did she make him remember? Too much time had passed, too much had happened to him--probably to both of them. Besides, he had never really meant for her to use the whisperjewel. It had been a stupid gesture, the adolescent posturing of a young romantic. No reasonable adult would hold him to such an absurd pledge. He could not go, of course. He had hardly had time to see Braque yet, he had his own life, he had important things to do. After all this time, Gwen could not possibly expect him to ship off to the outworlds.

Resentful, he reached out and took the jewel in his palm, and his fist closed hard around the smallness of it. He would toss it through the window, he decided, out into the dark waters of the canal, out and away with everything that it meant. But once within his fist, the gem was an ice inferno, and the memories were knives.

. . . because she needs you, the jewel whispered. Because you promised.

His hand did not move. His fist stayed closed. The cold against his palm passed beyond pain, into numbness.

That other Dirk, the younger one, Gwen's Dirk. He had promised. But so had she, he remembered. Long ago on Avalon. The old esper, a wizened Emereli with a very minor Talent and red-gold hair, had cut two jewels. He had read Dirk t'Larien, had felt all the love Dirk had for his Jenny, and then had put as much of that into the gem as his poor psionic powers allowed him to. Later, he had done the same for Gwen. Then they had traded jewels.

It had been his idea. It may not always be so, he had told her, quoting an ancient poem. So they had promised, both of them: Send this memory, and I will come. No matter where I am, or when, or what has passed between us. I will come, and there will be no questions.

But it was a shattered promise. Six months after she had left him, Dirk had sent her the jewel. She had not come. After that, he could never have expected her to invoke his promise. Yet now she had.

Did she really expect him to come?

And he knew, with sadness, that the man he had been back then, that man would come to her, no matter what, no matter how much he might hate her--or love her. But that fool was long buried. Time and Gwen had killed him.

But he still listened to the jewel and felt his old feelings and his new weariness. And finally he looked up and thought, Well, perhaps it is not too late after all.

There are many ways to move between the stars, and some of them are faster than light and some are not, and all of them are slow. It takes most of a man's lifetime to ship from one end of the manrealm to the other, and the manrealm--the scattered worlds of humanity and the greater emptiness in between--is the very smallest part of the galaxy. But Braque was close to the Veil, and the outworlds beyond, and there was some trade back and forth, so Dirk could find a ship.

It was named the Shuddering of Forgotten Enemies, and it went from Braque to Tara and then through the Veil to Wolfheim and then to Kimdiss and finally to Worlorn, and the voyage, even by FTL drive, took more than three months standard. After Worlorn, Dirk knew, the Shuddering would move on, to High Kavalaan and ai-Emerel and the Last Stars, before it turned and began to retrace its tedious route.

The spacefield had been built to handle twenty ships a day; now it handled perhaps one a month. The greater part of it was shut, dark, abandoned. The Shuddering set down in the middle of a small portion that still functioned, dwarfing a nearby cluster of private ships and a partially dismantled Toberian freighter.

A section of the vast terminal, automated and yet lifeless, was still brightly lit, but Dirk moved through it quickly, out into the night, an empty outworld night that cried for want of stars. They were there, wait- ing for him, just beyond the main doors, more or less as he had expected. The captain of the Shuddering had lasered on ahead as soon as the ship emerged from drive into normal space.

Gwen Delvano had come to meet him, then, as he had asked her to. But she had not come alone. Gwen and the man she had brought with her were talking to each other in low, careful voices when he emerged from the terminal.

Dirk stopped just past the door, smiled as easily as he could manage, and dropped the single light bag he carried: "Hey," he said softly. "I hear there's a Festival going on."

She had turned at the sound of his voice, and now she laughed, a so-well-remembered laugh. "No," she said. "You're about ten years too late."

Dirk scowled and shook his head. "Hell," he said. Then he smiled again, and she came to him, and they embraced. The other man, the stranger, stood and watched without a trace of self-consciousness.

It was a short hug. No sooner had Dirk wrapped his arms about her than Gwen pulled back. After the break they stood very close, and each looked to see what the years had done.

She was older but much the same, and what changes he saw were probably only defects in his memory. Her wide green eyes were not quite as wide or green as he remembered them, and she was a little taller than he recalled and perhaps a bit heavier. But she was close enough; she smiled the same way, and her hair was the same; fine and dark, falling past her shoulders in a shimmering stream blacker than an outworld night. She wore a white turtleneck pullover and belted pants of sturdy chameleon cloth, faded to night-black now, and a thick headband, as she had liked to dress on Avalon. Now she wore a bracelet too, and that was new. Or perhaps the proper word was armlet. It was a massive thing, cool silver set with jade, that covered half her left forearm. The sleeve of her pullover was rolled back to display it.

"You're thinner, Dirk," she said.

He shrugged and thrust his hands into his jacket pockets. "Yes," he said. In truth, he was almost gaunt, though still a little round-shouldered from slouching too much. The years had aged him in other ways as well; now his hair had more gray than brown, when once it had been the other way around, and he wore it nearly as long as Gwen, though his was a mass of curls and tangles.

"A long time," Gwen said.

"Seven years, standard," he replied nodding. "I didn't think that . . ."

The other man, the waiting stranger, coughed then, as if to remind them that they were not alone. Dirk glanced up, and Gwen turned. The man came forward and bowed politely. Short and chubby and very blond--his hair looked almost white--he wore a brightly colored silkeen suit, all green and yellow, and a tiny black knit cap that stayed in place despite his bow.

"Arkin Ruark," he said to Dirk.

"Dirk t'Larien."

"Arkin is working with me on the project," Gwen said.


She blinked. "Don't you even know why I'm here?"

He didn't. The whisperjewel had been sent from Worlorn, so he had known not much else than where to find her. "You're an ecologist," he said. "On Avalon . . ."

"Yes. At the Institute. A long time ago. I finished there, got my credentials, and I've been on High Kavalaan since. Until I was sent here."

"Gwen is with the Ironjade Gathering," Ruark said. He had a small, tight smile on his face. "Me, I'm representing Impril City Academy. Kimdiss. You know?"

Dirk nodded. Ruark was a Kimdissi then, an outworlder, from one of their universities.

"Impril and Ironjade, well, after the same thing, you know? Research on ecological interaction on Worlorn. Never really done properly during the Festival, the outworlds not being so strong on ecology, none of them. A science ai-forgotten, as the Emereli say. But that's the project. Gwen and I knew each other from before, so we thought, well, here for the same reason, so it is good sense to work together and learn what we can learn."

"I suppose," Dirk said. He was not really overly interested in the project just then. He wanted to talk to Gwen. He looked at her. "You'll have to tell me all about it later. When we talk. I imagine you want to talk."

She gave him an odd look. "Yes, of course. We do have a lot to talk about."

He picked up his bag. "Where to?" he asked. "I could probably do with a bath and some food."

Gwen exchanged glances with Ruark. "Arkin and I were just talking about that. He can put you up. We're in the same building. Only a few floors apart."

Ruark nodded. "Gladly, gladly. Pleasure in doing for friends, and both of us are friend to Gwen, are we not?"

"Uh," said Dirk. "I thought, somehow, that I would stay with you, Gwen."

She could not look at him for a time. She looked at Ruark, at the ground, at the black night sky, before her eyes finally found his. "Perhaps," she said, not smiling now, her voice careful. "But not right now. I don't think it would be best, not immediately. But we'll go home, of course. We have a car."

"This way," Ruark put in, before Dirk could frame his words. Something was very strange. He had played through the reunion scene a hundred times on board the Shuddering during the months of his voyage, and sometimes he had imagined it tender and loving, and sometimes it had been an angry confrontation, and often it had been tearful--but it had never been quite like this, awkward and at odd angles, with a stranger present throughout it all. He began to wonder exactly who Arkin Ruark was, and whether his relationship with Gwen was quite what they said it was. But then, they had hardly said anything. Without knowing what to say or to think, he shrugged and followed as they led him to their aircar.

The walk was quite short. The car, when they reached it, took Dirk aback. He had seen a lot of different types of aircars in his travels, but none quite like this one; huge and steel-gray, with curved and muscled triangular wings, it looked almost alive, like a great aerial manta ray fashioned in metal. A small cockpit with four seats was set between the wings, and beneath the wingtips he glimpsed ominous rods.

He looked at Gwen and pointed. "Are those lasers?"

She nodded, smiling just a little.

"What the hell are you flying?" Dirk asked. "It looks like a war machine. Are we going to be assaulted by Hrangans? I haven't seen anything like that since we toured the Institute museums back on Avalon."

Gwen laughed, took his bag from him, and tossed it into the back seat. "Get in," she told him. "It is a perfectly fine aircar of High Kavalaan manufacture. They've only recently started turning out their own. It's supposed to look like an animal, the black banshee. A flying predator, also the brother-beast of the Ironjade Gathering. Very big in their folklore, sort of a totem."

She climbed in, behind the stick, and Ruark followed a bit awkwardly, vaulting over the armored wing into the back. Dirk did not move. "But it has lasers!" he insisted.

Gwen sighed. "They're not charged, and never have been. Every car built on High Kavalaan has weapons of some sort. The culture demands it. And I don't mean just Ironjade's. Redsteel, Braith, and the Shanagate Holding are all the same."

Dirk walked around the car and climbed in next to Gwen, but his face was blank. "What?"

"Those are the four Kavalar holdfast-coalitions," she explained. "Think of them as small nations, or big families. They're a little of both."

"But why the lasers?"

"High Kavalaan is a violent planet," Gwen replied.

Ruark gave a snort of laughter. "Ah, Gwen," he said. "That is utter wrong, utter!"

"Wrong?" she snapped.

"Very," Ruark said. "Yes, utter, because you are close to truth, half and not everything, worst lie of all."

Dirk turned in his seat to look back at the chubby blond Kimdissi.


Excerpted from Dying of the Light by George R. R. Martin Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Meet the Author

George R. R. Martin is the #1 New York Times bestselling author of many novels, including the acclaimed series A Song of Ice and Fire—A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, and A Dance with Dragons—as well as Tuf Voyaging, Fevre Dream, The Armageddon Rag, Dying of the Light, Windhaven (with Lisa Tuttle), and Dreamsongs Volumes I and II. He is also the creator of The Lands of Ice and Fire, a collection of maps from A Song of Ice and Fire featuring original artwork from illustrator and cartographer Jonathan Roberts, and The World of Ice & Fire (with Elio M. García, Jr., and Linda Antonsson). As a writer-producer, Martin has worked on The Twilight Zone, Beauty and the Beast, and various feature films and pilots that were never made. He lives with the lovely Parris in Santa Fe, New Mexico.

Brief Biography

Santa Fe, NM
Date of Birth:
September 20, 1948
Place of Birth:
Bayonne, NJ
B.S., Northwestern University, 1970; M.S., Northwestern University, 1971

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Dying of the Light 3.7 out of 5 based on 0 ratings. 9 reviews.
bgdave More than 1 year ago
This is my favorite Martin book. The story is slightly dated with a 1970's Sci Fi feel but is still has lots of teeth. Sacrifice betrayal and lost love. What's not to love? "the wind was in his face and it was very cold."
AvidFantasyFan More than 1 year ago
As all other books by Mr. Martin, it requires your undivided attention while reading. I agree that the book's age is felt in terms of Sci Fi, but the main story is timeless and thought-provoking.
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