Ear Training : Technique for Listening - With CD / Edition 7

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Overview

Combining a proven technique with an effective and easy-to-use supplements package, Ear Training: A Technique for Listening is the ideal text for college aural skills courses. Its logical progression in the coverage of skills enables students to build gradually to full proficiency, while ensuring that material they learn early in the course remains fresh. Its flexibility makes it equally effective in a lab-based course, in a instructor-guided setting, or in a course that combines the two.
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Product Details

  • ISBN-13: 9780073015958
  • Publisher: McGraw-Hill Companies, The
  • Publication date: 5/28/2004
  • Edition description: REV
  • Edition number: 7
  • Product dimensions: 8.00 (w) x 10.00 (h) x 0.56 (d)

Meet the Author

Bruce Benward has been widely regarded as one of the most gifted music theory pedagogues since his textbooks first appeared in the 1960s, and has exerted a wide influence on the teaching of music theory both through his writings and through the generation of teachers that he taught. He recently retired from the University of Wisconsin at Madison.
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Table of Contents

PrefaceUnit 1 Melody 1A Melodic Dictation: Scalewise (Conjunct Diatonic) Melodies Melody 1B Mode Identification: Major and Harmonic Minor Scales Melody 1C Scale Degree Identification: Single Notes Melody 1D Intervals: m2, M2, m3, M3 Melody 1E Models and Embellishments: Short Melodic Structures Harmony 1A Chord Function Identification: I and V Triads Harmony 1B Chords in Music Literature: I and V Triads Harmony 1C Harmonic Rhythm Harmony 1D Triad Position Identification: Major and Minor Triads Harmony 1E Chord Quality Identification: Major and Minor Triads Harmony 1F Triad Factors in the Soprano Rhythm 1A Rhythmic Dictation: Rhythm Including Half- Beat Values Unit 2 Melody 2A Melodic Dictation: Melodies Using m2, M2, m3, M3 Melody 2B Mode Identification: Major and Three Forms of the Minor Scale Melody 2C Scale Degree Identification: Two Notes Melody 2D New Intervals: P5 and P4 Melody 2E Models and Embellishments: Descending Thirds in Two Voices Harmony 2A Chord Function Identification: I, IV, and V Triads Harmony 2B Chords in Music Literature: I, IV, and V Triads Harmony 2C Nonharmonic Tones: Introduction Harmony 2D Triad Position Identification: Major and Minor Triads Harmony 2E Chord Quality Identification: Major, Minor and Diminished Triads Harmony 2F Triad Factors in the Soprano and Bass Rhythm 2A Rhythmic Dictation: Duple and Triple Subdivisions of the Beat Unit 3 Melody 3A Melodic Dictation: Melodies Using m2, M2, m3, M3, P4, P5 Melody 3B Error Detection: Scalewise Melodies with Errors Melody 3C Scale Degree Identification: Three Notes Melody 3D Interval Review: m2, M2, m3, M3, P4, P5 Melody 3E Models and Embellishments: Simple Melodic Structures Harmony 3A Chord Function Identification: I, ii, and V Triads Harmony 3B Chords in Music Literature: I, ii, and V Triads Harmony 3C Cadence Identification: Cadence Types Harmony 3D Harmonic Dictation: I(i), IV(iv), and V Triads in Four-Part Phrases Harmony 3E Chord Quality Identification: Writing Major, Minor, Diminished, and Augmented Triads Rhythm 3A Rhythmic Dictation: Rhythmic Figures Including Half-Beat Values Rhythm 3B Error Detection: Dotted Rhythm Values Unit 4 Melody 4A Melodic Dictation: Scalewise Melodies and Arpeggiations of I and V Melody 4B Error Detection: Errors in Melodies Outlining the I, IV, and V Triads Melody 4C Scale Degree Identification: Three Notes Melody 4D New Intervals: m6, M6 Melody 4E Models and Embellishments: 5-6 Patterns in Two Voices Harmony 4A Chord Function Identification: I, ii, IV, and V Triads Harmony 4B Chords in Music Literature: I, ii, IV, and V Triads Harmony 4C Nonharmonic Tones: Two-Voice Examples Harmony 4D Harmonic Dictation: I(i), ii, IV(iv), and V Triads in Chorale Phrases Harmony 4E Chord Quality Identification: Major, Minor, Diminished, and Augmented Triads Rhythm 4A Rhythmic Dictation: Half-Beat Values in Syncopation Rhythm 4B Error Detection: Half-Beat Values in Syncopation Unit 5 Melody 5A Melodic Dictation: Melodies Outlining the I, IV, V (and vii06) Triads Melody 5B Error Detection: Excerpts from Music Literature Melody 5C Melodic Figure Identification: Sequence and Rhythmic Repetition Melody 5D New Interval: The Tritone Melody 5E Models and Embellishments: Descending 6ths in Two Voices Harmony 5A Chord Function Identification: I(i), ii (ii0), IV(iv), and V Triads and Inversions Harmony 5B Chords in Music Literature: I(i), ii(ii0), IV(iv) and V Triads Harmony 5C Harmonic Rhythm and Nonharmonic Tones Harmony 5D Harmonic Dictation: I(i), ii, IV(iv), and V Triads in Chorale Phrases Harmony 5E Error Detection: Single Triads in Four Parts Rhythm 5A Rhythmic Dictation: Introduction to Quarter- Beat Values Rhythm 5B Error Detection: Quarter-Beat Values Unit 6 Melody 6A Melodic Dictation: Intervals of a 7th Melody 6B Error Detection: Schubert Melodies Melody 6C Melodic Figure Identification: Sequence, False Sequence, and Rhythmic Repetition Melody 6D New Intervals: m7 and M7 Melody 6E Models and Embellishments: 7-3 Pattern in Two Voices Harmony 6A Chord Function Identification: I, ii, IV, V, and vi Triads Harmony 6B Chords in Music Literature: Emphasis on ii, IV, and vi Harmony 6C Nonharmonic Tones: Four-Voice Examples Harmony 6D Harmonic Dictation: The I(i), ii(ii0), IV (iv) and V Triads in Chorale Phrases Harmony 6E Error Detection: Triads in Fourt Parts Rhythm 6A Rhythmic Dictation: Quarter-Beat Values Rhythm 6B Error Detection: Triplet Figures Unit 7 Melody 7A Melodic Dictation: Two-Phrase Melodies Melody 7B Error Detection: Handel Melodies Melody 7C Melodic Figure Identification: Melodic Devices Rhythm 7D Intervals: All Diatonic Intervals Melody 7E Models and Embellishments: Cadence Formulas in Two Voices Harmony 7A Chord Function Identification: I(i), ii (ii0), iii(III,III+) IV(iv), V, and vi(VI) Triads Harmony 7B Chords in Music Literature: Emphasis on iii and vi Harmony 7C Harmonic Rhythm and Harmonic Analysis: I, ii, IV, V, and vi Triads Harmony 7D Harmonic Dictation: I(i), ii(ii0), IV(iv), V, and vi(VI) Triads in Chorale Phrases Harmony 7E Error Detection: Triads in Four Parts Rhythm 7A Rhythmic Dictation: Quarter-Beat Values Rhythm 7B Rhythmic Dictation: Beat Units Divided into Triplets Unit 8 Melody 8A Melodic Dictation: Melodies with Larger Leaps Melody 8B Error Detection: Franck Melodies Melody 8C Harmonic Rhythm, Harmonic Analysis, Sequences, Phrase Relationships, and Cadences Melody 8D Intervals: All Diatonic Intervals Melody 8E Models and Embellishments: 5-6 Patterns in Three Voices Harmony 8A Chord Function Identification: Diatonic Triads (Major Mode) Harmony 8B Chords in Music Literature: All Triads Harmony 8C Nonharmonic Tones: Bach Chorales (1) Harmony 8D Harmonic Dictation: I(i), ii, IV(iv), V, vi (VI), and Vii0 Triads in Chorale Phrases Harmony 8E Error Detection: Triads in Four Parts Rhythm 8A Rhythmic Dictation: Quarter-Beat Values Rhythm 8B Error Detection: Quarter-Beat Values Unit 9 Melody 9A Melodic Dictation: Short Melodies from Music Literature Melody 9B Error Detection: Bach Melodies Melody 9C Melodic Dictation: Two-Part Dictation Melody 9D Intervals: Harmonic Intervals of the m3, Tritone, P5, m6, M6, m7 Melody 9E Models and Embellishments: Descending First Inversion Triads Harmony 9A Chord Function Identification: Six-Four Chords Harmony 9B Chords in Music Literature: Six-Four Chords Harmony 9C Harmonic Rhythm and Harmonic Analysis of Folk Melodies Harmony 9D Harmonic Dictation: All Diatonic Triads in Chorale Phrases Harmony 9E Error Detection: Triads in Four Parts Rhythm 9A Rhythmic Dictation: Compound Meters with Quarter-Beat Values Unit 10 Melody 10A Melodic Dictation: Sequences Melody 10B Error Detection: Themes from Music Literature Lacking Accidentals Melody 10C Two-Voice Dictation Melody 10D Intervals: All Intervals Played Harmonically Melody 10E Models and Embellishments: 7th Chord Patterns in Three Voices Harmony 10A Chord Function Identification: Dominant 7th Chords Harmony 10B Chords in Music Literature: Dominant 7th Chords (All Inversions) Harmony 10C Nonharmonic Tones: Bach Chorales (2) Harmony 10D Harmonic Dictation: The Dominant 7th Chord in Chorale Phrases Harmony 10E Error Detection: Triads or Dominant 7th Chords Rhythm 10A Rhythmic Dictation: Triple and Triplet Subdivisions Rhythm 10B Rhythmic Dictation: Two-Voice Rhythms Unit 11 Melody 11A Melodic Dictation: Short Melodies That Modulate to Closely Related Keys Melody 11B Error Detection: Excerpts from Music Literature Melody 11C Phrase Relationships and Cadences Melody 11D Intervals: All Intervals Played Harmonically Melody 11E Models and Embellishments: Chord Progression with Melodic Embellishments Harmony 11A Chord Function Identification: vii07 (Deminished 7th Chord) Harmony 11B Chords in Music Literature: vii07 (Diminished 7th Chord) Harmony 11C Aural Analysis: Aspects of Two-Phrases That Modulate Harmony 11D Harmonic Dictation: Chorale Phrases That Modulate Harmony 11E Chord Quality Identification: MM, Mm, mm, dm, and dd 7th Chords Rhythm 11A Rhythmic Dictation: The Quartolet Rhythm 11B Error Detection: More Difficult Rhythmic Errors Unit 12 Melody 12A Melodic Dictation: Modulations to Closely Related Keys Melody 12B Error Detection: Two-Voice Compositions Melody 12C Binary, Rounded Binary, and Three-Part Form Melody 12D Interval Dictation: Two Intervals in Succession Melody 12E Models and Embellishments: I-V-I Progression with Melodic Embellishments Harmony 12A Chord Function Identification: Nondominant 7th Chords Harmony 12B Chords in Music Literature: Nondominant 7th Chords Harmony 12C Aural Analysis: Harmonic and Melodic Relationships in Musical Periods from Haydn Sonatas Harmony 12D Harmonic Dictation: Modulations to Closely Related Keys Harmony 12E Chord Quality Identification: MM, Mm, mm, dm, and dd 7th Chords Rhythm 12A Rhythmic Dictation: Eighth-Beat Values Rhythm 12B Error Detection: Eighth-Beat Values Unit 13 Melody 13A Melodic Dictation: Modulation in Two-Phrase Periods Melody 13B Error Detection: Brahms Melodies Melody 13C Binary, Rounded, Binary, and Three-Part Form Melody 13D Interval Dictation: Two and Three Intervals in Succession Melody 13E Models and Embellishments: I-V-I Progression with Diatonic Melodic Embellishments Harmony 13A Chord Function Identification: Secondary Dominants of V and ii Harmony 13B Chords in Music Literature: Secondary Dominants of ii, IV, and V Harmony 13C Aural Analysis: Key, Phrase, and Cadence Relationships in Musical Excerpts Harmony 13D Harmonic Dictation: Chorale Phrases Containing 7th Chords Harmony 13E Error Detection: Triads and 7th Chords Rhythm 13A Rhythmic Dictation: Introduction to the Supertriplet Rhythm 13B Error Detection: Eighth-Beat Values Unit 14 Melody 14A Melodic Dictation: Modulation in Two-Phrase Melodies Melody 14B Error Detection: Excerpts from Music Literature Melody 14C Mode Identification: Dorian, Phrygian, Lydian, and Mixolydian Modes Melody 14D Interval Dictation: Three Intervals in Succession Melody 14E Models and Embellishments: I-V-I Progression with Chromatic Melodic Embellishments Harmony 14A Chord Function Identification: Secondary Dominants of IV(iv) and vi(VI) Harmony 14B Chords in Music Literature: Secondary Dominants and Leading Tone Chords of iii and IV Harmony 14C Aural Analysis: Four-Phrase Excerpt from a Beethoven Piano Sonata Harmony 14D Harmonic Dictation: Chorale Phrases Containing Secondary Dominants Harmony 14E Error Detection: Triads and 7th Chords Rhythm 14A Rhythmic Dictation: Subtriplet in Simple and Compound Meter Rhythm 14B Error Detection: Subtriplet in Simple and Compound Meter Unit 15 Melody 15A Melodic Dictation: Nondiatonic Tones Melody 15B Error Detection: Five Note Melodic Figures Melody 15C Mode Identification: Dorian, Phrygian, Lydian, Mixolydian and Aeolian Modes Melody 15D Interval Dictation: Adding Proper Accidentals to Modal Melodies Melody 15E Models and Embellishments: Harmonic Structure with Melodic and Harmonic Embellishments Harmony 15A Chord Function Identification: All Secondary Dominants Harmony 15B Chords in Music Literature: All Secondary Dominants and Leading Tone Chords Harmony 15C Aural Analysis: Phrase, Key, Cadence, and Harmonic Relationships in a Five-Phrase Excerpt from a Beethoven Piano Sonata Harmony 15D Harmonic Dictation: Modulation in Chorale Phrases Harmony 15E Error Detection: Triads and 7th Chords Harmony 15F Identifying Modulations to Closely Related and Foreign Keys Rhythm 15A Rhythmic Dictation: More Difficult Rhythms Rhythm 15B Error Detection: More Difficult Rhythmic Errors Unit 16 Melody 16A Melodic Dictation: Nondiatonic Tones Melody 16B Error Detection: Short Melodic Segments Based on Intervals Melody 16C Melodic Dictation: Typical Blues Figures Melody 16D Interval Dictation: Two-Voice Modal Compositions Melody 16E Models and Embellishments: Harmonic Structure with Melodic and Harmonic Embellishments Harmony 16A Chord Function Identification: German and French Augmented 6th Chords and the Neapolitan 6th Chords Harmony 16B Chords in Music Literature: Neapolitan 6th Chords and Augmented 6th Chords Harmony 16C Aural Analysis: Binary, Rounded Binary, and Three-Part Forms Harmony 16D Harmonic Dictation: Chorale Phrases Containing Neapolitan 6th and Augmented 6th Chords Harmony 16E Error Detection: Triads and 7th Chords Rhythm 16A Rhythmic Dictation: Changing Meters Rhythm 16B Error Detection: Review
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