Early Music History: Studies in Medieval and Early Modern Music

Early Music History: Studies in Medieval and Early Modern Music

by Iain Fenlon
     
 

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ISBN-10: 0521652014

ISBN-13: 9780521652018

Pub. Date: 05/10/2001

Publisher: Cambridge University Press

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in Volume 18 include: Music notation in Arcivio San Pietro C 105 and in the Farfa Breviary, Chigi C.VI 117; Rinuccini the craftsman: A view of his L'Arianna Ferdinand of Aragon's entry into Valladolid in 1513: The triumph of a

Overview

Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century. Articles in Volume 18 include: Music notation in Arcivio San Pietro C 105 and in the Farfa Breviary, Chigi C.VI 117; Rinuccini the craftsman: A view of his L'Arianna Ferdinand of Aragon's entry into Valladolid in 1513: The triumph of a Christian king; Citation and allusion in the late Ars nova: The case of Esperance and the En attendant songs.

Product Details

ISBN-13:
9780521652018
Publisher:
Cambridge University Press
Publication date:
05/10/2001
Series:
Early Music History Series
Pages:
428
Product dimensions:
5.98(w) x 8.98(h) x 1.06(d)

Table of Contents

1. Music notation in Archivio San Pietro and in the Farfa Breviary John Boe; 2. The sources and significance of the Orpheus myth in Musica Enchiriadis and Regino of Prum's Epistola de harmonica institutione Susan Boynton; 3. Rinuccini the craftsman: a view of his L'Arianna Bojan Bujic; 4. Ferdinand of Aragon's entry into Valladolid in 1513: the triumph of a Christian king Tess Knighton and Carmen Morte; 5. 'Premierement ma baronnie de Chasteauneuf': Jean de Ockeghem treasurer of St Martin's in Tours Agostino Magro; 6. Diplomacy and musical patronage: Virginia, Guidubaldo II, Maximilian II, 'lo Streggino' and others Franco Piperno; 7. Citation and allusion in the late Ars nova: the case of Esperance and the En attendant songs Yolanda Plumley; Review.

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