Earthfall (Homecoming Series #4)

( 17 )

Overview

The Oversoul of the colony planet Harmony selected the family of Wetchik to carry it back to long-lost Earth. Now grown to a tribe in the years of their journey to Harmony's hidden starport, they are ready at last to take a ship to the stars. But from the beginning there has been bitter dispute between Nafai and Elemak, Wetchick's youngest son and his oldest.

On board the starship Bailica, the children of the tribe will become pawns in the struggle. Two factions are each making ...

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Overview

The Oversoul of the colony planet Harmony selected the family of Wetchik to carry it back to long-lost Earth. Now grown to a tribe in the years of their journey to Harmony's hidden starport, they are ready at last to take a ship to the stars. But from the beginning there has been bitter dispute between Nafai and Elemak, Wetchick's youngest son and his oldest.

On board the starship Bailica, the children of the tribe will become pawns in the struggle. Two factions are each making secret plans to awaken the children, and themselves, early from the cold-sleep capsules in which they will pass the long decades of the journey. Each side hopes to gain years of influence on the minds of the children, winning their loyalty in the struggle for control of reclaimed Earth.

But the Oversoul is truly in control of this journey. It has downloaded a complete copy of itself to the Ship's computers. And only Nafai, who wears the Cloak of the Starmaster by the Oversoul's command, really understand what this will mean to all their plans for the future.

Hugo and Nebula Award-winning author Orson Scott Card's Homecoming Saga continues. Chosen by the Oversoul to be the starship's Master, Nafai must finally confront his older brother Elemak. Yet even while the brothers are battling each other, the Keeper of Earth is preparing his world to receive them.

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Editorial Reviews

From the Publisher
"This action-packed, plot-rich installment features Card's typical virtues—well drawn characters and a story driven by complex moral issues."—Publishers Weekly

"This series continues to impress."—Kirkus Reviews

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Product Details

  • ISBN-13: 9780812532968
  • Publisher: Doherty, Tom Associates, LLC
  • Publication date: 1/28/1996
  • Series: Homecoming Saga Series , #4
  • Format: Mass Market Paperback
  • Edition description: First Edition
  • Edition number: 1
  • Pages: 384
  • Sales rank: 227,282
  • Product dimensions: 4.24 (w) x 6.74 (h) x 0.97 (d)

Meet the Author

Orson Scott Card

Orson Scott Card is the author of the novels Ender's Game, Ender's Shadow, and Speaker for the Dead. Ender’s Game and Speaker for the Dead both won Hugo and Nebula Awards, making Card the only author to win these two top prizes in consecutive years. There are seven other novels to date in The Ender Universe series. Card has also written fantasy: The Tales of Alvin Maker is a series of fantasy novels set in frontier America; his most recent novel, The Lost Gate, is a contemporary magical fantasy. Card has written many other stand-alone sf and fantasy novels, as well as movie tie-ins and games, and publishes an internet-based science fiction and fantasy magazine, Orson Scott Card’s Intergalactic Medicine Show.  Card was born in Washington and grew up in California, Arizona, and Utah. He served a mission for the LDS Church in Brazil in the early 1970s. Besides his writing, Card directs plays and teaches writing and literature at Southern Virginia University. He lives in Greensboro, North Carolina, with his wife, Kristine Allen Card, and youngest daughter, Zina Margaret.

Biography

Any discussion of Orson Scott Card's work must necessarily begin with religion. A devout Mormon, Card believes in imparting moral lessons through his fiction, a stance that sometimes creates controversy on both sides of the fence. Some Mormons have objected to the violence in his books as being antithetical to the Mormon message, while his conservative political activism has gotten him into hot water with liberal readers.

Whether you agree with his personal views or not, Card's fiction can be enjoyed on many different levels. And with the amount of work he's produced, there is something to fit the tastes of readers of all ages and stripes. Averaging two novels a year since 1979, Card has also managed to find the time to write hundreds of audio plays and short stories, several stage plays, a television series concept, and a screenplay of his classic novel Ender's Game. In addition to his science fiction and fantasy novels, he has also written contemporary fiction, religious, and nonfiction works.

Card's novel that has arguably had the biggest impact is 1985's Hugo and Nebula award-winner Ender's Game. Ender's Game introduced readers to Andrew "Ender" Wiggin, a young genius faced with the task of saving the Earth. Ender's Game is that rare work of fiction that strikes a chord with adults and young adult readers alike. The sequel, Speaker for the Dead, also won the Hugo and Nebula awards, making Card the only author in history to win both prestigious science-fiction awards two years in a row.

In 2000, Card returned to Ender's world with a "parallel" novel called Ender's Shadow. Ender's Shadow retells the events of Ender's Game from the perspective of Julian "Bean" Delphinki, Ender's second-in-command. As Sam to Ender's Frodo, Bean is doomed to be remembered as an also-ran next to the legendary protagonist of the earlier novel. In many ways, Bean is a more complex and intriguing character than the preternaturally brilliant Ender, and his alternate take on the events of Ender's Game provide an intriguing counterpoint to fans of the original series.

In addition to moral issues, a strong sense of family pervades Card's work. Card is a devoted family man and father to five (!) children. In the age of dysfunctional family literature, Card bristles at the suggestion that a positive home life is uninteresting. "How do you keep ‘good parents' from being boring?" he once said. "Well, in truth, the real problem is, how do you keep bad parents from being boring? I've seen the same bad parents in so many books and movies that I'm tired of them."

Critical appreciation for Card's work often points to the intriguing plotlines and deft characterizations that are on display in Card's most accomplished novels. Card developed the ability to write believable characters and page-turning plots as a college theater student. To this day, when he writes, Card always thinks of the audience first. "It's the best training in the world for a writer, to have a live audience," he says. "I'm constantly shaping the story so the audience will know why they should care about what's going on."

Card brought Bean back in 2005 for the fourth and final novel in the Shadow series: Shadow of the Giant. The novel presented some difficulty for the writer. Characters who were relatively unimportant when the series began had moved to the forefront, and as a result, Card knew that the ending he had originally envisioned would not be enough to satisfy the series' fans.

Although the Ender and Shadow series deal with politics, Card likes to keep his personal political opinions out of his fiction. He tries to present the governments of futuristic Earth as realistically as possible without drawing direct analogies to our current political climate. This distance that Card maintains between the real world and his fictional worlds helps give his novels a lasting and universal appeal.

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    1. Hometown:
      Greensboro, North Carolina
    1. Date of Birth:
      August 24, 1951
    2. Place of Birth:
      Richland, Washington
    1. Education:
      B.A. in theater, Brigham Young University, 1975; M.A. in English, University of Utah, 1981
    2. Website:

Read an Excerpt

EARTHFALL (Chapter 1)

Quarreling with God

Vusadka: the place where humans first set foot when their starships brought them to the planet they named Harmony. Their starships settled to the ground; the first of the colonists disembarked and planted crops in the lush land to the south of the landing field. Eventually all the colonists came out of the ships, moved on, left them behind.

Left to themselves, the ships would eventually have oxidized, rotted, weathered away. But the humans who came to this place had eyes for the future. Someday our descendants may want these ships, they said. So they enclosed the landing place in a stasis field. No wind-driven dust, no rain or condensation, no direct sunlight or ultraviolet radiation would strike the ships. Oxygen, the most corrosive of all poisons, was removed from the atmosphere inside the dome. The master computer of the planet Harmony—called "the Oversoul" by the descendants of those first colonists—kept all humans far away from the large island where the ships were harbored. Within that protective bubble, the starships waited for forty million years.

Now, though, the bubble was gone. The air here was breathable. The landing field once again rang with the voices of human beings. And not just the somber adults who had first walked this ground—many of those scurrying back and forth from one ship or building to another were children. They were all hard at work, taking functional parts from the other ships to transform one of them into an operational starship. And when the ship they called Basilica was ready, all parts working, fully stocked and loaded, they would climb inside for the last time and leave this world where more than a million generations of their ancestors had lived, in order to return to Earth, the planet where human civilization had first appeared—but had lasted for fewer than ten thousand years.

What is Earth to us, Hushidh wondered, as she watched the children and adults at work. Why are we going to such lengths to return there, when Harmony is our home. Whatever ties once bound us there surely rusted away in all these intervening years.

Yet they would go, because the Oversoul had chosen them to go. Had bent and manipulated all their lives to bring them to this place at this time. Often Hushidh was glad of the attention the Oversoul had paid to them. But at other times, she resented the fact that they had not been left to work out the course of their own lives.

But if we have no ties to Earth, we have scarcely more to Harmony, thought Hushidh. And she alone of the people here could see that this observation was literally, not just figuratively, true. All the people here were chosen because they had particular sensitivity to the mental communications of the Oversoul; in Hushidh, this sensitivity took an odd form. She could look at people and sense immediately the strength of the relationships binding them to all the other people in their lives. It came to her as a waking vision: She could see the relationships like cords of light, tying one person to the others in her life.

For instance, her younger sister, Luet, the only blood relative Hushidh had known through all her growing-up years. As Hushidh rested in the shade, Luet came by, her daughter Chveya right behind her, carrying lunch into the starship for those who were working on the computers. All her life, Hushidh had seen her own connection to Lutya as the one great certainty. They grew up not knowing who their parents were, as virtual charity cases in Rasa's great teaching house in the city of Basilica. All fears, all slights, all uncertainties were bearable, though, because there was Lutya, bound to her by cords that were no weaker for being invisible to everyone but Hushidh.

There were other ties, too, of course. Hushidh well remembered how painful it had been to watch the bond develop between Luet and her husband, Nafai, a troublesome young boy who had more enthusiasm than sense sometimes. To her surprise, however, Lutya's new bond to her husband did not weaken her tie to Hushidh; and when Hushidh, in turn, married Nafai's full brother, Issib, the tie between her and Luet grew even stronger than it had been in childhood, something Hushidh had never thought possible.

So now, watching Luet and Chveya pass by, Hushidh saw them, not just as a mother and daughter, but as two beings of light, bound to each other by a thick and shimmering cord. There was no stronger bond than this. Chveya loved her father, Nafai, too—but the tie between children and their fathers was always more tentative. It was in the nature of the human family: Children looked to their mothers for nurturance, comfort, the secure foundation of their lives. To their fathers, however, they looked for judgment, hoping for approval, fearing condemnation. It meant that fathers were just as powerful in their children's lives, but no matter how loving and nurturing the father was, there was almost always an element of dread in the relationship, for the father became the focus of all the child's fears of failure. Not that there weren't exceptions now and then. Hushidh had simply learned to expect that in most cases, the tie with the mother was the strongest and brightest.

In her thoughts about the mother-daughter connection, Hushidh almost missed the thing that mattered. It was only as Luet and Chveya moved out of sight into the starship that Hushidh realized what had been almost missing: Lutya's connection to her.

But that was impossible. After all these years? And why would the tie be weaker now? There had been no quarrel. They were as close as ever, as far as Hushidh knew. Hadn't they been allies during all the long struggles between Luet's husband and his malicious older brothers? What could possibly have changed?

Hushidh followed Luet into the ship and found her in the pilothouse, where Issib, Hushidh's husband, was conferring with Luet's husband, Nafai, about the life support computer system. Computers had never interested her—it was reality that she cared about, people with flesh and blood, not artificial constructs fabricated of ones and zeroes. Sometimes she thought that men reveled in computers precisely because of their unreality. Unlike women and children, computers could be completely controlled. So she took some secret delight whenever she saw Issya or Nyef frustrated by a stubbornly willful program until they finally found the programming error. She also suspected that whenever one of their children was stubbornly willful, Issya believed in his heart of hearts that the problem was simply a matter of finding the error in the child's programming. Hushidh knew that it was not an error, but a soul inventing itself. When she tried to explain this to Issya, though, his eyes glazed over and he soon fled to the computers again.

Today, though, all was working smoothly enough. Luet and Chveya laid out the noon meal for the men. Hushidh, who had no particular errand, helped them—but then, when Luet started talking about the need to call the others working in the ship to come eat, Hushidh studiously ignored the hints and thus forced Luet and Chveya to go do the summoning.

Issib might be a man and he might prefer computers to children sometimes, but he did notice things. As soon as Luet and Chveya were gone, he asked, "Was it me you wanted to talk with, Shuya, or was it Nyef?"

She kissed her husband's cheek. "Nyef, of course. I already know everything you think."

"Before I even know it," said Issib, with mock chagrin. "Well, if you're going to talk privately, you'll have to leave. I'm busy, and I'm not leaving the room with the food on any account."

He did not mention that it was more trouble for him to get up and leave. Even though his lifts worked in the environs of the starships, so he wasn't confined to his chair, it still took much effort for Issib to do any major physical movement.

Nyef finished keying in some command or other, then got up from his chair and led Hushidh out into a corridor. "What is it?" he asked.

Hushidh got right to the point. "You know the way I see things," she said.

"You mean relationships among people? Yes, I know."

"I saw something very disturbing today."

He waited for her to go on.

"Luet is...well, cut off. Not from you. Not from Chveya. But from everybody else."

"What does that mean?"

"I don't know," said Hushidh. "I can't read minds. But it worries me. You're not cut off. You still—heaven knows why—you still are bound by ties of love and loyalty even to your repulsive oldest brothers, even to your sisters and their sad little husbands—"

"I see that you have nothing but respect for them yourself," said Nyef drily.

"I'm just saying that Luet used to have something of that same—whatever it is—sense of obligation to the whole community. She used to connect with everyone. Not like you, but with the women, perhaps even stronger. Definitely stronger. She was the caretaker of the women. Ever since she was found to be the Waterseer back in Basilica, she's had that. But it's gone."

"Is she pregnant again? She's not supposed to be. Nobody's supposed to be pregnant when we launch."

"It's not like that, it's not a withdrawal into self the way pregnant women do." Actually, Hushidh was surprised Nafai had remembered that. Hushidh had only mentioned it once, years ago, that pregnant women's connections with everyone around them weakened, as they focused inward on the child. It was Nafai's way—for days, weeks, months, he would seem to be an overgrown adolescent, gawky, apt to say the wrong thing at the wrong time, giving the impression of never being aware of other people's feelings. And then, suddenly, you'd realize that he was keenly aware all along, that he noticed and remembered practically everything. Which made you wonder if the times he was rude, he actually meant to be rude. Hushidh still hadn't decided about that.

"So what is it?"

"I thought you could tell me," said Hushidh. "Has Luet said anything that would make you think she was separating from everybody except for you and your children?"

He shrugged. "Maybe she has and I didn't notice. I don't always notice."

The very fact that he said so made Hushidh doubt it. He did notice, and therefore he had noticed. He just didn't want to talk to Hushidh about it.

"Whatever it is," said Hushidh, "you and she don't agree about it."

Nafai glared at her. "If you aren't going to believe what I say, why do you bother to ask me?"

"I keep hoping that someday you'll decide that I'm worthy to be trusted with the inner secrets."

"My, but we're feeling out of sorts today, aren't we," said Nafai.

It was when he started acting like a little brother that Hushidh most hated him. "I must mention to Luet sometime that she made a serious mistake when she stopped those women from putting you to death when you violated the sanctity of the lake back in Basilica."

"I'm of the same opinion," said Nafai. "It would have spared me the agony of watching you suffer through the distress of being my sister-in-law."

"I would rather give birth every day, that's how bad it is," said Hushidh.

He grinned at her. "I'll look into it," he said. "I honestly don't know why Luet would be separating herself from everybody else, and I think it's dangerous, and so I'll look into it."

So he was going to take her seriously, even if he wasn't going to tell her what he already thought the problem was. Well, that was about as much as she could hope for. Nafai might be leader of the community right now, but it wasn't because he had any particular skill at it. Elemak, Nafai's oldest brother, was the natural leader. It was only because Nafai had the Oversoul on his side—or, rather, because the Oversoul had Nafai on her side—that he had been given the power to rule. Authority didn't come easily to him and he wasn't always sure what to do with it—and what not to do. He made mistakes. Hushidh just hoped that this wouldn't be one of those times.

Potya would be hungry. She had to get back home. It was because Hushidh was nursing a newborn that she was spared most duties involved with preparing for launch. In fact, the schedule for the launch had been set up to accommodate her pregnancy. She and Rasa had been the last to get pregnant before they found out that no one could be pregnant during the voyage. That was because the chemicals and low temperature that would maintain almost all of them in suspended animation during the voyage could do terrible things to an embryo. Rasa's baby, a little girl she gave the too-cute name of Tsennyi, which meant "precious," had been born a month before Hushidh's third son and sixth child. Shyopot, she had named him. "Whisper." Potya as his dearname, his quickname. Coming at the last moment, like a breath of a word from the Oversoul. The last whisper in her heart before she left this world forever. Issib had thought the name was odd, but it was better then "precious," which they both thought was proof that Rasa had lost all sense of judgment and proportion. Potya was waiting, Potya would be hungry, Hushidh's breasts were telling her so with some urgency.

On the way out of the ship, however, she passed Luet, who greeted her cheerfully, sounding like she always did, as loving and sweet as ever. Hushidh wanted to slap her. Don't lie to me! Don't seem so normal when I know that you have cut yourself off from me in your heart! If you can put on our affectionate closeness like a mask, then I'll never be able to take joy in it again.

"What's wrong?" asked Luet.

"What could be wrong?" asked Hushidh.

"You wear your heart on your face," said Luet, "at least to me. You're angry at me and I don't know why."

"Let's not have this conversation now," said Hushidh.

"When, then? What have I done?"

"That's exactly the question I'd like to know. What have you done? Or what are you planning to do?"

That was it. The slight flaring of Luet's eyelids, her hesitation before showing a reaction, as if she were deciding what reaction she ought to show—Hushidh knew that it was something Luet was planning to do. She was plotting something, and whatever it was, it required her to become emotionally distant from everyone else in the community.

"Nothing," said Luet. "I'm no different from anyone else these days, Hushidh. I'm raising my children and doing my work to prepare for the voyage."

"Whatever it is you're plotting, Lutya," said Hushidh, "don't do it. It isn't worth it."

"You don't even know what you're talking about."

"True, but you know. And I'm telling you, it isn't worth cutting yourself off from the rest of us. It isn't worth cutting yourself off from me."

Luet looked stricken, and this, at least, was no sham. Unless everything was a sham and always had been. Hushidh couldn't bear to believe that.

"Shuya," said Luet, "have you seen that? Is it true? I didn't know, but maybe it's true, maybe I've already cut myself off from—oh, Shuya." Luet flung her arms around Hushidh.

Reluctantly—but why am I reluctant, she wondered—Hushidh returned the embrace.

"I won't," said Luet. "I won't do anything that would cut me off from you. I can't believe that I—can't you do something about it?"

"Do something?" asked Hushidh.

"You know, the way you did to Rashgallivak's men when he came to Aunt Rasa's door that time, meaning to carry her daughters away. You tore his men's loyalty from him and brought him down, just like that. Don't you remember?"

Hushidh remembered, all right. But that had been easy, for she could see that the ties between Rash and his men were very weak, and it took only a few well-placed words and a bit of attitude to fill them with contempt for him and cause them to abandon him on the spot. "It's not the same," said Hushidh. "I can't make people do things. I could strip Rash's men of their loyalty because they didn't really want to follow him anyway. I can't rebuild your ties to the rest of us. That's something you have to do yourself."

"But I want to," said Luet.

"What's going on?" asked Hushidh. "Just explain it to me."

"I can't," said Luet.

"Why not?"

"Because nothing is going on."

"But something's going to go on, is that it?"

"No!" said Luet, and now she sounded angry, adamant. "It will not happen. And therefore there's nothing to discuss." With that, Luet fled up the ladderway leading to the center of the ship, where the meal was waiting, where the others were gathering.

It's the Oversoul, Hushidh knew then. The Oversoul has told Luet to do something that she doesn't want to do. And if she does it, it will cut her off from all the rest of us. From everybody except her husband and children. What is it? What is the Oversoul up to?

And whatever it was, why hadn't the Oversoul included Hushidh in it?

For the first time, Hushidh found herself thinking of the Oversoul as an enemy. For the first time, Hushidh discovered that she herself did not have any strong ties of loyalty to the Oversoul. Just like that, mere suspicion had dissolved them. What are you doing to me and my sister, Holy One? Whatever it is, cut it out.

But no answer came to her. Just silence.

The Oversoul has chosen Luet to do something, and she has not chosen me. What is it? I have to know. Because if it's something terrible, I'm going to put a stop to it.

Luet did not like the building they lived in these days. Hard surfaces everywhere, smooth and unalive. She missed the wooden house they had lived in for eight years in their little village of Dostatok, before her husband found and opened the ancient starport of Vusadka. And before that, all her memories were of living in Rasa's house in Basilica. City of women, city of grace; she yearned sometimes for the mists of the hidden and holy lake, for the noise of the crowded markets, for the endless rows of buildings elbowing their way out over the street. But this place—had the builders ever thought of it as beautiful? Had they liked to live in such dead places?

Yet it was home, all the same, because here was where her children gathered to sleep, to eat; where Nafai finally came home so late at night, to curl up wearily beside her on their bed. And when the time came to enter the starship they had named Basilica, she would no doubt miss this place also, the memories of frenzied work and excited children and groundless fears. If the fears turned out to be groundless.

Returning to Earth—what did that mean, when no human had been there for millions of years? And those dreams that kept coming into their minds, dreams of giant rats that seemed to be filled with a malevolent intelligence, dreams of batlike creatures who seemed to be allies but were still ugly beyond belief. Even the Oversoul did not know what those dreams meant, or why the Keeper of Earth might have sent them. Still, the overall impression Luet got from everyone's dreams of Earth was that it was not going to be a paradise when they got there.

What really frightened her, though—and, she suspected, frightened everyone else, too—was the voyage itself. A hundred years asleep? And supposedly they would emerge without having aged a day? It seemed like something out of a myth, like the poor girl who pricked her finger on a mouse's tooth and fell asleep, only to find that when she woke up, all the rich and beautiful girls were fat old ladies, while she remained the most youthful and beautiful of all. But still poor. That was an odd ending to that story, Luet always thought, that she was still poor. Surely there ought to be some version of it in which the king chose her because of her beauty instead of marrying the richest woman to get his hands on her estate. But that had nothing to do with what she was worrying about right now. Why had her mind wandered so far afield? Oh, yes. Because she was thinking about the voyage. About lying down on the ship and letting the life support system poke needles into her and freeze her for the voyage. How did they know that they wouldn't simply die?

Well, they could have died a thousand times since things first started falling apart in Basilica. Instead they had lived this long, and the Oversoul had led them to this place, and so far things were working out reasonably well. They had their children. They had prospered. No one had died or even been seriously injured. Ever since Nafai had got the starmaster's cloak from the Oversoul, even Elemak and Mebbekew, his hate-filled older brothers, had been relatively cooperative—and it was well-known that they hated the idea of voyaging back to Earth.

So why was the Oversoul so grimly determined to ruin everything?

<I'm grimly determined to save your lives, you and your husband.> Here in this place where the Oversoul actually lived, Luet heard the voice of the Oversoul far more easily than she ever had back in Basilica.

"The starmaster's cloak will protect Nafai," Luet murmured. "And he will protect us."

"Old," murmured Luet.

Yes, too old. And Issib is a frail cripple from birth. The only other man is Zdorab, and how can you guess where he will stand?

"Even if he stood with Nafai, he isn't much."

So you see the problem. Even with your four sons, Issib's three, and Volemak's two, it isn't going to be much of an army. Anyway, Elemak will strike soon, before any of the children are old enough to matter. So it's four strong and brutal men against one man who is not strong and not brutal.>

"Only if Nafai fails to hold everyone together."

Elemak is only biding his time. I know this. And so you will persuade him to do as I have shown you....>

"You persuade him."

<He won't listen to me.>

"That's because he knows that your plan would be a disaster. It would cause the very thing that you claim to be trying to prevent."

<Of course there will be some resentment....>

"Resentment! Oh, just a little. We reach Earth and all the adults are wakened from suspended animation, only to discover—oops!—Nafai and Luet somehow neglected to go into suspended animation themselves, and—oops again!—they somehow got a dozen of the older children to stay awake with them for the whole ten years of the voyage! So you see, my dear sister Shuya, when you went to bed your daughter Dza was only eight years old, but now she's eighteen, and married to Padarok, who, by the way, is seventeen now—sorry about that, Shedemei and Zdorab, we knew you wouldn't mind if we raised your only son for you. And while we had these children up, we happened to spend the whole time teaching them, so that now they are experts on everything they'll need to know to build our colony. They're also large and strong enough to do adult work. But—oops again!—none of your children, Eiadh and Kokor and Sevet and Dol, none of yours has had any of this training. Yours are still little children who won't be much help at all."

<I see that you have thought through every aspect of the plan. Why can't you see that it is both necessary and flawless?>

"They'll be furious," said Luet. "They'll all hate us—Volemak and Rasa and Issib and Shuya and Shedemei and Zdorab because we stole their oldest children from them, and all the others because we didn't give the same advantage to their children."

<They will be angry, but those who are my trusted friends will soon come to understand the necessity of having their children be older and stronger. It will change the balance of physical power in the community. It will keep you all alive.>

"They'll always be sure that the only reason the community broke apart was because Nafai and I did such a terrible thing. They'll hate us and blame us and they will certainly never trust us again."

<I will tell them that it was my idea.>

"And they'll say that you're just a computer and of course you didn't understand how humans would feel, but we understood, and we should have refused to do it."

"I already refused. I refuse again now."

<You refuse with your mouth and with your mind, but Hushidh saw that in your heart, you are already making ready to obey me.>

"No!" cried Luet.

"Mother?" It was Chveya's voice, through the door of Luet's room.

"What is it, Veya?"

"Who are you talking to?"

"Myself, in a dream. All foolishness. Go back to sleep."

"Is Father home yet?"

"Still in the ship with Issib."

"Mother?"

"Go to sleep now, Chveya. I mean it."

She heard the scuffing sound of Chveya's sandals on the floor. What had Chveya heard? How long had she been listening at the door?

<She heard everything.>

Why didn't you warn me?

Why did you speak out loud? I hear your thoughts.

Because when I speak out loud my thoughts are clearer, that's why. What's your plan, to get Chveya to carry out your plot?

Since you won't discuss it with Nafai, I woke Chveya to hear what you were saying. She'll bring it up with him.

Why couldn't you just talk to him yourself?

<He won't listen to me.>

That's because he's a very wise man. That's why I love him.

<He needs another perspective. You would have been best. Chveya will do.>

You leave my children alone.

<Your children are people in their own right. When you were Chveya's age, you already were known as the Waterseer of Basilica. I didn't notice you complaining that I had such a relationship with you then. And when Chveya first started getting dreams from the Keeper of Earth, I seem to recall that you rejoiced.>

"And to think I once thought of you as...as a god."

"If I didn't know you were a computer program, I'd say you were a meddlesome, loathsome old bitch."

<You can be angry at me if you like. It doesn't hurt my feelings. I even understand. But you have to take the long view, Luet. I do.>

"Yes, your view is so long that you hardly notice how you ruin the lives of little mayflies like us."

Has your life been so terrible up to now?

"Let's just say that it hasn't gone as expected."

<But has it been so terrible?>

"Shut up and leave me alone."

Luet threw herself back down on the bed and tried to sleep. But she kept remembering: Hushidh saw that I am no longer connected to the others in the community. That means that somewhere in my heart I already have the unconscious intention of doing what the Oversoul has planned. So I might as well give up and do it consciously.

Do it and then spend the rest of my life knowing that my sister and Aunt Rasa and dear Shedemei all hate me and that I absolutely, completely deserve their hatred.

EARTHFALL. Copyright 1995 by Orson Scott Card.

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Customer Reviews

Average Rating 4
( 17 )
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Sort by: Showing all of 17 Customer Reviews
  • Anonymous

    Posted December 17, 2004

    The best in the series!!

    This one is awesome!The series should have ended here but continued with 5 which was a dead bore.This otherwise perfect novel has just one glitch in the story:How does nafai's nephew talk to the bats so quickly?Wasn't the Oversoul giving small hints to him?

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 12, 2014

    Trei

    Ugh...where are you, Lay? ;/

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted March 17, 2014

    Dissapointed

    Bought this thinking it was the last book of the series and there might be final resolution. Turns out there is another. The four books so far comprised two books of story line/plot. There is too much fluf-n-stuff for me to recommend the series. Will not buy the final book.

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  • Anonymous

    Posted November 19, 2013

    Laynah

    "Hmm?"

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted December 24, 2013

    Trei

    Lay?

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted November 7, 2013

    Lk

    Kjdh

    0 out of 1 people found this review helpful.

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    Posted August 17, 2012

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