Earthly Measures: Poems

by Edward Hirsch

Overview

Edward Hirsch's strong, arresting poems have been praised from the start of his career. Of his second book, Wild Gratitude, Robert Penn Warren said, "I am convinced that the best poems here are unsurpassed in our time". This, his fourth collection, contains his finest work. From gritty, apocalyptic views of the urban Midwest to brilliantly empathetic portrayals of Simone Weil and Hugo von Hofmannsthal, the range of poems is at once wide and subtle. "In the Midwest" speaks of the nightmare of abandon and decay; "From a Train (Hofmannsthal in Greece)" is the poet's compelling view of a timeless landscape; "The Italian Muse" is a meditation on Henry James in Rome; "Luminist Paintings at the National Gallery" beautifully evokes the sense of nineteenth-century American countryside. There is an argument about transcendence in these poems, an evocation of American spaces and European landscapes, a quest for reconciliation to the earth as it is. Hirsch's work, as Anthony Hecht has said, "has not only the courage of its strong emotions, but the language and form that makes and keeps them clear and true".

Product Details

ISBN-13:	9780307760616
Publisher:	Knopf Doubleday Publishing Group
Publication date:	10/09/2013
Sold by:	Random House
Format:	eBook
Pages:	96
File size:	2 MB

About the Author

Edward Hirsch has published five previous books of poems: For the Sleepwalkers (1981), Wild Gratitude (1986), which won the National Book Critics Circle Award, The Night Parade (1989), Earthly Measures (1994), and On Love(1998). He has also written three prose books, including How to Read a Poem and Fall in Love with Poetry (1999), a national best-seller, and The Demon and the Angel: Searching for the Source of Artistic Inspiration (2002). A frequent contributor to the leading magazines and periodicals, including The New Yorker, DoubleTake, and American Poetry Review, he also writes the Poet's Choice column for the Washington Post Book World. He has received the Prix de Rome, a Guggenheim Fellowship, an American Academy of Arts and Letters Award for Literature, and a MacArthur Fellowship. A professor in the Creative Writing Program at the University of Houston for seventeen years, he is now President of the John Simon Guggenheim Memorial Foundation.

Editorial Reviews

Hirsch's experience of place is both sensual and archaeological. He soaks up the colors of the sky and the sequence of light and shadows the sun draws upon the earth each day and translates them into language that has palpable mass and motion. He also "feels the centuries welling up beneath him" as he gazes at landscapes, city streets, and sacred places. Here, in his fourth volume of poetry, winner of the National Book Critics Circle Award, Hirsch contemplates manifestations of the divine. He muses on Orpheus in a modern context, considers the meaningful lives of Simone Weil, Hugo von Hofmannsthal, and Wallace Stevens, and marvels at the unassailableness of epiphanies. He also considers the relationship between instances of spiritual revelation and the concrete everyday world with its elaborate ironies and endless brutality. How did hardship and beauty, elation and sadness become dance partners? As Hirsch mourns the dead, broods over the rust and rot of the rundown cities of the Midwest, and meditates upon paintings by Caravaggio and the seventeenth-century Dutch Masters, he takes earthly measure of unearthly forces. He uses the measure of poetry to name the unknowable and comprehend the unfathomable, but, ultimately, he decides that it is the earth that "needs" our full attention and prayers "because / it is only earth--limited, sensuous / earth that is so fleeting, so real."

Donna Seaman