Earwig and the Witch

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More About This Book

Overview

Got the other twelve witches all chasing me. I'll be back for her when I've shook them off. It may take years. Her name is Earwig.

Earwig has been at the orphanage ever since she was a baby. That's just how she likes it. She has her best friend, Custard, and everyone always does exactly what Earwig wants. She never wants to leave, so she makes sure no one ever picks her.

Then a very strange couple comes to the orphanage. They try to make themselves look ordinary. But Earwig knows they are not, not in the least. And they choose her, out of all the other children.

Earwig could be in for quite an unpleasant surprise. But so could the very strange couple.

Editorial Reviews

Publishers Weekly
This funny story updates fairy tale conventions while highlighting Jones’s subversive wit and her firm belief that children can control their own lives. Earwig rules the roost at St. Morwald’s Home for Children until she is adopted by a witchy woman named Bella Yaga with “one brown eye and one blue one, and a raggety, ribby look to her face.” Earwig hopes to learn magic from Bella Yaga, but is trapped in the woman’s decrepit house, sharing it with the Mandrake, an impossibly tall and grouchy being. Powerful and evil, Bella Yaga uses Earwig as a second pair of hands for grinding up disgusting things in bowls (“The only thing wrong with magic is that it smells so awful,” Earwig quips). The witch and the Mandrake, however, have never before dealt with a determined girl who claims alpha status; Zelinsky’s spot art, not all seen by PW, makes it clear that the squinty, pigtailed heroine is not someone to be trifled with. Featuring delightfully odd characters and eccentric magic, this all too brief tale is a fine introduction to the late author’s more complex YA novels. Ages 8–12. Agent: Laura Cecil. (Feb.)
Children's Literature
Erica Wigg, known as Earwig, is an orphan who has spent her entire life at St. Morwald's Home for Children. She is very happy there because she really rules the roost and always gets exactly what she wants from everyone. One day a very unordinary couple comes to the orphanage to adopt an older child. In spite of looking as unattractive as she could, the couple chooses Earwig. Once in their home, the woman reveals that she is a witch and her name is Bella Yaga. Earwig is immediately put to work assisting her after being warned not to disturb Mandrake, the huge man with horns and evil, glittering eyes, who also lives in the house. Earwig soon discovers that if she wants to learn magic she will have to gain control of the situation by getting Bella Yaga and Mandrake to do her bidding. With the help of a talking black cat named Thomas, she creates a spell to make both of them immune from all spells. Eventually Earwig controls the entire situation, just as she did at St. Morwald's and she is very content. This well written and often humorous fantasy is sure to be popular with young readers who enjoy this genre. The book jacket, which depicts Earwig with a smile of sly satisfaction, is also certain to attract readers. All the black and white illustrations are in perfect accord with the text and add greatly to the storyline. Put this title on the first purchase list as it will soon be in great demand. Reviewer: Sylvia Firth
More Reviews (2) Fewer Reviews
Kirkus Reviews
A cunning heroine learns magic in Jones' last, posthumous offering. Most children hate orphanages, but Earwig--Erica Wigg, according to her birth certificate--loves hers. Earwig manages people to perfection, and everyone at Saint Morwald's Home for Children does exactly what Earwig wants, whether it's making her a shepherd's pie or buying her a new red sweater. She's excellent at making herself unlovable to potential foster parents so they'll leave her alone in sunny St. Morwald's. But a terrible new pair of prospective parents arrives at the home: nasty-faced Bella Yaga and the Mandrake, a ridiculously tall man who seems to have horns. Bella Yaga and the Mandrake cart Earwig off, willy-nilly, to powder rats' bones and cook breakfast. Indomitable Earwig determines that if she must work for a smelly witch, at least she'll learn magic. But how to do so when wicked Bella Yaga keeps threatening to give her worms? Moreover, no matter what, Earwig has been warned not to disturb the Mandrake, who trucks with demons. Earwig, illustrated with marvelous vitality by Zelinsky, is not to be trifled with. There's just the right level of grotesquerie and scariness (worms that are "blue and purple and very wriggly") in this utterly charming chapter book. Earwig, as a spunky as any Jones heroine, keeps young and old readers chuckling through sadness at an era's end. (Fantasy. 7-9)
School Library Journal
Gr 2–5—Earwig is a most unusual girl. As a baby, she arrived at St. Morwald's Orphanage under mysterious circumstances. Since then, she has possessed a strange affinity for making the staff do exactly what she wants—from preparing her favorite meals to buying her new clothes. For this reason, Earwig goes out of her way to avoid being adopted. Then comes the fateful day Bella Yaga, accompanied by Mandrake, her sinister shape-shifting sidekick, arrives at St. Morwald's and takes Earwig to do her grunt work. Slave duty doesn't even come with magic lessons. But with the help of Thomas, a feline familiar, Earwig outsmarts the witch in a most ironic way. And before long, she has both Bella Yaga and Mandrake under her control. This appears to have been the first in a charming new series, cut short by the author's untimely passing in 2011. Earwig is a plucky, albeit bossy, heroine, and the story is packed with wit and humor. Zelinsky's illustrations enhance this imaginative tale.—Alissa J. LeMerise, Oxford Public Library, MI

Product Details

  • ISBN-13: 9780062075116
  • Publisher: HarperCollins Children's Books
  • Publication date: 1/31/2012
  • Pages: 128
  • Sales rank: 118,903
  • Age range: 8 - 12 Years
  • Product dimensions: 5.60 (w) x 7.20 (h) x 0.80 (d)

Meet the Author

In a career spanning four decades, award-winning author Diana Wynne Jones wrote more than forty books of fantasy for young readers. Characterized by magic, multiple universes, witches and wizards—and a charismatic nine-lived enchanter—her books were filled with unlimited imagination, dazzling plots, and an effervescent sense of humor that earned her legendary status in the world of fantasy. From the very beginning, Diana Wynne Jones’s books garnered literary accolades: her novel Dogsbody was a runner-up for the 1975 Carnegie Medal, and Charmed Life won the esteemed Guardian children’s fiction prize in 1977. Since then, in addition to being translated into more than twenty languages, her books have earned a wide array of honors—including two Boston Globe-Horn Book Award Honors—and appeared on countless best-of-the-year lists.

Her work also found commercial success: In 1992 the BBC adapted her novel Archer’s Goon into a six-part miniseries, and her bestselling Howl’s Moving Castle was made into an animated film by Japanese director Hayao Miyazaki in 2004. The film was nominated for an Academy Award in 2006, and became one of the most financially successful Japanese films in history.

Diana Wynne Jones has also been honored with many prestigious awards for the body of her work. She was given the British Fantasy Society’s Karl Edward Wagner Award in 1999 for having made a significant impact on fantasy, received a D.Lit from Bristol University in 2006, and won the Lifetime Achievement Award at the World Fantasy Convention in 2007.

Born just outside London in 1934, Diana Wynne Jones had a childhood that was “very vivid and often very distressing”—one that became the fertile ground where her tremendous imagination took root. When the raids of World War II reached London in 1939, the five-year-old girl and her two younger sisters were torn from their suburban life and sent to Wales to live with their grandparents. This was to be the first of many migrations, one of which brought her family to Lane Head, a large manor in the author-populated Lake District and former residence of John Ruskin’s secretary, W.G . Collingwood. This time marked an important moment in Diana Wynne Jones’s life, where her writing ambitions were magnified by, in her own words, “early marginal contacts with the Great.” She confesses to having “offending Arthur Ransome by making a noise on the shore beside his houseboat,” erasing a stack of drawings by the late Ruskin himself in order to reuse the paper, and causing Beatrix Potter (who also lived nearby) to complain about her and her sister’s behavior. “It struck me,” Jones said, “that the Great were remarkably touchy and unpleasant, and I thought I would like to be the same, without the unpleasantness.” Prompted by her penny-pinching father’s refusal to buy the children any books, Diana Wynne Jones wrote her first novel at age twelve and entertained her sisters with readings of her stories. Those early stories—and much of her future work—were inspired by a limited but crucial foundation of classics: Malory’s Morte D’Arthur, The Arabian Nights, and Epics and Romances of the Middle Ages.

Fantasy was Jones’s passion from the start, despite receiving little support from her often neglectful parents. This passion was fueled further during her tenure at St. Anne’s College in Oxford, where lectures by J. R. R. Tolkien and C. S. Lewis increased her fascination with myth and legend. She married Medievalist John Burrow in 1956; the couple have three sons and six grandchildren.

After a decade of rejections, Diana Wynne Jones’s first novel, Changeover, was published in 1970. In 1973, she joined forces with her lifelong literary agent, Laura Cecil, and in the four decades to follow, Diana Wynne Jones wrote prodigiously, sometimes completing three titles in a single year. Along the way she gained a fiercely loyal following; many of her admirers became successful authors themselves, including Newbery Award winners Robin McKinley and Neil Gaiman, and Newbery Honor Book author Megan Whalen Turner. A conference dedicated solely to her work was held at the University of West England, Bristol, in 2009. Diana Wynne Jones continued to write during her battle with lung cancer, which ultimately took her life in March 2011. Her last book, Earwig and the Witch, was published by Greenwillow Books in 2012.

Customer Reviews

Average Rating 3.5
( 6 )

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Sort by: Showing all of 6 Customer Reviews

  • Anonymous

    Posted April 8, 2012

    Bad

    Terrible, gothic story!














    @#$%!







    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 29, 2012

    I love oranges, especially after its in the toilet

    Hi

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 29, 2012

    Derek has an orange

    Derek is watxhing you closely

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 7, 2012

    GREAT READ!

    Delightful story of a GIRL who knows what she wants and gets it!!

    0 out of 1 people found this review helpful.

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  • Anonymous

    Posted February 7, 2012

    No text was provided for this review.

  • Anonymous

    Posted February 5, 2012

    No text was provided for this review.

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