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| The Paul Butterfield Blues Band | Primary Artist, Track Performer |
| Paul Butterfield | Indexed Contributor, Harmonica, Vocals |
| Michael Bloomfield | Guitar |
| Elvin Bishop | Guitar, Vocals |
| Nick Gravenites | Organ, Piano |
| The Blues Band | Track Performer |
| Jerome Arnold | Bass |
| Billy Davenport | Drums |
| Mark Naftalin | Organ, Piano, Keyboards |
| Michael Nesmith | Composer |
| Mark Abramson | Producer |
| Bruce Botnick | Mastering |
| Barry Friedman | Producer |
| Robert Johnson | Composer |
| Muddy Waters | Composer |
| Paul Nelson | Liner Notes |
| Paul Rothchild | Producer, Mastering |
| Allen Toussaint | Composer |
| Nat Adderley Jr. | Composer |
| Public Domain | Composer |
| Traditional | Composer |
| Davis | Composer |
The whole album is wonderful but the most important cut is certainly East-West.
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Posted October 1, 2010
The first 7:05 of the title track are simply the finest improvisation on guitars that I've ever heard; after that, it gets even better. From 7:05 to the end, it's absolutely trancendental.
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Editorial Reviews
All Music Guide
The second Butterfield album had an even greater effect on music history, paving the way for experimentation that is still being explored today. This came in the form of an extended blues-rock solo some 13 minutes -- a real fusion of jazz and blues inspired by the Indian raga. This groundbreaking instrumental was the first of its kind and marks the root from which the acid rock tradition emerged. ~ Jeff Tamarkin & Michael Erlewine