Easy Listening... [Explicit Lyrics]

Editorial Reviews

All Music Guide - Bradley Torreano
In the past, Martin Atkins has used Pigface's revolving cast of musicians to cater to each other's strengths. In the process, this has de-emphasized album continuity in exchange for exciting collaborations. But on Easy Listening..., Atkins attempts to produce a cohesive Pigface record. Sadly, he achieves this by downplaying his collaborators' individuality, often sticking to a common industrial dance sound. Most of the guest musicians fill in the blanks on Atkins' soundscapes without even displaying their distinctive talents. The few times Atkins does stray from this formula, it produces the best results. These include the sensual and throbbing album opener "Mind Your ...
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Editorial Reviews

All Music Guide - Bradley Torreano
In the past, Martin Atkins has used Pigface's revolving cast of musicians to cater to each other's strengths. In the process, this has de-emphasized album continuity in exchange for exciting collaborations. But on Easy Listening..., Atkins attempts to produce a cohesive Pigface record. Sadly, he achieves this by downplaying his collaborators' individuality, often sticking to a common industrial dance sound. Most of the guest musicians fill in the blanks on Atkins' soundscapes without even displaying their distinctive talents. The few times Atkins does stray from this formula, it produces the best results. These include the sensual and throbbing album opener "Mind Your Own Business," En Esch's dub 'n' bass contribution "Du Liebst Mich Nicht, Ich Lieb' Dich Nicht" and Rahul Sharma's psychedelic sitar exercise "Closer to Heaven." Ultimately, Atkins' new approach keeps the album from making broad stylistic leaps, but it also negates Pigface's strongest attribute. 1997's satisfying A New High in Low achieved a cohesive feel by keeping the lineup small and constant, but without sacrificing their collaborative nature. Without that spirit, Easy Listening... is nothing more than a safe, uneven record that borders on being a Martin Atkins solo project.
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Product Details

  • Release Date: 1/28/2003
  • Label: Underground Inc
  • UPC: 637642103723
  • Catalog Number: 421037

Album Credits

Performance Credits
Pigface Primary Artist
Chris Connelly Vocals, Choir, Chorus
Keith Levene Guitar
Martin Atkins scratching, Drums, Vocals, Vibes
Julian Beeston Korg
En Esch Vocals
Jason Miller Vocals
Chris Randall Synthesizer, Korg
Charles Levi Bass
Penn Jillette Voices
John Bergin Vocals, Musician
Krztoff Guitar, Vocals
Curse Mackey Vocals
Groovie Mann Vocals, Loops
Marydee Reynolds Vocals
Jason Novak Vocals
Meg Lee Chin Background Vocals
Lacey Conner Vocals
Seibold Guitar, Vocals
Jared Louche Vocals
Fallon Bowman Guitar, Vocals
Edsel Dope Bass, Guitar, Vocals
Greta Brinkman Bass
Judd Gruenbaum Vocals
Dan Brill Tabla
Technical Credits
Ross Allen Composer
Martin Atkins Arranger, Producer, Mastering, Art Direction, Concept, Collage
Julian Beeston Programming, Engineer
Colin Jordan Mastering
Bethan Peters Composer
David Suycott Composer, Engineer, Mastering
Penn Jillette Composer
John Bergin Engineer
Van Christie Engineer
Krztoff Composer
Chris Vrenna Composer, Programming
Betsy Bergin Composer
Adam Yoffe Programming, Engineer
Alan Riggs Composer
Jason Novak Programming
Seibold Programming
Kevin Knight Composer
Grey Parker Engineer
Edsel Dope Composer, Programming, Engineer
Frankie Nardiello Composer
Julz Sale Composer
Voodou Contributor
Lolo Contributor
Railer Contributor
Dan Evans Engineer
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