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The Seattle Times
Jeffery Paul Chan has clearly set out to write a decades-spanning epic about the immigration experience and the cultural permutations the Bay Area has gone through during the post-war era. And he boasts many of the tools and talents necessary to the task. He has a skeptical eye for human comedy, and a wanton eye for polymorphous sexual entanglements and jealousies. The San Francisco he portrays through his Chinatown lens couldn't be more vivid.