From the Publisher
One of the Ten Best Books of the Year, Washington Post Book World
One of the Los Angeles Times’ Favorite Books of the Year
One of the Top Ten National Books of 2008, Portland Oregonian
A 2009 Honor Book of the Asian/Pacific American Librarians Association
“The ‘I’ of the first-person narration, belonging not the author but to his father; the Edenic lushness of Thong’s childhood memories, intermingled with the wrenching dramas to come: These are the devices of sophisticated fiction, drawing us in while keeping us precariously off balance.”
—The Boston Globe
“[A] work of radiance. In some ways, it resembles that supreme recollection of a world lost to history’s depredations, Speak, Memory, in which Vladimir Nabokov summoned up his pre-revolutionary Russian boyhood. . . . [A]s with Tolstoy’s war and peace, darkness, intrinsically formless, gets shape and vividness from the light playing through it. . . . brilliantly chilling . . .”
—Richard Eder, Los Angeles Times
“Thong Van Pham is constantly fleeing and rebuilding in the midst of war, watching world after world vanish, from the feudal estate of his childhood to the Hanoi of the ‘50s to the Saigon of the 70s. He and his son have done us the extraordinary service of bringing a few pieces of those worlds back again.”
—New York Times Book Review
“ . . . [A] gorgeously written book . . . [Pham] seems to have risen to a new level of quiet and powerful storytelling. . . . The Eaves of Heaven is built from a series of short vignettes some sweet, some horrifying which are not recounted in chronological sequence, but linked in a narrative that darts nimbly across time, lingering on haunting scenes of brutality and violence as well as of beauty and love. . . . It's the absence of chronology that gives Thong's story its magic and depth, and allows it to be sustained by his observations of the ephemeral and the descriptions of unforgettable characters.”
—Washington Post Book World
“[A] searing story . . . The remembered images of more tranquil, carefree times are what make the subsequent depictions of wartime terrors and devastation so heartbreaking. . . . Pham has a novelist’s eye for telling details . . .”
“There are some books that writers shouldn’t read . . . because they are so good they make you despair that you could ever write so well yourself. The Eaves of Heaven by Andrew X. Pham, is such a book. Pham . . . is the best kind of memoirist. . . . He understands a memoir is not really about oneself but about a period, a time, a people. . . . As a memoir, The Eaves of Heaven accomplishes what few polemics do – it is a sweeping personal indictment of war, a reassuring and yet merciless affirmation of the human spirit.”
“Pham deftly paints a compelling portrait of life during three wars in Vietnam . . . This beautifully written books is essential for public and academic libraries.”
—Library Journal, starred review
“War-torn as it was, a lost world lives again in Thong’s recollections of the passions of his life: food, friends, family, romance. Personal tragedy and triumph, related with amazing perspective against an epic backdrop.”
—Kirkus Reviews, starred review
“World-shaping events that most Americans know merely through schematic maps and historical summaries take on a poignantly human immediacy in this story of one storm-buffeted man: Thong Van Pham, the author’s father. . . . By turns touching and searing, this slice of history—like Pham’s earlier Catfish and Mandala (1999)—deserves a wide readership.”
—Booklist, starred review
“Alternating between his father’s distant past and more recent events, the narrative takes readers on a haunting trip through time and space. This technique lends a soothing, dreamlike quality. . . Pham does an admirable job of recounting the complex cast of characters and the political machinations of the various groups vying for power over the years. In the end, he also gracefully delivers a heartfelt family history.”
—Publishers Weekly, starred review
In 1802, a war hero named Hao Pham was awarded a vast tract of land in the fertile flatlands in the north of Vietnam. He'd won several battles that had led to the unification of his country. For this, he became the lord of a large manor with thousands of peasants and lived out his days in supreme comfort. A string of male descendants succeeded him, each becoming richer and more powerful than the last. Under French colonial rule, the Pham estates expanded further. The Eaves of Heaven describes the gradual undoing of this vast and elaborate dynasty, the cataclysmic disintegration of a country, and the series of dramatic misfortunes that befell the great-great-great-grandson of Hao. Poised to inherit everything, Thong Pham instead lost it all, as Andrew X. Pham, his son, recounts in this gorgeously written book. But this is not ultimately a story of loss and upheaval, nor is it simply a retelling of Vietnam's war-torn history from a Vietnamese point of view. Many other books have ably covered that ground. The Eaves of Heaven is something entirely new: an effort to recapture the moments of beauty and transcendence that emerged from these events.
The Washington Post
Few books have combined the historical scope and the literary skill to give the foreign reader a sense of events from a Vietnamese perspective. Le Ly Hayslip's When Heaven and Earth Changed Places gave us the war through the eyes of a South Vietnamese peasant girl turned sex worker, while Nguyen Qui Duc's Where the Ashes Are told us what it was like to watch his father, a high-ranking official in Hue, be taken captive by the Vietcong. Bao Ninh's autobiographical novel The Sorrow of War gave us the viewpoint of a disillusioned North Vietnamese grunt. And now we can add Andrew Pham's Eaves of Heaven to this list of indispensable books…It is often said that the Vietnamese conception of history is circular rather than linear: the same episodes recur over and over, with only the details altered. The Eaves of Heaven has a similar feel. Thong Van Pham is constantly fleeing and rebuilding in the midst of war, watching world after world vanish, from the feudal estate of his childhood to the Hanoi of the '50s to the Saigon of the '70s. He and his son have done us the extraordinary service of bringing a few pieces of those worlds back again.
The New York Times
In a narrative set between the years of 1940 and 1976, Pham (Catfish and Mandala) recounts the story of his once wealthy father, Thong Van Pham, who lived through the French occupation of Indochina, the Japanese invasion during WWII, and the Vietnam War. Alternating between his father's distant past and more recent events, the narrative take readers on a haunting trip through time and space. This technique lends a soothing, dreamlike quality to a story of upheaval, war, famine and the brutality his father underwent following a childhood of privilege ("And that strange year, the last of the good years, all things were granted. Heaven laid the seal of prosperity upon our land. We were blessed with the most bountiful harvest in memory"). For those not familiar with Vietnamese history, Pham does an admirable job of recounting the complex cast of characters and the political machinations of the various groups vying for power over the years. In the end, he also gracefully delivers a heartfelt family history. (June)Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Pham, author of the highly acclaimed memoir Catfish and Mandala, returns with a memoir of his father's life in Vietnam from the father's youth under French colonialism through his release from a Vietcong reeducation camp in 1976. Pham alternates between past events and those closer to the present, re-creating the ebb and flow of life's hopes and realities as the boy became a man. Born into wealth and privilege, Pham's father, Thong von Pham, would later lament as a draftee in the South Vietnamese Army that "hubris brought me down a difficult path when wisdom would have led me toward comfort and wealth." Counseled by his mother "don't be quick to kill or be killed for someone else's rhetoric," Thong witnessed wanton cruelty by competing perpetrators. As a child, he watched the horrific murder of a villager by a French Foreign Legionnaire from Algeria, which left him dreaming of joining the resistance against France. He would soon hear the lurid details of the execution of his beloved teacher, accused of being a French informant. Pham deftly paints a compelling portrait of life during three wars in Vietnam (World War II, the Indochina Wars, and the Vietnam War), of his father's inner conflict, and of the difficult choices faced by a people living in fear. This beautifully written book is essential for public and academic libraries.
A Vietnamese family struggles for security as three decades of conflict tear an ancient society to shreds. Pham, who in 1977 emigrated to California with his parents, won plaudits and awards for a memoir about his personal rediscovery of his heritage (Catfish and Mandala: A Two-Wheeled Journey Through the Landscape and Memory of Vietnam, 1999). Now, he deftly recaptures the history of his father, Thong Van Pham. "I have lent his life stories my words," the author explains. "The perspectives and sentiments within are his." The scion of a family whose ancestral landholdings gave it almost feudal sway over its domain in the North, Thong was born into a traditional, clan-structured society that hung by a thread during decades of French colonial rule, interrupted by a savage World War II Japanese occupation that brought mass starvation to Southeast Asia. Though Thong took secret pride in Ho Chi Minh's communist resistance fighters, who drove France from its Asian empire, communist rule brought even less security and comfort to the wealthy Phams than the degrading years of French imperial dominance, and in 1954 his father decreed that the family flee Hanoi for Saigon. In the south, Thong was able to pursue his education, court his first love (he married beneath his station, to his father's disapproval) and begin building his own family. Then came "the American War." Thong was drafted and survived deadly combat. He witnessed the fall of Saigon, was jailed and sent to a Viet Cong "reeducation" camp, from which he was eventually released through the intercession of a Party official, his wife's uncle. War-torn as it was, a lost world lives again in Thong's recollections of the passions of his life:food, friends, family, romance. Personal tragedy and triumph, related with amazing perspective against an epic backdrop. Agent: Jandy Nelson/Manus & Associates