Ecological Perception Research, Visual Communication, and Aesthetics

Overview

This book tries to apply James J. Gibson's ecological approach to picture perception to questions of visual communication and aesthetics; it provides examples from architecture, industrial design and the arts, to testify the feasibility of this application. Additional theoretical analyses, partly based on cross-cultural and clinical research, help supplement Gibson's basic conjecture, that picture perception is essentially based on invariants of optical structure, rather than ...

See more details below
Paperback (Softcover reprint of the original 1st ed. 1990)
$112.79
BN.com price
(Save 12%)$129.00 List Price
Other sellers (Paperback)
  • All (6) from $50.00   
  • New (4) from $79.70   
  • Used (2) from $50.00   
Sending request ...

Overview

This book tries to apply James J. Gibson's ecological approach to picture perception to questions of visual communication and aesthetics; it provides examples from architecture, industrial design and the arts, to testify the feasibility of this application. Additional theoretical analyses, partly based on cross-cultural and clinical research, help supplement Gibson's basic conjecture, that picture perception is essentially based on invariants of optical structure, rather than interpretation.

Read More Show Less

Product Details

  • ISBN-13: 9783540522003
  • Publisher: Springer Berlin Heidelberg
  • Publication date: 3/13/1990
  • Series: Recent Research in Psychology Series
  • Edition description: Softcover reprint of the original 1st ed. 1990
  • Edition number: 1
  • Pages: 143
  • Product dimensions: 6.69 (w) x 9.61 (h) x 0.33 (d)

Table of Contents

1. Introduction: The ecological optics of information surfaces.- I: Pictures, plans, drawings, and displays — surrogate information and means for communication.- 2. Picture perception as “indirect” perception.- 3. The communicative potential of pictures: eleven theses.- 4. On two distinct and quintessential kinds of pictorial representation.- 5. Meaning, presence and absence in pictures.- 6. Decomposing optical stimulus information by pictures.- 7. Communicating design ideas: a pictorial essay.- 8. Functional versus dysfunctional aspects of information surfaces.- II: Ecological aesthetics.- 9. The semiotics and aesthetics of surfaces and surface layouts.- 10. Ecological perception and aesthetics: pictures are affordance-free.- 11. The “aesthetic experience” as perceiving the general affordance of explorability.- 12. Epilogue: Availability and affordances of information from information surfaces.- Author index.- List of contributors.

Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)